IMDb-BEWERTUNG
5,2/10
4765
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAaliya is not ready for commitment even after a decade-long friendship with Abhay. She remains indifferent when he follows her to Australia, but is finally shaken when he announces his marri... Alles lesenAaliya is not ready for commitment even after a decade-long friendship with Abhay. She remains indifferent when he follows her to Australia, but is finally shaken when he announces his marriage.Aaliya is not ready for commitment even after a decade-long friendship with Abhay. She remains indifferent when he follows her to Australia, but is finally shaken when he announces his marriage.
- Auszeichnungen
- 3 Nominierungen insgesamt
Parzaan Dastur
- Teenage Abhay
- (as Parzan Dastur)
Empfohlene Bewertungen
Break ke Baad is not a movie that many people will be able to relate to but some definitely will. It is not particularly entertaining but in a juvenile way it does deal with some situations that are probably relevant with a lot of Gen Y couples. Aaliyah is a girl who wants everything in life without really bothering about anyone around her. This fact is shown by some irrelevant details like making her smoke a cigar, talk trash and get drunk in cinema halls but then bollywood movies have never been subtle. Diametrically opposite in personality is her childhood boyfriend who is sensitive , caring , selfless to the point that he spoils her completely - of course it was necessary to show his inclination towards cooking because businessmen are rarely sensitive. A very genuine rooftop scene reveals their very skewed relationship. Eventually Aaliyah wants to pursue with her ambitions so we know a break up is evident. She wants to move on he wants to hold on...and so it goes on and on...and you know it is getting confusing. The director drives home a lot of points all summed up in intelligent dialogues by everyone who seem to know whats up with the two protagonists except they themselves... Finally they decide to grow up so that they audience can call it a love story and go home...
Good editing, and transitions, the song were quite lovely and Imran Khan as well. ;)
A bit unrealistic but a goooood watch nonetheless.
Okay good. Can watch it.
A bit unrealistic but a goooood watch nonetheless.
Okay good. Can watch it.
Debutant director Danish Aslam serves us disappointing fare in Break Ke Baad this weekend - a crisp first half followed by a damp and soggy second half. The teekha first half has Deepika's sizzling act as Aaliya - bringing some life & vitality to her usually expressionless face. Imran plays the chocolate boy lover Abhay – a role he has done admirably in the past and is the likable meethi chutney. Together, against my expectation, they both produce a very likable dish and have a crackling on screen chemistry. However, that spark between them is completely doused by the insipid writing in the second half.
The opening credits are a montage of two six year olds falling in love as they grow up, with a shared passion of Hindi movies. The girl grows up to be the impetuous Aaliya who is full of life, but sometimes does not care about anyone but herself. Abhay is the ultra-sweet guy who tolerates all her tantrums and still adores her. Maybe because he realizes he needs her more than she does. However, when Aaliya decides to fly off to Australia to study, the relationship cant take the strain and the 'break' happens.
This is where the movie goes to dogs – as it starts focussing more on other characters and side-plots more than the lead pair. Sharmila Tagore as Aaliya's mother heads a useless track about the ills of the world of showbiz. She also seals my belief that yesteryear's charming heroines lose their expressive faces in the process of ageing (maybe to botox). And hence are better staying alive in old movie reruns rather than acting in newer movies. Jaya Bhaduri, Hema Malini and now Sharmila Tagore – their faces struggle to convey different emotions – and end up looking almost similar in all scenes.
The movie meanders along for quite a while before becoming a coming-of- age movie for both Aaliya and Abhay. And this is the movie's biggest failure – since the scriptwriter clearly doesn't have the maturity to handle this topic as much as he has a handle on romance. The climax is stupid even by the low standards of rom-coms – and which is where you write the movie off as a failure
PS - Something struck me a couple of days after I watched the movie – when you watch the movie, you can tell me if I was wrong or right. I thought Aaliya's character and idiosyncrasies were heavily based on Jab We Met's Geet . None of the Bhatinda Punjabi madness, but a calculated effort by the makers to use that quirkiness and happy-go-lucky nature. But then again, Geet was a million times better than Aaliya would ever be.
You can read more of my reviews at http://bombaycinephile.blogspot.com
The opening credits are a montage of two six year olds falling in love as they grow up, with a shared passion of Hindi movies. The girl grows up to be the impetuous Aaliya who is full of life, but sometimes does not care about anyone but herself. Abhay is the ultra-sweet guy who tolerates all her tantrums and still adores her. Maybe because he realizes he needs her more than she does. However, when Aaliya decides to fly off to Australia to study, the relationship cant take the strain and the 'break' happens.
This is where the movie goes to dogs – as it starts focussing more on other characters and side-plots more than the lead pair. Sharmila Tagore as Aaliya's mother heads a useless track about the ills of the world of showbiz. She also seals my belief that yesteryear's charming heroines lose their expressive faces in the process of ageing (maybe to botox). And hence are better staying alive in old movie reruns rather than acting in newer movies. Jaya Bhaduri, Hema Malini and now Sharmila Tagore – their faces struggle to convey different emotions – and end up looking almost similar in all scenes.
The movie meanders along for quite a while before becoming a coming-of- age movie for both Aaliya and Abhay. And this is the movie's biggest failure – since the scriptwriter clearly doesn't have the maturity to handle this topic as much as he has a handle on romance. The climax is stupid even by the low standards of rom-coms – and which is where you write the movie off as a failure
PS - Something struck me a couple of days after I watched the movie – when you watch the movie, you can tell me if I was wrong or right. I thought Aaliya's character and idiosyncrasies were heavily based on Jab We Met's Geet . None of the Bhatinda Punjabi madness, but a calculated effort by the makers to use that quirkiness and happy-go-lucky nature. But then again, Geet was a million times better than Aaliya would ever be.
You can read more of my reviews at http://bombaycinephile.blogspot.com
I just saw the movie in theater, it didn't took much time to realize I'm wasting my time. The movie was really boring, i think director doesn't really know how to present the story, even though the story is old and it's already shown in many films. The dialogues between the lead pair are also old Hindi filmy dialogues, the dialogues pattern is same as "I HATE LOVE STORIES" movie. I think it would be better if we don't talk about screenplay. The cinematography and music are OK but they didn't add any good to the movie. Watching in theater is a waste of time and money. If you really want to watch, it's better to wait for DVD release.
"Break Ke Baad" is an ideal romcom catering to the segment of audience who bunk classes and chill out in the multiplexes. At the outset the plot might look "space issues" meets "coming of age". However the writers, Danish Aslam and Renuka Kunzru take the liberty of overloading layers for every character who makes an appearance on the silver screen. Imagine even the acid tongue landlady's brother has issues in life! On that note the overkill phenomena was last witnessed in "Jaane Tu Ya Jaane Na".
Imran Khan delivers a restraint and matured performance. Deepika gets a lion's share in terms of characterisation. Her spontaneity is a treat to watch to the extent that would seem she has mastered the art of impromptu acting. Sharmila Tagore and Naveen Nischol were under-utilised. Lillete Dubey and Shahana Goswami get a few fiery lines to mouth.
If you set aside the shortcomings on the writing front, the movie excels in other technical departments. Songs are noteworthy (Kunal Kohli is renowned for a good music taste, so there you go). Costumes deserve a mention. The DOP has a fine job. The tongue-in-cheek lines ensures audience stay with the proceedings. Editing is slick. Lastly there was no need shifting the storyline to Australia. IIM-Ahemadabad would have been done the job.
Verdict: Not too bad for one-time watch.
Imran Khan delivers a restraint and matured performance. Deepika gets a lion's share in terms of characterisation. Her spontaneity is a treat to watch to the extent that would seem she has mastered the art of impromptu acting. Sharmila Tagore and Naveen Nischol were under-utilised. Lillete Dubey and Shahana Goswami get a few fiery lines to mouth.
If you set aside the shortcomings on the writing front, the movie excels in other technical departments. Songs are noteworthy (Kunal Kohli is renowned for a good music taste, so there you go). Costumes deserve a mention. The DOP has a fine job. The tongue-in-cheek lines ensures audience stay with the proceedings. Editing is slick. Lastly there was no need shifting the storyline to Australia. IIM-Ahemadabad would have been done the job.
Verdict: Not too bad for one-time watch.
Wusstest du schon
- WissenswertesThe poster on Aaliya's (played by Deepika Padukone) room in Delhi is of a movie called Do Shatru (1976). This is a 1980 movie starring Sharmila Tagore, who plays Aaliya's mother in the movie.
- VerbindungenFeatures Mr. India - Der unsichtbare Held (1987)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- After the Break
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 427.628 $
- Eröffnungswochenende in den USA und in Kanada
- 194.737 $
- 28. Nov. 2010
- Weltweiter Bruttoertrag
- 3.954.699 $
- Laufzeit2 Stunden 25 Minuten
- Farbe
- Sound-Mix
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