The Hit List

I don't think it's a spoiler to say this film has a great deal to do with Collateral. Unfortunately, I think that perhaps the distributors also felt the same way, to the point of rejecting the film for fear of some kind of backlash. Although superficially it does share much with Collateral, it goes its own way, and has its own conclusion. And it's a good one. It may not be the most high- budget movie, and it may not be the best edited movie, but it does deliver better than most efforts seen lately, even in the big-budget category. Cuba may have a new career here as an Ice-T reminiscent bad-ass. Worth a matinée ticket.

For what it is, 8/10.

This is the kind of movie that you could feel since the beginning that the director should be making sandwiches in a cafeteria. With the performance of Cuba Gooding Jr. here compared to Men of Honor ( 2000 ) anyone can see what a difference can make a good director. The girl is pretty but is out of timing though for moments she gets on the roll. The scenario or the background looks cheap and boring, thats because the movie's budget was very low even though the director I think that for a job like this he refuse to be paid. The script is so so, not even close to Jackie Chan movie. Finally, this movie looks like a students film.

Cole Hauser is in a bar drinking. He's seated next to Cuba Gooding Jr. Gooding claims he is a hit man, and offers to kill five people for Hauser. Thinking this is nonsense, Hauser writes down his top five picks. Gooding proceeds to kill them.

You'd expect this to be a nothing film. It's surprisingly good, in no small part due to Gooding's performance as a creaky-voiced maniac fixated on Hauser, trying to teach him some sort of weird life lesson. Don't talk to strangers? Don't make wishes that other people would be dead? Take some responsibility for your life? It's not clear. Probably the writers didn't really care; Gooding's role is to be the Terminator and die. Whatever Gooding does to make us think there's some motivation behind his actions is good acting.

This movie is very entertaining. The acting of Cuba Gooding Jr. and Cole Hauser make this movie good. The story is nice, there are only a few lines the writers could have had a second look at, but it is bearable, and the action is good. But the idiot that thought Jonathan LaPaglia could act must be fired on the spot, every time he is in the picture he brings the whole move down, but again, thank god for Cuba Gooding Jr.and Cole Hauser. The movie has something of Collatoral Damage, but is much more fun. I don't understand some of the bad reviews, you just can't go wrong with this movie, it is little gem. I have never seen a William Kaufman movie, but this inspired me to see another one right away.

Just a few weeks after picking up Gooding's last film "Sacrifice", "The Hit List" was released. I picked it up because I am a pretty big fan of his. The film turned out to be pretty well done for a DTV thriller but just like "Sacrifice" it has it's flaws.

Jonas Arbor(Gooding) is a hit man and decides to go rouge. His reason unfolds throughout the movie but in doing this he runs into Allen(Cole Hauser) in a bar. Allen is having his own bad day by losing his promotion to a younger partner in his film and problems with his wife come to surface. Arbor and Allen meet in a bar and get drunk together. Jonas explains to Allen that he is a hit man and will kill five people for Allen free of charge. Thinking it is a joke Allen writes down names and laughs it off. It isn't long before he realizes its a joke and has to stop Jonas from completing the list.

The film has been compared to "Collateral" and while it is a fair comparison, the film does stand on its own. Its flaws lie in editing and lack of budget which is the same thing "Sacrifice" suffered from. The opening credits are done in almost a comedic or even a James Bond type of way and really turns the viewer away from what the tone is trying to be. The budget shows in the camera set ups and how rarely other angles are used. The DP obviously did not have the time or money to make the film look bigger. There is a car chase in the film that could have been much more exciting if the editing was better. All in all what saves the film is the performances by Hauser and Gooding. They do not play down to the budget level and they treat the film as if it is a big budget hit. Gooding assures the audience that he has still got it and reminds us of why he is capable of an award winning performance. He is deep and scary and really gets into the role more than he has in the last few years. The quality lies in the performances which is why this is an above average DTV Thriller.

Acting 9/10

Editing 5/10

Music 5/10

Directing 7/10

Fans of Gooding and Hauser should be pleased with this film.