IMDb-BEWERTUNG
3,8/10
4047
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAngel is released from prison and is reunited with his friend Rich who helps him smuggle weapons in a gun-running ring. But Detroit police and the FBI have declared war on arms smuggling.Angel is released from prison and is reunited with his friend Rich who helps him smuggle weapons in a gun-running ring. But Detroit police and the FBI have declared war on arms smuggling.Angel is released from prison and is reunited with his friend Rich who helps him smuggle weapons in a gun-running ring. But Detroit police and the FBI have declared war on arms smuggling.
La La Anthony
- Mona
- (as LaLa Vazquez)
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Val Kilmer and 50 Cent have been cranking out a lot of direct to video gems these days. They did "Streets of Blood", which I actually really enjoyed, and then did "Blood Out", which got worse. "Gun" seems to be the nail on the coffin in a strange relationship.
Val Kilmer plays Angel (what kind of name is that for Val Kilmer?!), a man released from prison after taking the rap for his gun-running friend played by 50 Cent. Angel immediately goes back to his old ways, and helps 50's rising ring come to glory in battle-scarred Detroit, despite the efforts of a relentless detective (James Remar).
An interesting plot that covers many bases, ie the gun-control problem in the U.S. (particularly Detroit) as well as the violence guns ultimately cause from their simple existence. I took "Gun" to be a film lightly promoting Gun Control, which is an admirable message from the film's screenwriter 50 Cent.
The script is well-written, which is a definite plus. Several of the scenes are very compelling and concerning, especially those with James Remar and John Larroquette. But several other scenes seem thrown in, without any sort of analysis or reason for them being there. One such scene is where 50 tells Val of how guns killed both his parents as a child. The irony is something that I suppose is obvious, but it's not covered well in the film. The scene seems shaky, and doesn't represent all that it could, or is really supposed to.
The acting really lacks. Val Kilmer has put on weight, his eyes are lifeless, and his performance here seems forced. He seems to read his lines from a poster behind the camera. But 50 Cent is just awful here. Whatever acting talent briefly blossomed in Streets of Blood had gone under for this performance. I hope he gets better, because 50 has a lot of potential. Though James Remar really makes up for both of them, he's very good and turns in a great role. John Larroquette has a fantastic couple of scenes at the end, and by the end of the film he's the light at the end of the tunnel. Danny Trejo has a small cameo as well.
"Gun" is a film with a lot of potential but few gears that get the machine moving. If you're willing to look past glaring errors and some wooden acting, you might enjoy it as much as I did.
Val Kilmer plays Angel (what kind of name is that for Val Kilmer?!), a man released from prison after taking the rap for his gun-running friend played by 50 Cent. Angel immediately goes back to his old ways, and helps 50's rising ring come to glory in battle-scarred Detroit, despite the efforts of a relentless detective (James Remar).
An interesting plot that covers many bases, ie the gun-control problem in the U.S. (particularly Detroit) as well as the violence guns ultimately cause from their simple existence. I took "Gun" to be a film lightly promoting Gun Control, which is an admirable message from the film's screenwriter 50 Cent.
The script is well-written, which is a definite plus. Several of the scenes are very compelling and concerning, especially those with James Remar and John Larroquette. But several other scenes seem thrown in, without any sort of analysis or reason for them being there. One such scene is where 50 tells Val of how guns killed both his parents as a child. The irony is something that I suppose is obvious, but it's not covered well in the film. The scene seems shaky, and doesn't represent all that it could, or is really supposed to.
The acting really lacks. Val Kilmer has put on weight, his eyes are lifeless, and his performance here seems forced. He seems to read his lines from a poster behind the camera. But 50 Cent is just awful here. Whatever acting talent briefly blossomed in Streets of Blood had gone under for this performance. I hope he gets better, because 50 has a lot of potential. Though James Remar really makes up for both of them, he's very good and turns in a great role. John Larroquette has a fantastic couple of scenes at the end, and by the end of the film he's the light at the end of the tunnel. Danny Trejo has a small cameo as well.
"Gun" is a film with a lot of potential but few gears that get the machine moving. If you're willing to look past glaring errors and some wooden acting, you might enjoy it as much as I did.
All I can say about this film is I really hoped it was better.
But unfortunately, I felt as if I was watching a long sequence of cheap tied together 80's and 90's crime drama/action films.
The dialogue was so run of the mill it was comedic.
Even the deals took place in abandoned warehouses where every crime lord must do business in Hollywood.
And there's even the villain reveling in his proverbs and monologues that are supposed to be far-reaching tests and messages to his minions.
This film was so formulaic it makes you wonder what the hell happened when they test screened it.
Do they just aim for low socio-economic teenagers who revel in slickly produced violence and crime?
Chock full of African American gangster caricatures and dialogue?
I remember when I was a teenager I loved ninja films, regardless of the quality.
So perhaps the target audience is similar - young men who care less about the finer points of film-making and are only impressed by the most violent, uncompromising, bloodthirsty and cold-hearted characters who display a ruthlessness in making money and a blithe attitude towards life and death.
The question is: Is this art? I say if the intention is to create art then yes it is; whether it's worthy of Kudos is another matter.
Lastly, one gets the feeling Curtis Jackson is attempting to make a living from telling his life story in different ways.
Is his life imitating art or is art imitating his life? I suspect the latter.
But unfortunately, I felt as if I was watching a long sequence of cheap tied together 80's and 90's crime drama/action films.
The dialogue was so run of the mill it was comedic.
Even the deals took place in abandoned warehouses where every crime lord must do business in Hollywood.
And there's even the villain reveling in his proverbs and monologues that are supposed to be far-reaching tests and messages to his minions.
This film was so formulaic it makes you wonder what the hell happened when they test screened it.
Do they just aim for low socio-economic teenagers who revel in slickly produced violence and crime?
Chock full of African American gangster caricatures and dialogue?
I remember when I was a teenager I loved ninja films, regardless of the quality.
So perhaps the target audience is similar - young men who care less about the finer points of film-making and are only impressed by the most violent, uncompromising, bloodthirsty and cold-hearted characters who display a ruthlessness in making money and a blithe attitude towards life and death.
The question is: Is this art? I say if the intention is to create art then yes it is; whether it's worthy of Kudos is another matter.
Lastly, one gets the feeling Curtis Jackson is attempting to make a living from telling his life story in different ways.
Is his life imitating art or is art imitating his life? I suspect the latter.
I only gave this one a shot because of Val Kilmer, I can't pinpoint the reason why I like him, but I do. He's making it very hard to like him these days with crap like this floating around. GUN is a predictable, poorly acted and poorly shot film that throws no punches and plays it completely by the book. Curtis '50 Cent' Jackson wrote it, which tells me one thing and one thing only. He loves guns.
The film could have and should have given us some insight on the gun running trade, but no, instead it is more focused on a lame story that involves Jackson running guns for some hot bimbo, who works for someone else, while he gets in her pants. Val Kilmer enters the story when he is released from prison and is looking for some work. He goes and meets Jackson because they met once before a long time ago and Kilmer helped him escape a sticky situation.
They act as if they are best friends after they run into each other. I can't tell is Jackson is acting or not, he seems to be playing himself. Kilmer looks rather bored with the work and doesn't try in the least. We finally get to see him act at the very end, but it's way too late in the game for that. Jackson decides to make Kilmer is second in command at one point. Which to me seems odd, why make a guy you've just met your second in command and totally ignore two guys you've known from childhood? It doesn't help that Jackson knows there is a rat in his crew...his crew of like 4 guys, one of which is a new addition. A new white guy addition. Hmm, lets put two and two together here folks.
Kilmer is in fact working for the cops, this shouldn't come as a surprise because it's in the trailer. The film tries to surprise us with this fact, but even if we never saw the trailer, anyone who has seen a movie before can tell. There is nothing exciting, fresh or interesting about this film. Even the sex scene is boring. I think Kilmer did this film as a favour to Jackson, when they became friends on the set of another crappy film they did. Not that Kilmer is making the best of movie choices right now, but this is really pushing it.
The film could have and should have given us some insight on the gun running trade, but no, instead it is more focused on a lame story that involves Jackson running guns for some hot bimbo, who works for someone else, while he gets in her pants. Val Kilmer enters the story when he is released from prison and is looking for some work. He goes and meets Jackson because they met once before a long time ago and Kilmer helped him escape a sticky situation.
They act as if they are best friends after they run into each other. I can't tell is Jackson is acting or not, he seems to be playing himself. Kilmer looks rather bored with the work and doesn't try in the least. We finally get to see him act at the very end, but it's way too late in the game for that. Jackson decides to make Kilmer is second in command at one point. Which to me seems odd, why make a guy you've just met your second in command and totally ignore two guys you've known from childhood? It doesn't help that Jackson knows there is a rat in his crew...his crew of like 4 guys, one of which is a new addition. A new white guy addition. Hmm, lets put two and two together here folks.
Kilmer is in fact working for the cops, this shouldn't come as a surprise because it's in the trailer. The film tries to surprise us with this fact, but even if we never saw the trailer, anyone who has seen a movie before can tell. There is nothing exciting, fresh or interesting about this film. Even the sex scene is boring. I think Kilmer did this film as a favour to Jackson, when they became friends on the set of another crappy film they did. Not that Kilmer is making the best of movie choices right now, but this is really pushing it.
50 Cent's movies tend to have very low ratings, but I tend to enjoy a lot of them still (for instance 'GET RICH OR DIE Trying' is IMO really good and 'SETUP (2011)' plus 'STREETS OF BLOOD (2009)' provides fairly good entertainment despite their flaws).
So even though this had a 3.8/10 I thought it could still be decent.
But no, this one actually deserves it.
Poor writing (by 50 Cent himself) and unfocused story with too many scenes of the police (which wouldn't be a problem if 50 knew how to write for cops, which he clearly doesn't and gives them extremely redundant dialog to work with) and the acting is not very good.
AnnaLynne McCord I usually like but her role is fairly pointless (basically in it just to be a girl for 50 to seduce), but then I suppose most characters in it are, none of the characters feel real and it just doesn't really quite work on any level.
Danny Trejo is in it for just one scene, but that's something I've come to get used to when his name is attached to something.
James Remar has a fairly big role, and he doesn't pull a bad performance but he's just not given much to work with.
And Val Kilmer... I don't feel like kicking someone who's already lying down.
Not much more to say about it really. I mean the end does show that their were some decent intentions with the script but it just got lost in the way of trying to make 50 look as gangsta as possible.
Even 'BEFORE I SELF DESTRUCT (2009)' was better than this.
So even though this had a 3.8/10 I thought it could still be decent.
But no, this one actually deserves it.
Poor writing (by 50 Cent himself) and unfocused story with too many scenes of the police (which wouldn't be a problem if 50 knew how to write for cops, which he clearly doesn't and gives them extremely redundant dialog to work with) and the acting is not very good.
AnnaLynne McCord I usually like but her role is fairly pointless (basically in it just to be a girl for 50 to seduce), but then I suppose most characters in it are, none of the characters feel real and it just doesn't really quite work on any level.
Danny Trejo is in it for just one scene, but that's something I've come to get used to when his name is attached to something.
James Remar has a fairly big role, and he doesn't pull a bad performance but he's just not given much to work with.
And Val Kilmer... I don't feel like kicking someone who's already lying down.
Not much more to say about it really. I mean the end does show that their were some decent intentions with the script but it just got lost in the way of trying to make 50 look as gangsta as possible.
Even 'BEFORE I SELF DESTRUCT (2009)' was better than this.
The remaining divisiveness in this country. The reviews say it all. There is condescension from some critics about who they think this movie is for. They may have been offended by some of the scenes. Kudos to the actors as they try to erase that divisiveness.
Wusstest du schon
- WissenswertesJackson routinely showed up not knowing any of his lines, nor knowing how to act. Other actors had to teach him blocking.
- Zitate
Sam Boedecker: [on Rich] The ni**er is always the expendable part of the process
- VerbindungenReferenced in Bad Movie Beatdown: Set Up (2013)
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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