Winnie

Great historical drama! When i first saw that Terrence Howard and Jennifer Hudson were playing the lead roles i was doubtful that they could pull off a creditable performance. Boy was i wrong! From what i know of the actual Mandela story, seeing how i have been following the real story since the apartheid protests began in the 60's, i would say that both Howard and Hudson channeled both Mandela and Winnie!! my only regret is the movie did not receive the acclaim that it deserved! I thought that Hudson did a great job in her acting debut in Dreamgirls. However, i thought that her performance in Winnie was far better! In Dreamgirls she(Hudson) was nominated for an academy award yet no mention for her excellent performance in Winnie!!

I was surprised at the negative tone of other reviews. I thought this was an excellent piece of work --- acting --- production --- accuracy. I wondered whether it was going to glamourize Mandella with an unrealistically positive spin. But no, it does a good job of illustrating the unfortunate turn her life took in the later years of the South African struggle. She ended up as a vindictive,foul mouthed, autocratic drunk. But you understand how that came to be after her long ordeal, which was powerfully portrayed. I also was surprised to find that this was largely a Canadian production. It had none of the pretentious unoriginality that marks so many Canadian films, especially those done for Canadian cable television. It was believable, watchable and informative!

I am presently watching this movie at the moment. I must say I am extremely surprised at the flawed costuming of this project. This is a movie chronicling the life of Winnie Madikizela-Mandela, a woman who was born in 1936. Yet from the very start of the movie(which starts at her birth), you notice immediately that they lost it on the costumes they used as they do not depict the kind and quality of clothing worn in a 1936 South African village. For one the clothing used are really really bright and very 2011 fashionable. Regarding the styling, you can clearly tell that they probably could not produce them that way back then. They also look too bright and flashy much like modern apparel. In certain scenes you see that the ties worn by the guards or police officers looking really modern day and therefore really makes you struggle to believe the events were actually occurring when the acting tells you they were. Talk about the wedding dress used in Winnie's wedding, it just looks out of place time-wise. So even though the acting is good, I feel that the strength of the acting was much suppressed by this flaw. It really would have been better if they had down toned the colors a bit but unfortunately they did not.

I viewed this at the Toronto International Film Festival where it premiered without a final soundtrack and with the end credits missing. But that's not what's important. Sadly, Winnie bites off more than it can chew due to weak, amateurish writing and clichéd action scenes, choppy story-telling and most of all, the casting of Jennifer Hudson, who is embarrassingly over her head as the love of Mandela's life. The larger historical,political and cultural context of this epic tale is missing, and although the basic 'facts' are there, it comes across as lifeless, wooden, artificial and often cloyingly sentimental. There are some bad choices in the story-telling in the interest of Hollywoodizing the saga for audiences who may not be knowledgeable about South African history or realities. Terrence Howard tries hard against the challenges of a lousy script and heavy-handed direction, and ages brilliantly as Mandela. He can't, single-handedly, save the film, so at the moment, the entire project feels as if it's headed straight to DVD.

Upon entering the theater I knew that I was coming to see a 2 hour movie which in no way, shape or form could capture every epic detail and nuance (historical and personal) over a 50 year period of Winnie Mandela's life story. What amazes me is the amount of negative criticism and unrealistic expectations that this film has received. Those types of lofty goals could only be accomplished in an 8 part miniseries not a 2 hour film.

Keeping an open mind, I sat down not knowing what to expect. What I received was the privilege of witnessing a captivating film with outstanding performances. Ms. Hudson pleasantly surprises with her depth of character as Winnie Mandela (not the smirks, attitude and singing which won her an Oscar in Dreamgirls)... she was able to go there. Furthermore, I appreciate the fact that the film does not attempt to "sugarcoat" Winnie's journey. Mr. Howard was a brilliant choice to portray Nelson Mandela... he possessed both the strength and elegance of the icon. Supporting cast performances were also excellent.

As the credits rolled the audience sat quietly almost as if glued to their seats. After the final credit rolled my experience was summed up by a fellow audience member who stood, stretched and said... WOW! I walked away from that theater in astonishment... they actually pulled it off! I see Oscar nods for both Howard and Hudson and possibly Mr. Koteas. The only thing working against this film and possible nominations is that it is not part of the "Hollywood Machine" which force feeds movies, reviews and awards. I truly hope that this lovely film does not fall victim to the "Hollywood Monster" lurking over it. Disregard the reviews... go see this movie, you'll be pleasantly surprised!