A Spy Among Friends

This must-see addition to the Cold War spy genre leans heavily on the visual and stylistic tropes established by the definitive 1979 BBC dramatisation of John Le Carre's 'Tinker, Tailor, Soldier, Spy'.

The lighting, settings, dialogue and pacing all pay homage to this classic series.

The production is absolutely sumptuous, with no expense spared. Beautiful photography, set decoration, locations and a legion of telephone boxes, pillar boxes and handily placed furniture vans (together with a cavalcade of vintage vehicles, archive footage and outstanding CGI matte shots) transform modern-day London and Bucharest into the Europe of the 1940s, 50s and 60s.

The narrative is often difficult to follow. Some streamlining and signposting of the plot would help. I watched all six episodes back-to-back and, at times, it felt like I was reassembling the shredded CIA files after the Fall of Saigon. One dark, wintery street, full of shuffling brown shapes, looks much like any other.

But the acting is top-notch. BAFTA-worthy performances from Anna Maxwell Martin, Damian Lewis and Guy Pearce, and the story really rewards those who stick with it. Plaudits for the original score too.

Heartily recommended, though, for multiple viewings, I'd opt for Alec Guinness every time.

One of the first commissions for new UK Streamer ITVX this six part drama has quality written all over it. The production values are high and there is a premium cast led by Damian Lewis, Anna Maxwell Martin and Guy Pearce.

Its a fascinating story that focuses on Philby and how MI5 played their hand once they conclusively worked out that he had been a long term Soviet agent.

For me the strength of it was in the production and the acting. I think some will find a bit slow moving and dull as the setup involves lot of scenes of interrogation and relatively little action seen in occasional flashbacks. Its more 'Tinker, Tailor, Soldier, Spy' than Mission Impossible' which is fine unless you're expecting the latter.

Quibles, as usual it was photographed way too darkly, it was sometimes hard to see the actors at all. Anna Maxwell is a great actress but if the story demanded a strong female character from Durham couldn't we have had an actress authentically from the area? The shifts in time were also hard to follow and over-used.

But for fans of the genre its definitely one to savour and enjoy.

In the 1950s, John Le Carre (as he wasn't yet known) had to leave his job in the British secret service following the defection of the Kim Philby. Le Carre adopted his pen name and took up a new career as a writer of spy thrillers; and most directly fictionalised the Philby story in his most famous novel, 'Tinker, Tailor, Soldier, Spy'. This was adapted into a brilliant, talky television drama, featuring many of the outstanding British actors of the 1970s. It was more recently made into a film; but in a very different style. 'A Spy Among Friends' is new, less fictionalised account of Philby's defection, but it's far more like the 1970s version of Le Carre's work than the later film. Guy Pearce, Damian Lewis and Anna Maxwell Martin, among others, sit around talking. I should absoultely love it, given how much I adore its spritual predecessor, and it is good; but it's a little bit too clever, and it can be hard to follow all the subtle twists of plot. The Australian Pearce in particular is very good (and convincingly English) as Philby, but it's a muted affair.

Based upon the real life events of the Russian infiltration of the British security services from around the rise of Nazi Germany through to the early 1960s when the infiltration was exposed and 'agents' fled Britain.

This is not an action spy drama, it's a drama based upon intrigue and strategic thrust and parry - as such it's very successful and weaves a gripping tale. Just what exactly is going on? Whom can we trust? Is this opportunism or another move in the long game, or both...?

The three leads, Lewis, Martin & Pearce each offer nuanced performances that between them create and carry the bulk of the show's dramatic tension - and they each do a fine job of conveying a sense of the 'times they lived in' - times overshadowed by the cold war, memories of fascism and an horrendous world war, and of a looming new world struggling to shake off these attachments and mires of the old world.

The unfolding of the story is a little complicated, with frequent time shifts, which clarify and re-clarify understanding - so this is not a casual viewing show. It demands the audience pay full attention and think about and consider what they're witnessing. It all adds up to a very satisfying experience if you're prepared to invest the time - but mostly, you'll simply get sucked into the story and crave resolution.

On the production side, the world created is a very convincing one depicting, primarily, London in the 60s.

Superb!

I have to say I was initially sceptical given some of the bad reviews until I saw a pattern, most of the negative reviewers hadn't bother to finish it so I persevered and I'm glad I did. This show offers something that's missing from so many TV shows out there - an intelligent story told by actors with real talent. Sure the story jumps back and forth but if you actually pay attention and give it time the rewards are there. All are on fine form especially Damien Lewis who is superb.

If you like intelligent well crafted TV dramas that offer a twisty tale for grown up this might just be for you.