Elite Squad: Im Sumpf der Korruption
Der ehemalige Hauptmann Nascimento, heute ein hochrangiger Sicherheitsoffizier in Rio de Janeiro, wird in einen blutigen politischen Streit hineingezogen, in den Regierungsbeamte und paramil... Alles lesenDer ehemalige Hauptmann Nascimento, heute ein hochrangiger Sicherheitsoffizier in Rio de Janeiro, wird in einen blutigen politischen Streit hineingezogen, in den Regierungsbeamte und paramilitärische Gruppen verwickelt sind.Der ehemalige Hauptmann Nascimento, heute ein hochrangiger Sicherheitsoffizier in Rio de Janeiro, wird in einen blutigen politischen Streit hineingezogen, in den Regierungsbeamte und paramilitärische Gruppen verwickelt sind.
- Auszeichnungen
- 45 Gewinne & 19 Nominierungen insgesamt
Empfohlene Bewertungen
I enjoyed the first movie very much but the sequel even surpasses that. The story is more complex and keeps you interested and involved all the way. The central character is again Roberto Nascimento who is now more mature, as the story is set 13years later than the first movie. His enemies are corrupted policemen and politicians who prove to be much bigger threat than the drug lords as they have political power to influence Nascimento's position. Nascimento will have to adapt and learn to fight on other fields using new methods.
This time we also learn more about Nascimento's family and his relationship with them, especially with his adolescent son.
The audience applauded the film five times, the last a standing ovation. Capitão Nascimento has become the alter ego of every Brazilian, seeking a secure place to live. I think the film will find an echo in neighboring Latin American countries.
Compared to Tropa de Elite 1, the second delivery is a much more mature picture, a deeper look into the issues that plague every Latin American major city- citizen's security, human rights, and political responsibility.
Since City of God, I have not seen such a round and impactful film about the social reality in Brazil. Remarkable work of José Padilha, Braulio Mantovani with a seamless screenplay. Lula Carvalho's precise work as a DOP, Daniel Rezende's brilliant editing, not to mention Wagner Moura's surprising delivery as a mature Nascimento.
A total must see, and absolute award season favorite
First, the context, time and social appraisal this movie has received on the box-office weekend is even more complicated than we once thought. I'd just like to say I'm not a sucker for ratings or box-office earnings, but the fact that it toppled any other movie in Brazilian theaters, national or not, is obviously noteworthy.
One month or so after the movie premiered, the actual BOPE was critical, alongside Brazil's Army and Rio State civil and military police, not to mention the huge political circus involved therein - on what's been infamously called The Invasion of the Complexo do Alemão, a huge gathering of equally enormous favela "clusters".
It was the start of a new era on the fight against corruption, organized crime and political inaction. Or so we're led to believe. It turns out not only the anti-hero Captain Nascimento is next to irrelevant on the fight against the Powers that Be, but so is pretty much everyone else.
Some people - myself included - have speculated that politicians used the upside-down popularity of the movie to go ahead with the invasion in the Alemão. I don't know where Padilha stands on this, but I think I have a quite good idea on where he stands, as far as idolizing the police, BOPE, Nascimento or violent acts of any sort go. But who would have thought? We're THIS stupid. Fortunately, the Invasion was bloodless. Yes, fortunately and extremely weird.
Anythewho... Add to that another unexpected impact of the movie on police crackdown on illegal DVD sales. While the first one notoriously skyrocketed pirate DVD purchases, which contributed to its fast insertion on public culture - the second one was remarkably unseen, or with good quality, in the streets with the camelôs.
Overall, I'd classify this movie as a masterpiece on its own. I took 2 points out of it for being a sequel, but I'm torn and seriously considering changing to 10/10. "City of God" didn't have a sequel, and it's good just like that. In the other hand, if we didn't have this sequel, we wouldn't have such a powerful and strong movie, one that speaks deep - or should - to our innermost misconceptions about poverty and the mind-numbing War on Drugs.
Unfortunately, the Steven Seagal-esque Brazil took a stand and it wasn't the one I like the most. People in power or not have and will keep misconstruing Padiha's work because we're just like that, we love to choose the moron way.
The good: just as memorable action scenes, although there were less of them. The story had several twists and turns and it was fascinating overall
The bad: Character development seemed to have taken a back seat here to the grand narrative. The distinct personalities of the first movie are kind of reduced. Andre Matias is the biggest example of this, and I was disappointed with what they did with him. Cpt. Nascimento's wasn't nearly as bad-ass or imposing as in TdE1.
I recommend this to anyone who likes a good crime movie with a message. I'm not Brazilian but this movie still made me think.
9/10
Wusstest du schon
- WissenswertesWhen Nascimento enters the restaurant to confront Guaracy, the man wearing the blue and white striped shirt who stands to congratulate him is Rodrigo Pimentel, the real-life former BOPE officer who co-wrote the screenplay of 'Tropa de Elite', and whom the character of Nascimento is based upon.
- Zitate
Lt. Colonel Nascimento: You know what this operation should be called?
Officer: No, sir.
Lt. Colonel Nascimento: Operation Iraq.
- Crazy CreditsThe beginning credits feature scenes from the first film.
- VerbindungenFeatured in Ebert Presents: At the Movies: Folge #2.17 (2011)
Top-Auswahl
- How long is Elite Squad 2: The Enemy Within?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Elite Squad 2: The Enemy Within
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 100.119 $
- Eröffnungswochenende in den USA und in Kanada
- 8.648 $
- 13. Nov. 2011
- Weltweiter Bruttoertrag
- 63.618.850 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1