Khufiya

The movie got released today. Because of Badhon, I was waiting for it be released and finished seeing it just now.

General review: very poor storytelling. No proper introduction of why people are doing what they are doing. We don't know why Ravi is betraying his own country. There was a one liner explanation which definitely isn't enough to describe his motives. Don't know why his mother is helping him. Don't know why Badhon came to Tabu for help or even why she later joined another organization. There were a one liner explanation for some of those and those doesn't help much to understand the reasoning. And the ending climax can't be any poorer.

Overall, expected much from a director like Vishal Bhardwaj, both from storytelling and directional point of view.

Disappointed.

Vishal Bhardwaj is one of our competent film makers and one does look forward to seeing his movies. This one is spy thriller post the Kargil war of 1999. The central character Krishna Mehra (played by Tabu ) is a special operative in R and AW who is doggedly pursuing Ravi ( Ali Fazal) suspected to be mole in the security organization. As a few of her plans go awry, she has to deal with them along with personal problems she has with her teenaged son who feels neglected due to mom's hectic schedule. Ali Fazal who lives with mother, wife and infant son also has a turbulent family life. The movie focusses on the cat and mouse game between Tabu and Ali.

Director Vishal Bhardwaj keeps the narrative at a reasonably fast and exciting pace. The audience are kept engaged with the developments. Those familiar with the working of intelligence organizations may find technical loop holes but the average person gets carried away with cloak and dagger stuff. There are surprises, secrets, agents working undercover, hush hush conversations, bugs planted, operatives listening in, watching with binoculars, clandestine meetings, surreptitious movements etc etc in plenty as the movie progresses in the comparatively long runtime of 154 minutes. Some good acting byTabu, Ali Fazal and Ashish Vidyarthi makes it watchable. Wamiqa Gabbi is the heroine who has done well while Azmeri Haque Badhon gives a good account of herself in a brief role.

As mostly observed in Hindi films, somehow they just don't know how to direct the foreign cast, either look overcooked or way too shabby. I'll give it to Khufiya, have managed that aspect pretty well. But that's just about it. It's a pale shadow of a Bharadwaj movie clan, so much so, that even Tabu looks slightly disinterested at times, which is the rarest of rare sights. Such a potent cast, and yet apart from Gabbi, nobody looked remotely scraped in their acting prowess. Gabbi, great in most parts, has surely provided a wider array of emotions, which, understandably looked a tad overwhelming in the second half. Assuming that your attention is still gripped till the interval, it shall be severely tested by the triviality and immaturity of the plot in the latter half. The best scene though belongs to Gabbi and her short dance sequence.

Spy stories involving international agencies and moles is not everyone's cup of tea, Vishal Bharadwaj proves that in Khufiya. The basic story premise is believable and has some substance but not the screenplay which is lethargically paced with the usual tropes of followers through the streets, crude spy cams installed openly in most obvious of the places in suspects houses and expected behaviors and ordinary reveals which makes this a very lukewarm espionage thriller. Tabu also seems to ne jaded though adequate, but Ashish Vidyarthi , the new hero and sub heroines are wasted. Their expressions are pale and does not excite. At the most, 5/10, and that if you used to like Tabu a lot earlier. The story and screenplay need a lot more masala and reality checks to be interesting g like Special Ops etc which were solid thrillers.

Vishal Bhardwaj's strength is complex characters-driven drama, probing the human psyche and exploring how the characters deal with their inner conflicts and moral dilemmas. The characters in his movies may be gangsters, Underworld dons, or terrorists but they all seem normal, humane, and rooted in reality and with the strong flavor of local culture.

These characters, though very real, always have their eccentricities and idiosyncrasies which make them interesting and lift the movie itself and the whole experience of watching the movie. Salman-Salman (identical twins) in Haider, Shahid Kapoor (his peculiar stammering) & Bhope Bhau (with his piles) in Kaminey, Nandu Khatri (his petty greed and the whole mannerism) in The Blue Umbrella, to name a few; Maqbool, Omkara, 7 Khoon Maaf, Patakha are filled with such characters.

But when the main characters are one-dimensional, the plot falls flat and the screenplay is all over the place, the same peculiarities and quirks become irritating, painful, and stick out like a sore thumb. One such quirky character in Khufiya is the mother-in-law, although brilliantly performed (by Navnindra Behl) contributed nothing. Similarly, the spiritual guru, Yaar Jogiya (inspired by Sadguru?) played by Rahul Ram was also completely out of place and the whole sub-plot was boring and didn't work at all.

As mentioned, the screenplay is all over the place, literally and figuratively. Bangladesh in the first act, New Delhi in the second act, and finally in South Dakota, USA in the third act, but the agenda of the film and intent of the director are more scattered than the physical locations shown. Was he attempting for a cerebral geo-political/spy-thriller or going for a detailed character study set in this world, or was attempting to make a generic, quirky masala thriller? Sadly he failed in all three.

In the promotional interviews Vishal said he was fascinated and inspired by the details of the spy world described in Aamar Bhushan's book (Escape to Nowhere, on which the film is loosely based), but where is that detail in the movie, Vishal? No spy-craft or thrill in this spy-thriller. It is rather a dull spy-family drama showing the age-old, stereotypical, and much-explored personal life of spies in cinema (recently and much more effectively in the web series The Family Man).

The casting of the minor character, if rightly done adds to the believability of the world depicted in the film and supports the main cast. In Khufiya, none of the minor characters impress (which otherwise is always a strong point in Vishal's films), especially the American characters are performed so badly that they appear as caricatures (didn't work, if intentional).

Wamiqa Gabbi is fun to watch and Azmeri Haque Badhon really impressed in whatever small screetime she had. Ali Fazal, Ashish Vidhyarthi, and Atul Kulkarni all are good, and Tabu is Tabu although the character has nothing much to offer.