Visfot

2024
2 Std. 10 Min.

IMDb-BEWERTUNG

5,7/10

1226

IHRE BEWERTUNG

trailer wiedergeben2:46

1 Video

16 Fotos

Kriminalität Thriller

Das beengte Leben einer Familie im Slum von Mumbai steht im Gegensatz zum Luxus einer reichen Hochhausfamilie, bis sich ihre Leben eines Tages schicksalhaft kreuzen.Das beengte Leben einer Familie im Slum von Mumbai steht im Gegensatz zum Luxus einer reichen Hochhausfamilie, bis sich ihre Leben eines Tages schicksalhaft kreuzen.Das beengte Leben einer Familie im Slum von Mumbai steht im Gegensatz zum Luxus einer reichen Hochhausfamilie, bis sich ihre Leben eines Tages schicksalhaft kreuzen.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,7/10

1226

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 Nominierung insgesamt

Videos1

Trailer 2:46

Trailer [OV]

Fotos16

+ 9

Benutzerrezensionen11

5,71.2K

Empfohlene Bewertungen

10nikitajauhari

"Visfot" Ignites the Screen with Explosive Thrills!

Visfot lives up to its name, delivering a high-octane cinematic experience that keeps you on the edge of your seat from start to finish. This adrenaline-fueled thriller masterfully blends pulse-pounding action with a compelling narrative, making for a truly engaging watch.

The film excels in its relentless pacing, ensuring there's never a dull moment. The intricate plot, filled with unexpected twists and turns, is brilliantly executed, keeping audiences guessing until the very end. The performances are solid across the board, with the lead actors bringing depth and intensity to their roles, making their struggle and determination feel palpable.

If you're looking for a film that combines gripping suspense, explosive action, and a story that genuinely surprises, "Visfot" is a must-see. It's a testament to effective filmmaking that delivers exactly what it promises: an explosive good time.

1Kathakaar_Rahul

Visfot: A Missed Comeback and Wasted Talent

Visfot is a complete waste of 2 hours and 10 minutes. Fardeen Khan, in his attempt to make a comeback, has chosen a story that will likely derail that comeback entirely. Abbas Dalal's writing feels so confused that even Hussain Dalal seems unsure of what to do with the plot.

It's a wasted opportunity for fine actors like Riteish Deshmukh and Sheeba Chaddha, whose talent is completely underutilized here. The kind of movies Jio Cinema picks really makes you wonder if they need to hire a better content acquisition team.

Unless you're looking for a visfot (explosion) in your head, stay far away from this one.

gemsofCinema

Thanks to GemsOfBollywood

First 15 minutes; Shoaib gets up in the morning. Does a namaz, goes to girlfriends house, makes intercourse. Girlfriend gets up and goes to work, on the way she prays in front of Jesus and that's it .. I realised Shoaib is going to be victim of circumstances and somebody else will be a villain. Oh then a lady with big bindi on her forehead with traditional attire arrives on screen to be the cruel villain.

Police role as usual corrupt and making injustice.

Hero the victim of circumstances tries best to do all the good things except adding some wisdom to his brain.

Really thankful to @GemsOfBollywood.

4jkhan-16137

No effort in copying

We have such an agony that in Bollywood now even for a remake or copying a movie no one is taking an extra initiative or effort to add or create logical scenes as per Indian culture and geographical location. In a first look itself anyone can recognize it's an International copied or remake movie. Our film industry lazy guys are now just copying and pasting the content. Portraying scenes without any logic, promoting extra marital affair, defaming certain areas in Mumbai as Crime Hub shows all in negativity. Fardeen comeback is good but all others actors are OK. A one time watch movie on OTT and not to waste money and time in theatre.

1aayaz108

Disappointing and misfire of lady actors of mother

Visfoot had potential, but unfortunately, it falls flat in almost every aspect. The storyline is confusing and lacks coherence, jumping between poorly written subplots that lead nowhere. The characters are shallow, with no development, making it hard to care about any of them. The lead actors, despite their previous successes, seem disconnected and uninterested, delivering lifeless performances.

The film's pacing is terrible, dragging in some parts while rushing through others, and the editing is sloppy. The dialogue is cringeworthy, filled with clichés and forced humor that doesn't land.

Overall, Visfoot is a major letdown and feels like a half-hearted attempt at filmmaking. That lady acting of mothers of child, her script and other things could updated.

Save yourself the time and skip this one.

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Fardeen Khan's comeback to acting after 12 years. Fardeen Khan hold's the record of the only hero in Hindi films to have the longest gap of 12 years between his movie releases. Kamal Haasan's last original Hindi release was Dekha Pyar Tumhara in 1985, and he returned to Hindi films with Chachi 420 in 1997. In between, he had several movies dubbed and released in Hindi. Rajnikanth's last original Hindi release was Bulundi in 2000. He had a special appearance in that film. After that he had several of his films also dubbed in Hindi. Fardeen's father Feroz Khan faced the camera after 11 years gap with Janasheen. The role was of the film's villain. The only other lead actor to return to acting of 12 years was Randhir Kapoor with the film Mother in 1999. Randhir's previous release was the long delayed film Khazana in 1987. The only difference was that Randhir Kapoor came back in a elderly character type role in the film (Though he was promoted in the film's publicity). So that makes Fardeen Khan the only lead actor in Hindi films to have the longest gap between his last and next release. His last release in 2010, Dulha Mil Gaya, saw him in the lead role. In 2022, he returned in a lead role with Visfot, and not a character role.