Somewhere Quiet

I'm glad I just saw this on Paramount and clicked play. I thought don't read ratings, just go for it like when we'd rent a video tape back in the day without knowing everyone's opinion on it.

And I'm glad I did that, as I probably would have skipped it if I'd seen the low rating. But I'd miss a well executed, tense psychodrama.

The lead actress is great, the story constantly keeps you guessing and the music deserves note.

The cover image Paramount used of a ghostly woman staring at a house with windows lit up red has no relation to the movie at all - and I can see some people expected this to be horror. That image would have reinforced that belief. But this movie is not horror, and points to the studio not knowing how to market it. And as they often do, then mis-market it and expectations are not met and low ratings ensue.

The only reason I didn't give it a 7/10 was there were some plot elements that were left unresolved or were too mysterious.

I don't mind ambiguity, but you need to sometimes give viewers something more to work with even if they don't all interpret it the same way. You need viewers to be debating apples vs pears, not apple vs rocks. Looking at some of the radically different views online to me that's more of a mis-match - people are clutching at straws as there wasn't enough to underpin the narrative in places.

And I think that's a failure of too many visions/dreams, which undermined the very real and shifting sands between the characters.

Somewhere Quiet has a woman who has been kidnapped but now safe arrive at her husband's rural family home in Cape Cod. She is struggling with her emotional stability after her ordeal. He appears unprepared for the realities of her situation and state of mind. Also present is his female cousin who presents an odd approach that is demeaning and dismissive of the protagonist.

What unfolds is the internal trauma of the protagonist's psychological grasp of reality in context of a wealth disparity, and the colonialism bias of White Old School Wealth. This creates for heavy complications as the protagonist tries to understand what is occurring around her.

The tension builds steadily through the film, and the lens of reality becomes confused as the protagonist isn't certain what is real. And it works as a personal psychological thriller. The cousin has a benign malevolent demeanor, the husband either seems incompetent or malicious; both actors do well in these contrary roles. The protagonist creates a captivating portrait of a woman damaged and fighting for herself.

Because this isn't that. It's slow, meandering, a mind f of a plot that leaves you wondering who's wrong, who's right, and how much of this is even real. Normally, these movies get ruined in the end, but thsi one wasn't. I wanted to explore more and figure out exactly what was going on, but it kind of felt honest that there was no final answer. That her mind is so fragmented and her life is such a twisted ruse that there is no closure. All in all, I really loved this. The lead acted her butt off. The music was creepy and interesting. All of the backdrops were fantastic. There's not much more to say than just watch it. It kept me glued from beginning to end.

It's a rather simple story along the lines of Gaslight. Or is it? Mwah-hahaha. You'll get the idea. And then again you won't because there are so many little things that are just left unexplained.

Like the whole cousins thing. And the fishing dude. And the roadkill. The bed lady. Who dun the thing that caused the issue to begins with? Why was the dog named Minnow? The game of Charades and the dinnerware connection. And pretty much everything. To the point where you won't know up from down.

But I suppose that is the point.

Of course the entire time you will be looking at the lead actoring guy (whose fake real world name is Kentucker Audley - yes, he's a pretentious mumblecore filmmaker) and you will be thinking "hey, that's not Logan Marshall Green - who is also not Tom Hardy".

And now this was something somewhat different that has been watched by me.

I felt a bit emotionally exhausted after watching this one, so you know that means something in and of itself. This is a slow burn psychological horror/thriller about trust, trauma and discerning what is reality and what isn't.

Some people are going to find this boring, but I couldn't unglue my eyes from the screen. It was so captivating and atmospheric in the strangest way. There was something about this one that felt very unique and special.

The acting here was pretty stellar all around. The husband had some cringe moments when upset/crying but I think it was supposed to come across as ingenuine. But truly, our three leads here did a really great job.

This is not the most fulfilling movie as far as story goes, so be forewarned that you might feel a little... wanting at the end. There isn't a whole lot of background explained and is left pretty open ended. I would have loved a little more explanation/closure but I understand that wasn't really the point here. But yet also the point because she didn't know what was going on either haha. There was just a lot left up in the air... but it also added to the confusion and atmosphere.

I feel like if there was just a little more to the story it would have easily tipped over into the 7's but regardless this was a really solid watch that I would definitely recommend.