Nanpakal Nerathu Mayakkam
- 2022
- 1 Std. 45 Min.
IMDb-BEWERTUNG
7,4/10
5460
IHRE BEWERTUNG
Die Vergangenheit kehrt zurück und konfrontiert einen Mann, der ein Doppelleben geführt hat.Die Vergangenheit kehrt zurück und konfrontiert einen Mann, der ein Doppelleben geführt hat.Die Vergangenheit kehrt zurück und konfrontiert einen Mann, der ein Doppelleben geführt hat.
- Auszeichnungen
- 6 Gewinne & 8 Nominierungen insgesamt
Empfohlene Bewertungen
Each and every movies of LJP stands different from one and another here the film moves at a slow pace but still kept me hooked till the end and all the frames of the movie were a wide and static similarly the sound design was really so good and it was a different expirience. The movie interprets into a way in which the audience can decide what happened to James or whatever happened really did happen !. The movie starts from a conflict while sleeping and finds a solution after a sleep. I really enjoyed the movie it's pace, sound design, performances, frames and i think everyone should watch it.
The movie is visual poetry, from cinematography to acting to the beautiful tamil songs woven into the narrative, this movie is a wondrous delight for any aesthete.
Its a pleasure to see Mammootty sir at full throttle accompanied by a stellar supporting cast.
LJP is an auteur par excellence who is trying to engage the audience with an exploration into society, identity and its fickleness. This odyssey into the human mind is brilliantly supported by Theni Eswar who has clearly upped his game here, the unsymmetrical static shots with multiple activities in a single frame give this movie an ethereal feel.
Personally it still doesn't make sense to me why this movie was not given the Golden Pheasant at IFFK. This was more brilliant than the exploration of climate change and cultural identity done within Utama.
Overall a brilliant cinematic experience.
Its a pleasure to see Mammootty sir at full throttle accompanied by a stellar supporting cast.
LJP is an auteur par excellence who is trying to engage the audience with an exploration into society, identity and its fickleness. This odyssey into the human mind is brilliantly supported by Theni Eswar who has clearly upped his game here, the unsymmetrical static shots with multiple activities in a single frame give this movie an ethereal feel.
Personally it still doesn't make sense to me why this movie was not given the Golden Pheasant at IFFK. This was more brilliant than the exploration of climate change and cultural identity done within Utama.
Overall a brilliant cinematic experience.
Nanpakal Nerathu Mayakkam is made in a super abstract way with a truly unique atmosphere. A more audience friendly approach could would have worked better. I did not love it. Also, most of it is in Tamil. I might have to rewatch a subtitled version.
It was definitely an interesting and entertaining story. Mammoty was quite good. But I do not know why people are praising the performance to the skies. I did not care much for the treatment either. Static frames that people are raving about took away a lot of the tension from the scenes. Cacophonic songs and conversations from old Tamil movies constantly playing in the village as a part of everyday life was annoying. As expected, S Hareesh fails to turn up as dialog writer. The same was the case with Jallikattu and Churuli. Hareesh simply cannot come up with interesting dialog.
Nanpakal Nerathu Mayakkam is worth a watch. But wayyy overrated. I might watch it again. It is not a bad film. The problem is that Lijo fails to milk interesting characters, locales and situations to their full potential because he is too busy being arty farty. As I said early in the review, a more commercial approach could have done wonders to the film. Lijo says he has evolved in an interview. Well, he has evolved into a total phoney. Hahahahaha! I long for the Lijo of the Angamaly Diaries and Ee Maa Yau days.
It was definitely an interesting and entertaining story. Mammoty was quite good. But I do not know why people are praising the performance to the skies. I did not care much for the treatment either. Static frames that people are raving about took away a lot of the tension from the scenes. Cacophonic songs and conversations from old Tamil movies constantly playing in the village as a part of everyday life was annoying. As expected, S Hareesh fails to turn up as dialog writer. The same was the case with Jallikattu and Churuli. Hareesh simply cannot come up with interesting dialog.
Nanpakal Nerathu Mayakkam is worth a watch. But wayyy overrated. I might watch it again. It is not a bad film. The problem is that Lijo fails to milk interesting characters, locales and situations to their full potential because he is too busy being arty farty. As I said early in the review, a more commercial approach could have done wonders to the film. Lijo says he has evolved in an interview. Well, he has evolved into a total phoney. Hahahahaha! I long for the Lijo of the Angamaly Diaries and Ee Maa Yau days.
Long awaited combo LJP and Mamooty was definitely worth the wait.
The unexpected twist not only confused the character in the story but also the viewers.
Totally different style of making followed by LJP adds on to uniquifing the film.
The story blended in well the cultural values of societies which made me like the film more.
Even though every character had got a defined role, the character done by Mamooty excels in all the aspects of protrayal.
Short and well written script along with nicely blended in music and sound design.
As in all LJP's movies certain questions are unanswered and completely left to the viewers for further interpretation.
The unexpected twist not only confused the character in the story but also the viewers.
Totally different style of making followed by LJP adds on to uniquifing the film.
The story blended in well the cultural values of societies which made me like the film more.
Even though every character had got a defined role, the character done by Mamooty excels in all the aspects of protrayal.
Short and well written script along with nicely blended in music and sound design.
As in all LJP's movies certain questions are unanswered and completely left to the viewers for further interpretation.
A poetic exploration of human identity and belonging, which also serves as a critique to the unfortunate tendency of society and its naive, ignorant members to undervalue these aspects, prioritizing physical appearances over somebody's personality and intellect.
The cinematography captivated me, as it conveyed unuttered, insinuated context beautifully through skillfully arranged frames, enriching each pivotal scene with depth and meaning.
Performances were another standout aspect, particularly that of Mammootty, who once again showed his remarkable ability to embody any character with apparent ease and effortlessness!
That being said, I wish the writing had elaborated on the peculiar occurrence and provided additional context, as this would have enlightened the narrative.
Nonetheless, I do appreciate the story's ambiguity, which raises some intriguing questions about whether the event was merely a vivid dream, a distant memory, or something beyond comprehension that transcends boundaries of our tangible reality?
The cinematography captivated me, as it conveyed unuttered, insinuated context beautifully through skillfully arranged frames, enriching each pivotal scene with depth and meaning.
Performances were another standout aspect, particularly that of Mammootty, who once again showed his remarkable ability to embody any character with apparent ease and effortlessness!
That being said, I wish the writing had elaborated on the peculiar occurrence and provided additional context, as this would have enlightened the narrative.
Nonetheless, I do appreciate the story's ambiguity, which raises some intriguing questions about whether the event was merely a vivid dream, a distant memory, or something beyond comprehension that transcends boundaries of our tangible reality?
Wusstest du schon
- WissenswertesSivaji Ganesan dialogues, from film Gauravam and Saroja Devi dialogue, from Pudiya Paravai can be heard in background.
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Details
Box Office
- Weltweiter Bruttoertrag
- 185.102 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
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