Voice of Sathyanathan

The film followed a familiar comedic formula, but it didn't manage to make any laughter. The direction and storyline left very poor, and below average in all aspects.

No connection between the scenes and characters. Exaggerating the storyline . Despite its attempt at humor, the comedic elements felt repetitive and failed to show any genuine laughter.

No idea why did they extend it into more than two hours.

Fell short of delivering an enjoyable cinematic experience.

I hope that in future Malayalam cinema will continue to push the boundaries of creativity and captivate audiences with fresh and engaging narratives.

Coming off a long hiatus from Dileep's recent works, 'Voice of Sathyanathan' presents itself as an average movie that manages to break free from the tired trope of body shaming, a breath of fresh air in Dileep's filmography.

What stands out most are the well-executed comedic elements that inject humor without resorting to offensive stereotypes. While the plot might not be a masterpiece, it's worth a watch purely for the comedic brilliance it offers.

One of the pleasant surprises in 'Voice of Sathyanathan' is its pacing. Unlike some films that can drag on, this one manages to keep things moving along, ensuring you're engaged throughout.

Joju George deserves a special mention for his stellar acting. His portrayal adds depth to the film, and the emotional aspects resonate strongly with the audience. His performance elevates the overall experience, making it one of the highlights of the movie.

Makarand Deshpande's has problems with dialogue delivery which I felt somewhat unclear, making it challenging for the me to fully grasp his talk.

It's a great feel good entertainer... Never miss to watch it on theatres with your family.. worth watching.

Dileep as usual did a great performance Joju George has also done the job perfectly First half is a bit lengthy.... The humour worked well on some places... A decent first half and a very good second half .... Other cast also have done a good performance... Never miss it on theatres.. do watch it with your family.... Felt the story little bit old but still if you go to the theatres with your family it is worth watching.... After disaster keshu ee veedinte nadhan this is something great to watch and a great comeback for the janapriya Nayagan dileep.. Thank you for reading my review.🤝

We don't expect a big blockbuster from Dileep and most of his movies are not even logical but I do enjoy that kind of movie because it's a fun-filled ride with lots of comedies. But sadly comedies were not working in this movie. There were very less fun moments and the story even lacked a proper screenplay. I expected a lot from Dileep in this movie but it was disappointing.

Anyway, it's good to see Veena Nandakumar getting more films and just like his counterpart Johny Antony famous screenwriter Benny P Nayarambalam has also entered into the world of acting. It was also a delight to see Jagapathi Babu after a long hiatus in Mollywood but sadly the movie is a disaster.

Sathyanathan is about one who always tells the truth, but due to his flaws in character he is crucified. His major flaw is loose tongue and being over smart. His leaked audio tapes are supposed to be a result of his loose tongue rather than his actual involvement. He is such a sweet guy who would never do it because he is Sathyanathan. Pan-Indian obsession is also present in the film in a form that could be thought out in Sathyapurshotaman's regular films. Major Ravi would have been better for the NIA Officer's role and for creating credibility of association that the film sought. Sathyapurshothman seems like he has gone through a lower eyelid lift to slide back as a lovely image in the heart's of mass followers. Apart from the subliminal messaging, it's an okay story with an ample opportunity to feast on the actor's yesteryear antics and talents, and without any cheap double entendres. Is it film ? No, it is a project made for a particular purpose and to bag cash if their is interest among people to enjoy antics of a 50 year old man. Last-time, a version of it was in Bro Daddy. The image's in the opening credits seemed like the film was meant for someone else and then it was repurposed, it seemed like a whitened out Manoj K. Jayan. Film was made into a perfect brand carrier, heavy subliminal messaging from the beginning to end, planned success celebrations started even before the film was properly launched and staged interview moments alongside with fans from all ages was a good show. It feels like Sathyapurshothman has successfully tested the waters. This is legendary power-play, something political parties should learn on how to mold a positive narrative for Keralites even after conducting and behaving badly as a human being. A pleasant thing witnessed in the film was involving some semi-forgotten actors and actresses back onto the big screen.