Die Zügellose

About halfway through as yet another scene played out without dialogue, with the characters looking as sad and listless as can be, I realized that whoever directed this movie was very seriously clinically depressed.

I later found out that it was the leading actress who directed and wrote it. In the film the only life and fleeting joy cam during sex, and most of the time not even then.

I thought something was off about the main male character, and unlike most viewers was not surprised by "the twist" or "the climax" as other viewers were.

He just accepted her cheating without even showing any emotion, and then when she casually announced she had an aborted her pregnancy with his child (maybe), he didn't even comment or talk to her about it, or express any emotion whatsoever. It was then that I realized he did not love her and was in the relationship for another reason.

I didn't like the movie, or find it very interesting. It was simply unpleasant to watch someone elses mental illness inflicted on the viewer.

I gave it 2 stars for at least being honest.

Not too much dialogue in this one, repetitive scene with the woman selling eggs, a few soft sex scenes and that's all folks!

I "get" that indie films can sometimes be unconventional in ways that leave viewers bewildered, uncomfortable, unimpressed or otherwise dissatisfied, but usually there is a point to such films that even a dissatisfied viewer can appreciate. I do not think that "The Slut" has such a point.

The pacing is mostly plodding. Sure, rural life plods along most of the time, but the screenwriter's/director's choice of how to reflect this seemed contrived, and made the 86-minute film seem much longer. For example, at one point a character loses a few items from the back of a vehicle. The character retrieves those items, slowly. Then, the scene cuts to a wide-angle shot, lingering on the stationary vehicle and the surrounding landscape. To me, this felt like directorial laziness -- "Viewers, ruminate over the ostensibly humdrum scenery, and eventually realise its bleak grandeur!" -- rather than inspiration. But perhaps I've seen too many films employing this kind of padding, and others will feel an awe that I did not.

There are also two key incongruities that detract meaningfully from this film. For a film that mostly skims over plot and relegates dialogue to a few mumbles, the sex can be quite graphic, with male genitalia often presented in full view (and turgidity). Although I imagine that the sex is not intended to titillate, I wonder why it seems to be the most real thing in an otherwise mostly unreal project.

Secondly, the film's climax, though probably intended as a twist, comes across as completely unbelievable.

I usually try to watch as many films as possible that get a nomination at Cannes, and The Slut was such movie (even though it didn't win anything there). This is basically one person production: created and directed by the Israeli filmmaker, Hagar Ben Asher. She also acts in it.

The story is about a single mother, Tamar, who lives in a rural area with her two daughters and works at a chicken farm. She's obsessed with sex and provides sexual favors to various men in the village. One day she meets Shai, a veterinarian, and starts a relationship with him.

The best I can describe this film in one word is.. weird. It uses strange symbolism and is very minimalistic in its approach, from screenplay to acting. The cinematography is actually quite impressive for something with virtually no budget. It attempts to make a character study, but spectacularly forgoes nearly all characterization. Something tells me it was done on purpose, but something like this can potentially leave the viewer completely detached from the characters. The end result may therefore seem like nothing more than cinematic expressionism of sorts.

Having said that, I kind of liked The Slut. It's uncanny and raw. Uncanny because while being set in a boring environment, it manages to produce a surreal scenario (at least from where I'm standing). It's sad, disturbing and yet strangely fascinating. It should be obvious that this movie isn't for everyone. Do not expect casual entertainment. Do not expect some sort of porno either. It does have graphic sex scenes and some reviewers even screamed "unsimulated sex". The lead actor categorically denied this, so I'll take his word for it. Not that it really matters. But if graphic sexual content offends you, please do everyone a favor, and DO NOT WATCH this. Otherwise, it's a pretty unconventional and interesting piece of indie film-making.

... there are several adult films of varying degrees of erotic content.. having several what might be construed as hard-core scenes in the context of this film, they do show properly in the overall storytelling

... sex is a big-frequent-topic in movies, and when it is done right, it is good for the film... here the story might be somewhat uncomplex.. she has a insatiable-compulsion for sex with various (same) men in her village... at the same time recently living together with another man who is experiencing a hard time coming to terms with her addiction... a crisis happens and this results the audience left wondering do or don't they remain together and how they deal with what is happening

... the several few main characters are well chosen and perform exceptionally well in this production... it is a film to be watched more than just once or twice.