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IMDbPro

Color Me Obsessed: A Film About The Replacements

  • 2011
  • Not Rated
  • 2 Std. 3 Min.
IMDb-BEWERTUNG
6,8/10
387
IHRE BEWERTUNG
Color Me Obsessed: A Film About The Replacements (2011)
For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRegotis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.
trailer wiedergeben1:00
4 Videos
2 Fotos
MusikDokumentarfilm

Füge eine Handlung in deiner Sprache hinzuFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blende... Alles lesenFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over th... Alles lesenFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on... Alles lesen

  • Regie
    • Gorman Bechard
  • Drehbuch
    • Gorman Bechard
    • Hansi Oppenheimer
  • Hauptbesetzung
    • Robert Voedisch
    • Tommy Ramone
    • Tom Arnold
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    387
    IHRE BEWERTUNG
    • Regie
      • Gorman Bechard
    • Drehbuch
      • Gorman Bechard
      • Hansi Oppenheimer
    • Hauptbesetzung
      • Robert Voedisch
      • Tommy Ramone
      • Tom Arnold
    • 70Benutzerrezensionen
    • 30Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos4

    Color Me Obsessed, a film about The Replacements
    Trailer 1:00
    Color Me Obsessed, a film about The Replacements
    Color Me Obsessed trailer
    Trailer 1:40
    Color Me Obsessed trailer
    Color Me Obsessed trailer
    Trailer 1:40
    Color Me Obsessed trailer
    Color Me Obsessed, a film about The Replacements
    Trailer 1:24
    Color Me Obsessed, a film about The Replacements
    Color Me Obsessed, teaser #1
    Trailer 1:09
    Color Me Obsessed, teaser #1

    Fotos1

    Poster ansehen

    Topbesetzung99+

    Ändern
    Robert Voedisch
    • Self
    Tommy Ramone
    Tommy Ramone
    • Self
    • (as Tommy Erdelyi)
    Tom Arnold
    Tom Arnold
    • Self
    Dave Foley
    Dave Foley
    • Self
    Grant Hart
    Grant Hart
    • Self
    Terry Katzman
    Terry Katzman
    • Self
    George Wendt
    George Wendt
    • Self
    Johnny Rzeznik
    Johnny Rzeznik
    • Self
    • (as John Rzeznik)
    Robert Christgau
    Robert Christgau
    • Self
    Bil MacLeslie
    • Self
    Kevin Bowe
    • Self
    Greg Norton
    Greg Norton
    • Self
    Lori Barbero
    Lori Barbero
    • Self
    Jesse Malin
    Jesse Malin
    • Self
    Jack Rabid
    • Self
    David Carr
    David Carr
    • Self - columnist, New York Times
    Jim DeRogatis
    Jim DeRogatis
    • Self
    Greg Kot
    Greg Kot
    • Self - music critic, Chicago Tribune
    • Regie
      • Gorman Bechard
    • Drehbuch
      • Gorman Bechard
      • Hansi Oppenheimer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen70

    6,8387
    1
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    Empfohlene Bewertungen

    7crossbow0106

    Interesting, Unusual Approach, But Not Essential

    Depending on how much you like the Replacements will be how much you like this documentary. First off, two things you need to know: None of the Replacements are interviewed, and there is no footage of them. You have various people, most you've never seen before but do have credibility in telling this story, which is done chronologically. If you have seen them live (I have four times-twice riveting, twice not so), you just never knew what you were going to get. If they were sober and interested, they were one of the greatest bands that ever existed. If they were drunk and doing mostly covers, you'd hate to have brought someone to the show and told them beforehand they were amazing. This film embodies this, and some of the comments are very affecting. The people who speak that are known, including Grant Hart and Greg Norton of Husker Du (that would make an interesting documentary), manage to tell their stories and they are mostly articulate and wonderful. Think of the film this way: Lets say a documentary of your favorite band was being made and they asked you to comment. There is gushing, some dismissive anecdotes. If you're a casual fan, you won't get it. If you are a real fan, this will be very watchable. I would have liked to see Paul, Tommy or Chris speak, but you can't have everything. Last thought: Does this film make you want to buy or listen to them? The answer is yes. In that alone, this film succeeds.
    8jetaspirin

    Replacements Fanboy Documentary

    Great fanboy adulation of a monumental American rock band, not sure if this would mean much to the uninitiated...but it's cool nonetheless. It's a loving tribute, done in back asswards style, that would suit the 'Mats shoot-themselves-in-the-foot sort of perverse way of doing things, which is to say, the band is not in this movie, nor is any of their music. But it definitely holds up if you loved and lived this band at any point in your life.

    If you're not familiar with the Replacements, then perhaps by viewing this you might be able to get the idea that this band was amazing, special, beautiful, shambolic, brilliant, charming and rock n' roll. Otherwise, I'd suggest getting yourself a copy of Let It Be and let the transformation begin...

    The movie also seems to be more about being a 'Mats fan than being about the band itself, it shows a good segment of their fandom which is mostly (now middle-aged) male record-store clerk, rock-critic types, a few musicians and producers and one or two former rock chicks.

    There time was short, they burned bright...it was fun to watch...and the music was great, what more can be said?
    gailfb

    Best Rock Doc ever

    This is the best rock doc I have ever seen. I watched this film knowing little to nothing about the Replacements. I left with a real desire to experiences their music. The film puts the stories together in a way that made me feel that I personally follow the replacements into the bars and not only heard their gigs but set down and drank with the Replacements before their sets, though you hear none of their music. Color me Obsessed took me on a carnival ride I want to get on and ride again and again. Though this film is essentially talking heads the director captivated me visually with the composition of each shot as he wove tales that I not only wished I was part of, but I willed myself to first imagine then believe that I was a part of.
    6stugatzo

    Well made but a bit disappointed with lack of archive footage

    Gorman Bechard puts his self-confessed passion for the 'Mats through the paces with this linear and thorough doc. Filled with revealing interviews about much of the lore surrounding one of the greatest American rock bands, and one that had an undeniable impact on what we perceive as modern or alt-rock today, Color... is Bechard's rock and roll love letter to a band that has still not gotten its due. It spends a good two hours recounting the glory days of the Minneapolis scene of the early 1980s through clips with fans, other bands and even minor celebrities who "were there when" or just flat out believe Westerberg and Co. were all that defines rock and roll. Bechard's decision to not include music, archival footage or even attempt to obtain either of those, though, is curious and ultimately disappointing. Sure fans of the band will love the insights and appreciate the info offered on some of the 'Mats lore. But they might also find themselves yearning for some kind of gems. I think, for instance, of the Rush doc, Beyond the Lighted Stage, I'm a huge Rush fan yet the film gave me info I never knew but also dug up footage and music never before seen or heard. That's what a rock-doc should do. Yes it's good to be inspired to "go out and discover (or re-discover) your fave bands, but frankly i don't have access to the dozens of people in the Replacements' lives who would be in possession of the material that would further my love of the band. Fans like to think they are know-it-alls when it comes to the bands they love. It is the duty of a doc-maker to prove we are not...that they are able to show us more about the band than we knew. Color... does that through its interviews, to be sure. But I also felt a little cheated. And you might too.
    covell-james

    always leave them wanting more

    I never saw them live. I was introduced to them when I heard "I'll Be You" on the car radio. Still love that song, and I'm grateful that it had enough production polish to get played on the radio. Otherwise, I would have missed out on The Replacements entirely.

    "Color Me Obsessed" looks at the quintessential American punk rock band through conversations with the people who got to see and hear them firsthand. These people are unaffected and articulate in their expressions of love, respect and admiration--ironic for a band not known for being sober. Their enthusiasm is genuine and undiminished by the passing of time.

    That's what makes this movie so refreshing and uplifting, even as it chronicles four Minnesota youths living on the edge physically and artistically for ten years straight. Alcohol abuse and self destruction are cliché in rock and roll. The Replacements and their legacy are not. So, yes, there is sadness, but there is also music that energizes and inspires the hearts of many (or the few, depending on how you look at it!).

    Weird analogy: What "Vernon, Florida" is to turkey hunting, "Color Me Obsessed" is to rock and roll. Never mind.

    Highly recommended!

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    • Wissenswertes
      While Hansi Oppenheimer came up with the original idea to do a fan-based film about The Replacements, her film included the band's music, photos and video clips. Once director Gorman Bechard took over the production, he used none of Oppenheimer's footage and completely started over from scratch, keeping only the film's name and the concept of interviewing fans. And in pure Replacements fashion, he also tossed aside the idea of using any music, photos or clips of the band and decided that the film would now be a serious look at the band's history from start to finish, as well as a study of how the right band can change one's life, as seen solely through the eyes of not only fans, but critics, contemporaries, and those influenced by The Replacements. There is no music in the film, nor are there any interviews with the band members, or any clips of live performances, solely because Bechard wanted none in the film. That a music doc without music had never been made is what truly excited the director about the project.
    • Zitate

      Matthew Ryan: 'Answering Machine' is the 'Apocalypse Now' of vocal performances.

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    Details

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    • Erscheinungsdatum
      • 26. März 2011 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Color Me Obsessed
    • Drehorte
      • Boston, Massachusetts, USA
    • Produktionsfirma
      • What Were We Thinking Films
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    Technische Daten

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    • Laufzeit
      • 2 Std. 3 Min.(123 min)
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 16:9 HD

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