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Bedways

  • 2010
  • 16
  • 1 Std. 16 Min.
IMDb-BEWERTUNG
4,1/10
1161
IHRE BEWERTUNG
Lana Cooper in Bedways (2010)
Psychologisches DramaSinnliche RomanzeDramaRomanze

Füge eine Handlung in deiner Sprache hinzuIn a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.In a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.In a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.

  • Regie
    • RP Kahl
  • Drehbuch
    • RP Kahl
  • Hauptbesetzung
    • Miriam Mayet
    • Matthi Faust
    • Lana Cooper
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,1/10
    1161
    IHRE BEWERTUNG
    • Regie
      • RP Kahl
    • Drehbuch
      • RP Kahl
    • Hauptbesetzung
      • Miriam Mayet
      • Matthi Faust
      • Lana Cooper
    • 11Benutzerrezensionen
    • 17Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Bedways
    Trailer 1:44
    Bedways
    Bedways (Teaser)
    Trailer 1:10
    Bedways (Teaser)
    Bedways (Teaser)
    Trailer 1:10
    Bedways (Teaser)

    Fotos8

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    Topbesetzung13

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    Miriam Mayet
    Miriam Mayet
    • Nina Bader
    Matthi Faust
    Matthi Faust
    • Hans Alexander Dahn
    • (as Matthias Faust)
    Lana Cooper
    Lana Cooper
    • Marie Traunstein
    Arno Frisch
    Arno Frisch
    • Max König
    Laura Tonke
    Laura Tonke
    • Luise Walther
    Moritz Ross
    • Georg Reitzenstein
    Helge-Björn Meyer
    • Türsteher
    Ute Schwidden
    • Stimme
    • (Synchronisation)
    Sissimetall
    • Themselves
    Anne Retzlaff
    Anne Retzlaff
    • Sissimetall Vocalist
    Marko Jovanovic
    • Sissimetall Keyboardist
    Frank Neumeier
    • Sissimetall Drummer
    Nils Esdar
    • Sissimetall Guitarist
    • Regie
      • RP Kahl
    • Drehbuch
      • RP Kahl
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen11

    4,11.1K
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    Empfohlene Bewertungen

    1exxille

    I don't know yet. That's what we're trying to discover

    Bedways shows you a female movie director shooting a rehearsal for a movie she's still looking for a producer. But we don't know what exactly she is up to, and so the actor and actress she's working with. She just keep telling them to have sex.

    After half an hour of the movie, the "actress" asks: "what's this all about?" And the answer is: "I don't know yet. That's what we're trying to discover." So, that could be the director's message, why a movie should be about something?

    There are three main characters in Bedways, all of them looks depressed and bored. Dialogues are disjointed, questions left unanswered or replied by irrelevant sentences, in one point we even get a one way conversation.

    I try to find anything good about this movie. At first I think the lighting is good, but then they blew it over the top. And the sex scenes are aplenty, but kind of turn you off. So, I think Bedways just gives the Indie film a bad impression.
    3fraghera

    Unnecessary

    I've seen this movie a couple days ago. Story was so complicated so realizing what the movie try to say was really hard. Another hard thing is enduring watch to the end. Normally I prefer watching movies till the end cos maybe film can be better soon but this time u gonna see when u watch either this not gonna happen, i mean movie will begin bad and gonna end like this. Totally waste of time. Don't even try to watch it. Camera angles were terrible and it was shoot like a holiday shoot. Even if its a amateur film the director should obey some rules. He could use a better technology for example. Anyway look where ever u want it was awful.
    5okpilak

    And on the seventh day?

    Nina wants to make a film about sex. She has no DP (director of photography), has a rented camera, and a male role. There is no script, little budget, and she only has a concept of what she wants to do. She auditions a female role, and there is a discussion of what names they are to use. The film is broken down into days, with each day being a progression in the script. They settle on Hans and Marie. Each day gets deeper into the film, but it seems clear Nina still does not have an idea of how she wants the film to develop. Some of what happens between Hans and Marie may or may not be part of the script. For instance, Hans is a chain smoker, and Marie mentions he stinks of smoke, and she starts to dislike him. But is that part of the intended tension in the film?
    5stupid_llama

    Berlin Rooms, Blurred Lines

    Bedways is a bare-bones Berlin chamber piece about a filmmaker and two performers circling art, intimacy, and who gets to call the shots. Most of it unfolds in a sparsely lit apartment, concrete floors, rumpled sheets, and a camera that sits uncomfortably close. The vibe is chilly yet curious, with long pauses, awkward laughter, and talk about what counts as real on screen. A few moments linger, morning light on a mattress, a quiet smoke by the window, the sense that everyone is trading nerves and bodies for a scrappy project.

    I like the intent. It pushes back on the slick romance market, choosing messy honesty instead. Still, the experiment drifts, some scenes feel like acting drills and the power dynamics get announced more than they are felt. If you are up for an earnest, low-budget provocation with a couple images that stick, it is worth seeing once, patience required.
    8fotolovestory

    Searching and finding love...

    Is it a philosophic porno? Its a little fine stage play, on its best way. Its about desire, obsession for mankind, and so this can be seen as a bridge to be a political movie. The figures are clean and with our empathy They are confronted with our hard reality and all its contradictions. So hardcore? The camera is with the actors, and so they are not lost helpless in their fears, we can smell them and embrace them, we all need love like this. Its some kind of Zeitgeist-movie, but not only German / Berlin. The movie is a laboratory of our feelings, and life.. Its the game with ourself confidence, and tries to understand the stranger in us. Thats really thrilling like an action movie, Bedways it's a movie on the road, a trip through our soul, lets keep there, we are all artworks! Nude bodies are not as an end of itself, we start being our selves in bare bodies. What is love, sex, how do I find it? Is sex love? Do I want great love or better sex? Is love sexy? Extential questions, not all answered, but great films put questions, not answer all questions. Its more than a erotic asking! This movie you can see again and again!

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      All the sex scenes in this movie weren't simulated. Director RP Kahl talked about the casting: "I wanted actors who hadn't done much before, because otherwise the explicit scenes would automatically be associated with the familiar face. In the end, we had an open casting call and a few calls on the Internet. Such things don't really exist anymore. We also made it clear right away what the special features of the project would be, and that filtered things out again. And if you then look for people who can really play well, who are interesting as personalities and who dare to do something like that, then in the end there aren't so many left. Surprisingly, I was spoiled for choice with the women, but there weren't too many men besides Matthias. But it was actually not difficult to find someone."
    • Zitate

      Marie Traunstein: So it's all about sex?

      Nina Bader: No... Yes, some of it.

      Marie Traunstein: A porno movie?

      Nina Bader: Nonsense.

    • Verbindungen
      Remade as Rehearsals (2012)
    • Soundtracks
      Spyral
      Performed by Hong Dong Music

      Musik: Matz Müller

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. Juni 2010 (Deutschland)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official site (Germany)
    • Sprache
      • Deutsch
    • Auch bekannt als
      • Постельные сцены
    • Drehorte
      • Berlin, Deutschland
    • Produktionsfirmen
      • Independent Partners
      • Mogador Film
      • Group.ie
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    Box Office

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    • Budget
      • 250.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 12.580 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 16 Min.(76 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.33 : 1

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