Transatlantic

I stumbled upon Transatlantic out of curiosity, not knowing what to expect. However, to my delight, it turned out to be a true gem. The exceptional acting, well-crafted plot, and engaging script kept me captivated throughout the entire movie. What truly sets this film apart is its artistic value, evident in every scene, from the stunning cinematography to the exquisite ending credits.

As a war movie enthusiast, I was particularly intrigued by the historical context and story of the French resistance during World War II, which I realized I wasn't familiar with. The film showcased this movement in a stylish and compelling way, which was a refreshing departure from the usual war movie tropes. The addition of the artistic flair and the charming seaside of Marseille added an extra layer of visual appeal and made for a cinematic dream.

Overall, the film exceeded my expectations and left me with a newfound appreciation for the French resistance and the beauty of Marseille. I am grateful to have discovered this hidden gem.

I am glad to finally see the tale told of the sad loss of the brilliant Walter Benjamin as WWII escalated, but yet somehow the story of his brilliance and then the brilliance of all the other famous artists in the tale, does not do them justice. These figures are lost to some other intent in the construction of this story...this history needs to be told, but somehow this telling is missing authenticity, it sacrifices this for the sake of finding 2020 in 1940.

It is never the less help ful to see the enactments, the tale of these brave efforts does need to be told, especially of the almost misses, the ways in which the US came too close to not helping the struggle.

The Netflix series is based on real life events in Marseilles, France during the early days of WW II. Dark times, indeed, from an historical view. But, somehow, "Transatlantic" comes across more like a collection of ingénues and eccentrics on a madcap adventure, rather than as a literal life and death struggle against fascism. The tone of this series is set by a soundtrack that hit me every which way but right; the overall effect was like watching a strange, inappropriate homage to a Woody Allen period piece comedy. Kudos to the cast, though, which manages at times to rise above it all with some excellent performances; and the on-location cinematography adds authenticity to the historical weight of the storyline. "Transatlantic" may be the only series you should watch with the audio muted and the captions on, because what happened is worth knowing so that it is not forgotten, or repeated.

This series is 'based upon' a true story and draws from the interest that generates. It does involve and blend depictions of real people - including great artists and figures from the period who we now know and revere. There is a lot of name dropping in this drama to sprinkle a little extra magic in there.

This being said it's for light entertainment value only. We have lots of sexual intrigue and what I'm reluctant to describe as tension (it never really builds as tension to be honest). There's sex - let's put it that way - but again, nothing graphic, nothing explicit. Likewise, there's a war context - but there's no real fear or tension about the place (even when people are arrested you are never in fear of their lives). There is no depiction of mistreatment even if it is spoken of and some of the language is of the day (opinions shared by Nazis and sympathisers) to make you feel revolted.

This is a drama that takes you to a viewing platform from where you ought to be able to see all these things - but it is just short of showing you anything powerful or shocking. Instead it's foggy and misty, and you're distracted by an indulgence of clothing, houses, scenery, and an inexplicable mood that might explode into a party or a song and dance at any moment. There is the token anxious character here or there - but they the party poopers rather than someone making a genuine and valid point. We see little of PTSD, flashbacks, anxiety attacks, worries or concerns. The artists are resilient in their joy - they are not preoccupied with expressing the darkness of the surrounding circumstances.

Likewise, when the fleeing refugee Jews make it to the south coast of France in their hopes of escape - they don't find each other huddled in masses, cough and starving, exhausted from walking hundreds of miles - instead it looks like a beach holiday. One man runs delighted into the sea and splashes in the water (salt water that nobody could drink). Nobody is concerned about where to find food or how to make the next venture to escape the country (given their backs are to the sea).

Overall this is a problematic depiction and it's lightweight. It's for enjoyment - not to recreate anything sharply. How accurate it is, I find very questionable.

Nevertheless if you suspend that problematic aspect, you can enjoy a lot about the series. There is some decent acting and the lead female actress, Gillian Jacobs, is very charming and charismatic, giving an enjoyable performance overall. I'd like to see her in something that pushed her a bit harder to be honest.

This is a solid 6 - but overall there are better dramas out there and this will never be regarded as a classic because it's too forgettable and it's just not compelling.

The true story is well known and awe inspiring. A true larger than life story in WWII occupied France when the South was still a "free" zone. All the refugees were in Nice, Cannes, Marseille awaiting to leave the territory. Unfortunately, the series is torn between retelling the true events and highly romanticising them with the addition of too many love interests as well as too many politically correct subplots raising concerns that were not relevant at the time especially in time of war. Those tend to slow and hinder the proper storytelling, depriving it of fluidity in addition to some completely false resistance storylines. It could have been great.