IMDb-BEWERTUNG
3,2/10
1924
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a soldier in the Middle East gets wounded in the line of duty, he is teleported to the planet Barsoom, where he faces hostile aliens and fights for his survival.When a soldier in the Middle East gets wounded in the line of duty, he is teleported to the planet Barsoom, where he faces hostile aliens and fights for his survival.When a soldier in the Middle East gets wounded in the line of duty, he is teleported to the planet Barsoom, where he faces hostile aliens and fights for his survival.
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I've gotten through half of Princess of Mars. Not sure I can do the 2nd half. It's not that it's bad--in fact it's OK as far as super low-budget fantasy flicks go (I love the old Amicus Burroghs flicks with Doug McClure). They only used a few of the original story elements, but I guess putting six arms on Tars Tarkus or red body paint on all the "humans" would have been cost prohibitive. But what's up with casting Traci Lords as Deja Thoris, the princess? Even if you're kind in your estimation, Lords is well over 40. Not bad looking for a woman her age, but certainly not a good enough actress to make you forget that she's WAY too old for the part. I just couldn't go on with the film once she became a big part of it because I couldn't' stop thinking how virtually ANY young Hollywood actress would have been more watchable. In fact just about any woman who works at a Hooters would have been more watchable! I don't want to sound age-ist, but if a female actress of marginal acting ability is going to be running about in a skimpy outfit for over an hour on screen, she'd better be super-exceptionally hot for her age or young enough for it not to matter. I mean, really--did anyone rent this because they saw the name Traci Lords? And I want to reiterate--this is not a personal attack on Ms. Lords. I just don't think she's doing herself, or us, justice by still trying to be "the hot young chick." And Deja Thoris should be a hot young chick.
It's just not too clear where the movie makers were trying to go with this adaptation of the Edgar Burroughs story. At first glance, it looks to be a tribute to the style of old drive-in sci-fi features, where an intrepid astronaut pioneers unchartered space. Along the way, our space hero will bravely fight giant creatures, duel bad guys, establish friendship with the Martian locals, romance a blonde alien, bring about peace between warring tribes, overthrow a despot, and so on.
They give us all that old school sci-fi stuff, but there's no cohesion to anything. The "plot" is just a parade of unlinked chapters. The story is modernized, which is a mistake. Yes, everybody knows the Rovers have found nothing up there, but who cares? Keep the naive retro feel of a mysterious and foreboding Mars. That was the fun of the source material. But now, the action doesn't even occur on Mars! The 19th century soldier turned Spaceman Spiff has been redone as a Gulf War Marine, and sports millennial tattoos. The Princess herself is Xena Warrior Princess one moment, and helpless fairy tale princess the next.
Still, those Martian green celery-head guys were lovable (even though you can see skin poking out from beneath the masks). The indigenous bug creatures, and the fights against them, are amusingly cheap, yet done with gusto. Overall, an amateurish film, but has a bit of odd charm to it.
They give us all that old school sci-fi stuff, but there's no cohesion to anything. The "plot" is just a parade of unlinked chapters. The story is modernized, which is a mistake. Yes, everybody knows the Rovers have found nothing up there, but who cares? Keep the naive retro feel of a mysterious and foreboding Mars. That was the fun of the source material. But now, the action doesn't even occur on Mars! The 19th century soldier turned Spaceman Spiff has been redone as a Gulf War Marine, and sports millennial tattoos. The Princess herself is Xena Warrior Princess one moment, and helpless fairy tale princess the next.
Still, those Martian green celery-head guys were lovable (even though you can see skin poking out from beneath the masks). The indigenous bug creatures, and the fights against them, are amusingly cheap, yet done with gusto. Overall, an amateurish film, but has a bit of odd charm to it.
I can't tell you how badly I wanted to like this movie. Wait...let me start again. I can't tell you how badly I wanted this to be a movie I liked. It's like they didn't even try.
The character of John Carter is all but unrecognizable. The character of Dejah Thoris is like some Mad TV parody only not funny and who is that old lady they got to play her? Are you kidding me?
A lot of people have compared this to other movies, particularly Avatar. It's a bad comparison. Better to compare it to the original offerings from the Syfi network then at least we would know what league we were playing in. This could still have been salvaged had it at least not been boring, but it was.
I will not call it the worst movie ever as so many others have, but I will say that even within the obviously limited budget the creators of this film had to work with, they could have done far better.
The character of John Carter is all but unrecognizable. The character of Dejah Thoris is like some Mad TV parody only not funny and who is that old lady they got to play her? Are you kidding me?
A lot of people have compared this to other movies, particularly Avatar. It's a bad comparison. Better to compare it to the original offerings from the Syfi network then at least we would know what league we were playing in. This could still have been salvaged had it at least not been boring, but it was.
I will not call it the worst movie ever as so many others have, but I will say that even within the obviously limited budget the creators of this film had to work with, they could have done far better.
I personally think it's great that you don't have to go back to the monster movies of the 1950s - the fact that they're still making movies like "Princess of Mars" today is fine with me. Surprisingly, the makers must have read the E.R.Burroughs novel, some elements of the story are recognizable with John Carter's arrival on Mars, being able to jump very high (due to lower gravity), meeting Tars Tarkas and Dejah Thoris, and fighting for the atmosphere station. Everything is put up to date, sometimes well (Carter being in Afghanistan instead of Nevada) sometimes not (the, uh, "technically explained" data transfer to another world, and that Mars not being our red neighbor planet, but a different planet accidentally also called Mars). Fortunately they did not use the Great White Apes, because how silly would that look nowadays with men in costumes? Despite the low budget, a funny flick if you have the sense of humor for trash sf.
Transferring a book to the screen is never an easy or simple process. Often, a lot has to be left out... exposition, subplots and plot lines, characters and internal monologue. What can go up on the screen is further constrained by the money and time available, by the talent in front of and behind the screen.
Is this the "Worst movie evah!" Not hardly. If pressed, I'd give that honour to Tim Burton's 'Planet of the Apes', a work which cost more than the previous Apes franchise of five movies and two TV series all put together, but which was appallingly stupid - unbelievable talent and money went into making a painfully awful movie.
On the other side of the coin, here we have an action adventure movie made for very little money, with little in the way of resources. Yet it's amazing how they managed to actually make an enjoyable, watchable film.
I'm not necessarily a fan of Asylum films. A lot of them suffer from the worst sin of film-making, tedium.
But Princess of Mars is anything but tedious. There are no shortage of rocky moments, including awkward scenes with Kantos Kan, and there's definitely stuff to dislike. Shortcuts, or shots where there was no time or money to do more than get something in the can.
But flaws aside, it's a relatively faithful telling of the novel. The biggest changes are the reduction of the role and backstory of Tars Tarkas, and the elimination of the Zodangan war, as well as the cosmetic stuff - short stubby two armed Tharks, riding giant birds instead of eight legged horses.
A lot of the true heart of the novel and the characters remain. John Carter is light hearted and heroic, Dejah Thoris is regal and idealistic, Tars Tarkas is noble. The relationships develop naturally between them, the acting is usually decent and sometimes quite good. The location shooting in the Vazques rocks is a highlight, the place looks genuinely weird and alien. The script, apart from the occasional clunky line, moves quickly and efficiently, there are witty lines.
Frankly, my advice is to go look at the trailer. A lot of times, the trailers are better than the actual film. Or the trailers contain all the good parts of the film and the actual film tends to be mostly filler. In this case, the trailer is actually a good showcase for the film. If you liked the tailer, you'll enjoy the film.
In the meantime, I'm pretty happy with it.
Is this the "Worst movie evah!" Not hardly. If pressed, I'd give that honour to Tim Burton's 'Planet of the Apes', a work which cost more than the previous Apes franchise of five movies and two TV series all put together, but which was appallingly stupid - unbelievable talent and money went into making a painfully awful movie.
On the other side of the coin, here we have an action adventure movie made for very little money, with little in the way of resources. Yet it's amazing how they managed to actually make an enjoyable, watchable film.
I'm not necessarily a fan of Asylum films. A lot of them suffer from the worst sin of film-making, tedium.
But Princess of Mars is anything but tedious. There are no shortage of rocky moments, including awkward scenes with Kantos Kan, and there's definitely stuff to dislike. Shortcuts, or shots where there was no time or money to do more than get something in the can.
But flaws aside, it's a relatively faithful telling of the novel. The biggest changes are the reduction of the role and backstory of Tars Tarkas, and the elimination of the Zodangan war, as well as the cosmetic stuff - short stubby two armed Tharks, riding giant birds instead of eight legged horses.
A lot of the true heart of the novel and the characters remain. John Carter is light hearted and heroic, Dejah Thoris is regal and idealistic, Tars Tarkas is noble. The relationships develop naturally between them, the acting is usually decent and sometimes quite good. The location shooting in the Vazques rocks is a highlight, the place looks genuinely weird and alien. The script, apart from the occasional clunky line, moves quickly and efficiently, there are witty lines.
Frankly, my advice is to go look at the trailer. A lot of times, the trailers are better than the actual film. Or the trailers contain all the good parts of the film and the actual film tends to be mostly filler. In this case, the trailer is actually a good showcase for the film. If you liked the tailer, you'll enjoy the film.
In the meantime, I'm pretty happy with it.
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- WissenswertesThis film makes extensive use of the Vasquez Rocks for its alien landscape, appearing throughout the film as different locations.
- PatzerDuring the first spiderling attack the collar and chain vanishes from around Carter's neck and then reappears.
- VerbindungenFeatured in Cinematic Excrement: Princess of Mars (2010)
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