Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.Die Bewohner einer Küstenstadt kommen mit tödlichen Folgen hinter das Geheimnis der beiden mysteriösen Frauen, die hier Zuflucht gesucht haben.
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
Gabriela Marcinková
- Anya
- (as Gabriela Marcinkova)
Empfohlene Bewertungen
7OJT
This poster drew me to this film. Not the poster shown here on IMDb, but the colorful green, yellow and red which are used other places. I wasn't expecting too much, but was surprise ad when I saw the casting, and that it was a Neil Jordan-flick. I've admired Jordan since I saw The Crying Game.
This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.
If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.
The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.
Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.
I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.
This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.
If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.
The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.
Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.
I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.
In the present days, the lonely sixteen year-old Eleanor "Ella" Webb (Saoirse Ronan) and his sexy and protective mother Clara (Gemma Arterton) have been vampires for two hundred years. When a dangerous stranger hunts Clara down, she kills him, burns her apartment and flees with Ella to a coastal town. Clara meets the lonely Noel (Daniel Mays) that is grieving the loss of his mother and is completely broken and he lodges them in his derelict Byzantium, a former hotel and bed-and- breakfast that belonged to his mother. Clara sees the chance to make money with a brothel for Noel and for her. Eleanor befriends the teenager Frank (Caleb Landry Jones), who has leukemia, and they fall in love with each other. Meanwhile two strangers are tracking Clara through the deaths of their victims. Eleanor is tired of living on the run and decides to tell their secret to Frank, but there are parts in Clara's past that she does not know.
"Byzantium" is a classy and stylish vampire movie directed by Neil Jordan. The story is disclosed in slow pace and the characters are very well constructed. The performances are top-notch and Clara has an amoral behavior while her daughter is the opposite, but there is explanation along the story. My vote is eight.
Title (Brazil): Not Available
"Byzantium" is a classy and stylish vampire movie directed by Neil Jordan. The story is disclosed in slow pace and the characters are very well constructed. The performances are top-notch and Clara has an amoral behavior while her daughter is the opposite, but there is explanation along the story. My vote is eight.
Title (Brazil): Not Available
I have just seen this film as part of the famous Bridport Film Festival called "From page to screen". It features films that have been adapted from books and are very often accompanied, either before or after the screening, by a question and answer session with either the Director, Producer or Author etc. Bridport is in the county of Dorsetshire in the United Kingdom. This pre-release screening of Byzantium was enhanced by a very informative Q&A with the Producer Stephen Woolley. If you are expecting fangs, crucifixes, coffins and garlic prepare to be surprised! These vampires are a new take on a familiar theme. Much of the film is shot on location in the seaside town of Hastings which gives it a fabulously grungy and stark atmosphere. I have to admit that I didn't really want to go and see "another" vampire film. Believe me when I say that this is not just "another" vampire film.
Byzantium is more a study of being human than being vampire and holds the attention easily with strong lead performances. At the center is actually a mother daughter relationship, a question of nature versus nurture and survival. As well as all the vices of humankind thrown in for good measure. In this movie the vampires are all human, albeit changed and remain human, albeit enhanced but at a cost and within the shadows of normal living. Life and death of course are issues and living,if we could live forever would we rise above what we are? Questions within. Really enjoyed this and good to see Saiorse Ronan back on form after that terrible Alien outing. Gemma Arterton also puts in a great performance. This is billed as a vampire movie however I'd recommend it to anyone as although the elements are there its very far from what you'd expect of a movie of that genre.
'BYZANTIUM': Three and a Half Stars (Out of Five)
Another vampire tale from director Neil Jordan (who also directed the critically acclaimed 1994 film adaptation of Anne Rice's popular book 'INTERVIEW WITH THE VAMPIRE: THE VAMPIRE CHRONICLES'). This movie is based on the play by Moira Buffini (she also wrote the screenplay) and tells the story of a mother and daughter vampire duo who have been on the run for 200 years. It stars Gemma Arterton and Saoirse Ronan as the mother and daughter vampires and co-stars Sam Riley, Johnny Lee Miller, Caleb Landry Jones and Daniel Mays. It's a pretty standard vampire film with some nice directing and decent acting.
Arterton plays Clara and Ronan plays her daughter Elanor (even though she's only eight years younger than Arterton). They've remained the same age for 200 years (when they became vampires, that can live in the sun) and need human blood to survive. They're constantly on the run from other vampires (as they've broken their 'brotherhood's laws). Clara has now befriended the shy Noel (Mays) and is running a brothel out of his recently inherited rundown coastal hotel (the Byzantium). Elanor has fallen for a young waiter named Frank (Jones) and has begun exposing her and her mother's secrets to him, through (what he thinks) is a beautiful fictional story.
The movie looks good and Arterton (like always) is gorgeous in it. She makes a great femme fatale vampire and Ronan is decently cast as her sheltered daughter. Jordan's directing is fitting and the story is interesting, if you like vampire movies (although I didn't like it that these vampires can survive in the sun). It's nice to see a vampire movie about a mother and daughter for a change and the romance and male characters are pretty minimal. It's also interesting to see sympathetic vampires, in a film, that still kill and prey on innocent people. Very flawed heroes to say the least. It's nowhere near as classic as Jordan's 'INTERVIEW WITH THE VAMPIRE' but it's still a decent vampire flick.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=ayoPMqb3Nl8
Another vampire tale from director Neil Jordan (who also directed the critically acclaimed 1994 film adaptation of Anne Rice's popular book 'INTERVIEW WITH THE VAMPIRE: THE VAMPIRE CHRONICLES'). This movie is based on the play by Moira Buffini (she also wrote the screenplay) and tells the story of a mother and daughter vampire duo who have been on the run for 200 years. It stars Gemma Arterton and Saoirse Ronan as the mother and daughter vampires and co-stars Sam Riley, Johnny Lee Miller, Caleb Landry Jones and Daniel Mays. It's a pretty standard vampire film with some nice directing and decent acting.
Arterton plays Clara and Ronan plays her daughter Elanor (even though she's only eight years younger than Arterton). They've remained the same age for 200 years (when they became vampires, that can live in the sun) and need human blood to survive. They're constantly on the run from other vampires (as they've broken their 'brotherhood's laws). Clara has now befriended the shy Noel (Mays) and is running a brothel out of his recently inherited rundown coastal hotel (the Byzantium). Elanor has fallen for a young waiter named Frank (Jones) and has begun exposing her and her mother's secrets to him, through (what he thinks) is a beautiful fictional story.
The movie looks good and Arterton (like always) is gorgeous in it. She makes a great femme fatale vampire and Ronan is decently cast as her sheltered daughter. Jordan's directing is fitting and the story is interesting, if you like vampire movies (although I didn't like it that these vampires can survive in the sun). It's nice to see a vampire movie about a mother and daughter for a change and the romance and male characters are pretty minimal. It's also interesting to see sympathetic vampires, in a film, that still kill and prey on innocent people. Very flawed heroes to say the least. It's nowhere near as classic as Jordan's 'INTERVIEW WITH THE VAMPIRE' but it's still a decent vampire flick.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=ayoPMqb3Nl8
Wusstest du schon
- WissenswertesSaoirse Ronan actually played Ludwig van Beethoven's complicated Piano Sonata Opus 2, No. 3, having undergone an intense twelve-week crash course in piano lessons.
- PatzerWhen Clara is looking for Eleanor she is running on the upper level of the promenade. She calls to Eleanor as if she has spotted her on the lower level. The pavement would prevent Clara from seeing her until Eleanor has come out from the lower level.
- VerbindungenFeatured in Projector: Byzantium (2013)
- SoundtracksFlaunt
Written by Jay Condiotti and Nadia Fay
Performed by Girls Love Shoes
Licensed courtesy of Girls Love Shoes
Administered by Music Dealers
Published by J Bones, Hot Geek Publishing and Music Dealers Publishing UK
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Details
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- Auch bekannt als
- Dấu Vết Ma Cà Rồng
- Drehorte
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Box Office
- Budget
- 8.000.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 89.237 $
- Eröffnungswochenende in den USA und in Kanada
- 16.643 $
- 30. Juni 2013
- Weltweiter Bruttoertrag
- 828.284 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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