Alles muss raus

Everything Must Go is an art movie. Maybe that wasn't the director's intention but that's how I'll classify it.

I give it 3 stars out of 4.

Just a very simple, and ultimately touching, story about a man who's life is falling apart and it is purely his own fault.

It is nice to see Will Ferrell ACT and not play his normal over the top persona in comedies.

This is a QUIET movie. Just a mellow ride with some humor, some drama, a pleasant setting, good cinematography and production values and interesting characters. One of the better films I've seen this year! I might even be tempted to give it 3 and 1/2 stars! It is like hanging out in a museum for the day or a quiet afternoon enjoying a good bottle of wine. Not something you'd want to do everyday but for an afternoon it is a nice diversion from the mad, mad, crazy world we live in.

And no, it is NOT a guilty pleasure. It is a good film but not for everyone. Somehow I think this might have worked better as a UK or French film.

I love a slam bang movie like Kick-Ass or Inglourious Basterds or Oldboy as much as the next cat. But this isn't that movie.

Like I said, it is a quiet art movie. Like The Music of Chance starring James Spader from back in the 90s.

Writer-director Dan Rush did a very good job. Especially since this is his FIRST film and first Internet Movie Database credit! It is almost like something Hal Hartley might have done but less quirky.

I really enjoyed Stranger than Fiction and, since I had heard Will Ferrell's performance in that movie compared favorably to the one in Everything Must Go, was excited to see EMG. I walked away after seeing EMG a little unsure of whether I truly enjoyed the movie or just merely appreciated the quality of the director's vision and execution. Everything Must Go is the story of Nick Halsey (Ferrell), a struggling alcoholic who, in the first 10 minutes of the movie, has been laid of from his job and kicked out of his house by his wife, all within the same day. The rest of the movie looks at Halsey's attempt to manage the tension between wanting what he once had and trying to pursue a life that he desires, even though he isn't entirely sure of what that looks like. I will start by saying I thought the acting of everyone involved, especially Will Ferrell and Christopher Jordan Wallace, was superb and a highlight of the movie. I thought the music and visuals added significantly to the feel of the movie, especially how so much of the movie occurred in the front yard with the records of his father occasionally playing in the background. Now I knew to expect a story that was not a happy-go-lucky comedy (is there one about an alcoholic struggling with sobriety), but was hoping for some more lightheartedness. I did particularly enjoy watching the relationship between Nick Halsey and Wallace's "Kenny Loftus", and thought that the filmmakers did a good job pairing the two actors up. A couple of things with which I walked away: first, I found it interesting how the director decided to show Halsey's eventual growth in the way that he let go of certain things, and to whom he left them. Afterwards, a friend of mine and I discussed how difficult these acts would have been, but thought it appropriate for someone trying to move beyond such a serious issue as alcoholism. I also found it interesting that such a pivotal character, like Halsey's wife, has no screen time at all, save for her voice in one scene. It is as if the filmmakers want us to see how much damage one person has managed to do by simply stepping out of another's life. Overall, I do believe that the movie was well made, with an interesting story and fantastic acting, but the mood of the film was a little heavier than what I was looking for.

Dan Rush's modestly paced 'Everything Must Go' pretty much takes a look at the worst day of Nick Halsey's life and the days that follow where he's left stranded in his lawn. The theme is quite refreshing but even though the movie is tagged a comedy, the humour here is very dry (it does draw a few chuckles) and it felt more like an intense human drama than a comedy. Halsey's situation is depressing and it really makes the viewer want to hate Catherine, even though, the writer tries to make the point that she was justified in treating him that way. But anyway, this is Halsey's story and perhaps to balance the intensity, Rush could have added more quirks. The pacing is quite slow at times but there was never a boring moment. I liked how the director and Ferrell depict Halsey's struggle with alcoholism. However, I felt that the story and characters (especially the supporting ones) could have been further developed. Will Ferrell is excellently restrained which makes Halsey all the more human and easier to relate to. Rebecca Hall is brilliant. Laura Dern has about one scene and she shows the viewer how one scene alone can make an actor stand out. Overall, I wouldn't recommend 'Everything Must Go' to those looking for a comedy. It is an intense humour drama about a man who once had everything and is now forced out of his house and how he struggles and attempts to deal with his problems one step at a time.

I'll readily admit, this is not my favorite genre. This movie was incredibly somber, which was especially depressing considering I was expecting a comedy. One of the quotes on the movie jacket said, "Sharply funny." Not that there were NO funny moments but not nearly enough to classify the entire movie as funny.

Will Ferrell was good in this bleak film. I hadn't seen something quite like this since the 80's movie "Less Than Zero" with Robert Downey Jr. Ferrell played Nicholas, a lush that just lost his job and his wife due to his habit. The movie plays out on his front lawn with all of his belongings as his wife moved all his stuff outside and had all the locks changed.

"Everything Must Go" dives in to the dark and pitiful world of alcoholics. Even though this movie is about an alcoholic it could just as easily be about any addiction. There is not much by way of action or anything really. The movie follows the listless Nicholas as he forges some new bonds and tries to restore old ones all while in his front lawn. It's a slow moving sobering movie that is done quite well.

'EVERYTHING MUST GO': Three and a Half Stars (Out of Five)

Will Ferrell tries his hand at more serious comedy-drama again (after the likes of 2006's 'STRANGER THAN FICTION') with this tale of a relapsed alcoholic who loses his job and wife on the same day and resorts to living on his front lawn. It's based on the short story 'Why Don't You Dance' by Raymond Carver and is written and directed by first time filmmaker Dan Rush. It co-stars Rebecca Hall, Michael Pena, Stephen Root, Laura Dern and Christopher Jordan Wallace (the son of Faith Evans and the late rapper 'The Notorious B.I.G.') in his second film. The movie is funny as well as depressing and emotional. It's a nice step in Ferrell's career, for exploring broader range.

Ferrell plays Nick Halsey, an alcoholic who's recently fell off the wagon. As the film opens he's fired from his job for apparently having an affair with a new employee and then left by his wife for the same reason. He's also locked out of his home (after his wife changes the locks), with all of his belongings left on the front lawn. His credit cards have all been canceled as well and his company car is repossessed by his former employers. With no money and no place to go he decides to camp out on his front lawn with all his stuff. His neighbors complain of him being a public nuisance though and he's reported to the police. Thanks to city law his cop buddy Frank (Pena) is able to give him five days to hold a yard sale before he has to kick him off the property. While trying to sell his stuff Nick befriends a new neighbor across the street (Hall) and a local neighborhood kid (Wallace).

Like I said the movie is surprisingly dramatic for a Will Ferrell movie and he pulls off his performance impressively. The material isn't too much of a stretch for him given that it's still pretty comedic but it's definitely honest and set in reality (unlike the majority of his films, which are mostly slapstick) and there's some pretty hard hitting drama at times as well, especially towards the end. The movie still has a sizable amount of laughs though so traditional Ferrell fans shouldn't be disappointed. That's why the movie is the perfect step for Ferrell (to test out his range). A gigantic leap in to serious drama would be to sudden and the film works perfectly as is. A smart move for Ferrell and a decent film results because of it.

Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=WEq_X_axUaU