Lawmen: Bass Reeves

Being a big fan of both westerns and Taylor Sheridan I can say I've been looking forward to this ever since I first heard about it. It did not disappoint. It's shows how this hero, Bass Reeves, will do anything to take care of his family and bring justice to this who deservee it, even if that means working along side racists and other people he didn't like. There have been a few portrayals of this character over the years but David Oyelowo is by far the best yet. He makes what would still be a good show a great one. It's action packed and intelligent at the same time. Can't wait to see what Sheridan does next.

The show is beautifully shot, well directed and with some fantastic performances. Unfortunately, as the series progressed, the stories drifted farther into pure HBO level cartoonish fiction.

Bass Reeves was a great and legendary lawman, and it is sad that his story couldnt be told simply and truthfully. I guess his 14 kills in 32 years of being a lawman werent considered dramatic enough for us 2020's folks who need explosions and green screens. It detracts from the man's greatness when his long service to law enforcement is reduced to some magic-tinged fight between good and evil, mysticism and wild conjecture. By the time I reached episode VIII I grew disappointed that the heroics I saw in the early episodes--which I had thought must be accurate--were most likely complete fiction.

This show was perhaps the biggest chunk of all my reasons to sign up for Paramount + and I will not watch any of the upcoming Lawmen seasons supposedly portraying famous lawmen. It's a shame.

This is worth the watch, at only 8 episodes, and as I said it is very well done.

I've only watch the first episode, and I'll come back and adjust my review after I finish the series, but I can tell already I'm going to like it. I do like it.

First of all, the writing in this is outstanding. Most productions would make everything black-and-white, good and evil, without any intrigue whatsoever. Bass himself is not perfect, in fact he fights for the confederacy willingly. Even as a slave, he has a sense of honor, of right and wrong, but he serves his master until his master no longer deserves his allegiance.

I know quite a bit of the history of this character, and so far they've been faithful to trying to replicate the authenticity of Bass Reeves.

As sets, locations, costumes, and related are outstanding. The casting is outstanding. No caricatures, and everyone plays the role right on the money neither under nor over playing it. This is smart writing that doesn't insult the intelligence of the viewer.

If the first episode is any litmus test, this is one of the smarter shows on television right now. I've been a critic of Taylor Sheridan lately because I want him to FINALLY finish Yellowstone, but if this is what he's been working on instead, I'm gonna give him a bit of a pass because the show really is outstanding.

If you liked 'The Good Lord Bird' this is very similar. Well filmed, good acting. Seems higher budget than you might expect. I'm only a few episodes in, but enjoying it. You can always tell when a tv series is based on a book because the storytelling tends to be better as does the character development.

If you're into Westerns, civil war style stories and the challenges of the mid 1800's, you'll no doubt like this. Also great to see Barry Pepper and Shea Whitman in the cast. David Oyelowo is a great leading man and brings so much to this series. Looking forward to finishing it and hopefully more series to follow.

"Lawmen: Bass Reeves," a recent addition to Taylor Sheridan's repertoire, begins its narrative journey at a slower pace than his renowned works like "Yellowstone" or "1883." Initially, this slower tempo might feel less captivating, especially for those accustomed to the gripping beginnings typical of Sheridan's series. The show employs numerous time jumps, a storytelling technique that, while effective in progressing the narrative, contributes to a somewhat disjointed initial rhythm.

A striking aspect of the series is how swiftly we see Bass Reeves and his family age. This rapid progression, while necessary for the story, can at times feel abrupt, leaving viewers longing for a more gradual depiction of their growth and evolution.

However, the series finds its footing with the introduction of a clear antagonist. This pivotal moment seems to steer the narrative with a newfound sense of purpose and direction, transforming it into a more traditional hero-versus-villain tale. The gunfights, a staple in such stories, do fall into the familiar trope where villains inexplicably miss their shots, even against a hero in plain sight. This element, albeit clichéd, doesn't detract significantly from the overall enjoyment of the series.

The show concludes with a finale that feels like a fitting conclusion to the legend of Bass Reeves. It encapsulates his journey sufficiently, giving viewers a sense of completion. While the ending is well-executed, the pacing of the series as a whole suggests that a few additional episodes could have provided a more balanced narrative flow. The initial slowness and the somewhat rushed conclusion leave one contemplating what could have been with a more evenly paced storyline.

In summary, "Lawmen: Bass Reeves" is another commendable effort by Sheridan, showcasing his storytelling prowess. Despite not reaching the heights of popularity seen in "Yellowstone" or "1883," it stands as a solid portrayal of a legendary figure. The show navigates through its pacing challenges to deliver a story that is engaging and, ultimately, satisfying. It's a testament to Sheridan's ability to craft compelling narratives, even when they tread a more conventional path.