Rise of the Raven

It's fun to watch a series about yor neighbours and especially historical one which is more or less on point. Well, emphasis on more or less.

And doing that exactly from the town that was historically of high importance for the main character. Town of Celje (Cili), town or the Counts of Celje especially Ulrik II. Who is actually depicted in this series.

It's a bit sad that our Hungarian friends didn't invite any Slovenian actor to play Ulrik as they did for the Serbian counterpart (although he is not serbian actor) with Serbedzija. But ok.

So far so good for a non Netflixian production and money. Without any real big financial backer, this series does actually a great job.

Still think that a good and tenacious fact checker can't be that expensive, so they should have hired one, but ok.

I'll give it a go. After first three episodes i am intrigued. Let's see where the Raven takes us!

Big congrads to Hungary and Ostereich (ORF).

I was pleasantly surprised by this series. It starts strong, then slows down a bit, but by episode 4 it sucks you in and you can't stop watching. What I liked most is the strong emotions it stirs up and that all sides are portrayed as likeable, yet imperfect humans. And of course there are the battle scenes, the executions that seem that you are right there with the characters. A couple of times during the series I thought the film was pure genius, but I don't want to give away the plot. Episode 10 is epic, I watched it many times. Don't miss it! I hope for a sequel. At least now I know why church bells toll at noon from Europe to Latin America to all over the Christian world.

Finally, finally, a challenging and satisfying historical series. I was skeptical at first, after so many bad experiences. But this one fits the bill: content, form; you can tell the team put a lot of heart and soul into it. Great! Rise of the Raven can certainly compare to Shogun and Spartacus: War of the Damned. And even if you know a bit more about Eastern European history, the details and context here are truly instructive, and it's not annoying when the director takes unsatisfying historical shortcuts or detours.

The landscapes and locations are well-integrated and cinematically simply fitting and beautiful.

The performances and cast are also well-suited; the Ottomans, despite their antagonism, are not portrayed in a distorted way. The Wallachians fare a bit worse ;-) but I think they're still historically justifiable. The political infighting isn't stereotypical, nor are the relationships; a little less sex and longer social scenes or story building would have been fine, but the surroundings aren't neglected either, and the sex scenes aren't formulaic, but occasionally feature a twist. Hunyadi's character isn't as superior as, say, Spartacus, but despite his human weaknesses, it's still clearly evident from time to time why he leads the country through charisma and integrity, even at the expense of himself or his family.

And unexpectedly for me (because Hungary is what it is), both the female roles are modern and strong (but not generalized), and LGBTQ people aren't neglected either.

It's just a shame that the multilingual approach of the original wasn't replicated in German :-(

I'm looking forward to the sequels, hopefully until the last Hunyadi, who was robbed of his legacy...

A roughly historically accurate series from the 15th century Hungary with monumental battle scenes and traditional male image. During the Osman-Turkish invasion of the Balkan, the vaivode of Transylvania, János Hunyadi tries to expel the muslim conquerors from Europe. Although he has Christian enemies as well (the Habsburgs and their vassal, the sly Count, Ulrik Cillei, who is the "Littlefinger" of the series and Vlad "Dracul" Tepes, the orthodox vaivode of Wallachia), he achieves many legendary victories on the Turks and as the elected Governor of Hungary, he becomes the saviour of Christian Europe and the father of the mightiest Hungarian king, Matthias Corvinus. The castle of János Hunyadi is watchable in Transylvania in our days as well: the Vajdahunyad castle is the most beautiful Gothic fortification in Central Europe.

From the very first episode, I was captivated by its exquisite opening sequence - the breathtaking scene of Hunyadi riding his warhorse through colossal statues on the plains, synchronized with an epic and grand musical composition, was utterly awe-inspiring!

Most crucially, the pacing is masterfully controlled, with brilliantly crafted dialogue sequences and cinematic-level battle scenes in the finale.

The visuals are incredibly textured, boasting superb audiovisual effects and meticulous attention to detail. Every gaze, prop, and movement serves a purpose - not a single frame is wasted!

This marks my first experience watching Hungarian film/television production. I believe this series stands shoulder-to-shoulder with Game of Thrones, achieving comparable excellence without relying on magic or fantasy elements.

Regrettably, the distributor shows no intention of global release for this series, which may condemn this remarkable work to collect dust in obscurity prematurely.

My comments are solely focused on the television program itself, and I hold no personal stance on any other matters.