Die wahre Geschichte von Captain Richard Phillips und die Entführung der unter US-Flagge fahrenden MV Maersk Alabama durch somalische Piraten im Jahr 2009, das erste amerikanische Frachtschi... Alles lesenDie wahre Geschichte von Captain Richard Phillips und die Entführung der unter US-Flagge fahrenden MV Maersk Alabama durch somalische Piraten im Jahr 2009, das erste amerikanische Frachtschiff, das seit zweihundert Jahren entführt wurde.Die wahre Geschichte von Captain Richard Phillips und die Entführung der unter US-Flagge fahrenden MV Maersk Alabama durch somalische Piraten im Jahr 2009, das erste amerikanische Frachtschiff, das seit zweihundert Jahren entführt wurde.
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- Drehbuch
- Hauptbesetzung
- Für 6 Oscars nominiert
- 17 Gewinne & 155 Nominierungen insgesamt
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There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
Tom Hanks gives one of his finest performances in a long time. His Captain Phillips is a professional, serious man that keeps his emotions in check while sternly ensuring his crew understands his expectations. As the situation escalates, his emotions begin to creep through. Leading towards a final release that is both heartbreaking and relieving. Hanks' character isn't explored too deeply, but we are nevertheless with him every step of the way.
In a fantastic casting choice, Tom Hanks is more than matched by Barkhad Abdi, who truly shines as the lead pirate. We're given more access than expected to this character – to all four pirates for that matter. Abdi manages to evoke empathy from a character that could have easily succumbed to stereotypical villainy. His performance provides a complex level of emotion to the proceedings. He knows that the situation has easily ran away from him, yet he naively decides to re-assure himself – and Captain Phillips – every chance he gets.
This is no-nonsense filmmaking of the highest order. Paul Greengrass' kinetic camera rises above the sometimes dizzying approach from some of his last films. The hand-held factor works beautifully here, ensuring the you-are-there level of realism is cranked to a ten at every second. As the events escalate, we are always kept aware of what is happening. While skipper jargon and navy terms are exclaimed every which way, care is placed on making sure we still know exactly what is going on. Billy Ray (Breach, State of Play, The Hunger Games) constructs a taut and clear screenplay that compliments Greengrass' filmmaking style.
To call this tense is an understatement. Henry Jackman's score pushes every sequence to an almost unbearable level of tension, Barry Ackroyd's cinematography beautifully captures the sweat and intensity of every moment, and Christopher Rouse's masterful editing brings it all home.
Exhausting and thrilling, Captain Phillips is all the more powerful with the knowledge that you're witnessing a true story. Paul Greengrass and co. have crafted an experiential film that you won't be forgetting in a hurry.
- thereelword.net
The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.
Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.
Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.
The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.
The movie's strength points could be summed up:
1. Greengrass's thrillers are really fine, I like his The Bourne Ultimatum with his shaky camera tricks. And here he is doing it again maybe with different techniques. As a thriller, Greengrass managed to make this movie get on your nerves and put so much tension, and that's a success.
2. The Somali crew.. Now, that's some serious impressive sh*t. Some Somali dudes you have never seen their faces in a movie before come and make such spectacular performances, that's something you should admire. It made the movie so believable that you'd sometimes forget it's just a movie. Barkhad Abdi has made a huge step in his career with this movie and that was crowned by his nomination for the best actor in a supporting role. He probably won't get it, but he deserved it.
3. Tom Hanks is just a really fine actor. He was driving the whole thing with his convincing performance. I still can't believe he got my tearing in that scene, or let's just say crying. Greengrass has taken him to squeeze some fine acting skills.
4. Fair screenplay that didn't make you forget that justice should be done, no matter how the conditions the person lives in, but it also pushed the eyes to take a look into the world that would produce such people as pirates.
Wusstest du schon
- WissenswertesThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- PatzerCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Zitate
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Crazy CreditsBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #22.48 (2013)
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- Capitán Phillips
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Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 107.100.855 $
- Eröffnungswochenende in den USA und in Kanada
- 25.718.314 $
- 13. Okt. 2013
- Weltweiter Bruttoertrag
- 218.791.811 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1