Mein Name Ist Vendetta

I expected a little more from this revenge flick. But the word Vendetta tricked me. Don't get me wrong. It isn't a bad flick. In fact, it does what it says in the title but the important issue is the father/daughter relation.

Luckily the plot has a twist which made it up for me to find it a good flick. Don't expect a Oscar worthy script. But what it does offer is a really good maffia revenge flick. It never goes over the top.

Compared to so much flicks about father/daughter revenge flicks, Taken is the most spoken about. I shall not do that. But I understand what they mean.

For some it can be on the edge of gore and in fact some killings are indeed in your face on-camera. Smashing heads is never an easy watch...

Gore 2/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5.

I think this film is an excellent exercise in action-focused filmmaking. It has very good shots accompanied by good editing that transmit to the audience a dizzying development of the most moving sequences.

Unfortunately the film has a very basic script. It lacks depth. The performances are good, but they are not overly demanded by the story.

The rest of the technical aspects are decent. Nothing stands out too much. Good locations, but perhaps a little poorly used.

In short, My Name is Vendetta is a entertaining movie for those who like the genre. For other audiences, it's a skippable movie.

"To kill or be killed. This is the law. Showing mercy is just a sign of weakness. It's a lesson I wish I could forget." Santo (Alessandro Gassmann)

In My Name is Vendetta, you can transport the manic spirit of Taken to Milan by way of Sicily, and you have your father, daughter fix mixed with the Sicilian Mafia. Violent action does not get better than this with Santo and young daughter Sofia (Ginevra Francesconi) on the run and running to revenge on a Sicilian Mafia that slaughtered his brother and wife.

It's not as stylized as Kill Bill or John Wick, but it has a familial charm with good camera and lighting work.

While you can see immediately this is not one of my usual art films; it is rather a thriller with the popular American motif of family reconciliation prevalent today in our super-hero films and family dramas. Netflix gives you a holiday retreat from goody-goody to exercise your natural instinct at self-preservation with naughty on the side.

It's a smart, bloody business emphasizing the central role now occupied by smart-phone technology. Facial recognition propels the action as bad guys can find good guys by connecting photos from your phone to your current location if you should be foolish enough to snap one when your dad warned you against taking it.

So the tech goes as everybody tracks everybody to lead to a final confrontation between Santo and Mafia boss, Angelo (Remo Girone). Sofia, with better-than-middlin' action skills, participates to bring home the sweetness between father and daughter and exciting action tropes.

My name is Vendetta (a descriptive title if there ever was one) is simply good old-fashioned revenge thrills set in a Euro-trash world whose menace is better because we watch from the safety of our homes.

Just remember, your phone is ever the willing partner in crime.

Netflix knows.

This movie borders on the edge of fantasy. The story is based around settling of vendettas using surveillance techniques that are so far-fetched. The characters are not that interesting, and the daughter borders on being the most annoying movie character ever devised. Everything she is told not to do, she does, and it doesn't help that she is dressed to look like some character from a bygone era. She faces no consequences for her dumb actions, and puts the blame for the action that is the basis of the story, on her father, never mind that she is the person who puts his picture on the internet after she is warned not to do so. The story is weak and borders on fantasy. In short, it's just a silly movie!

This is a decent foreign thriller about a defected Mafia hitman who resurfaces due to a happenstance of his attempt to lead an anonymous new life. When the Mob discovers he is alive they come after him, and his family, seeking to kill them. Of course it is not that simple. He is not an easy man to kill. Accompanied by his surviving daughter he seeks to finish what he started years earlier. There is a slight similarity in this film, to The Professional, with Jean Renault and Natalie Portman; however, this one is not as good. There is decent action. The cast is decent enough and the cinematography is good. Decent enough, but not the best.