Nichts zu verzollen

Given the commercial and critical success of director Dany Boon's earlier film Welcome to the Sticks, it is peculiar that his next project, Nothing to Declare, endured a straight-to-DVD release in France. This is despite its superb sense of humour, engaging interplay between characters and generally fun, light-hearted feel.

The story, set in 1993, centres on the racist, trigger-happy Belgian Ruben (Benoit Poelvoorde), who is paired up against his will with Frenchman Mathias (Boon) in their effort to police the Franco-Belgian border. Compounding the strenuous partnership is the fact that Mathias is secretly dating overprotective Ruben's sister (Julie Bernard). Also intertwined in the story is the oafish Jacques and trying wife Irene, who turn to smuggling contraband between the borders to make ends meet, as well as the world's most incompetent drug ring and their short-tempered boss.

Right off the bat, it's clear that Boon has a talent for ensemble directing. Although he and Poelvoorde share the lead, each fringe character enjoys ample screen time to tell their story and draw audience engagement, while all potential loose ends are appropriately tied up without leaving any individual's fate hanging in the balance.

Humour is consistent throughout Nothing to Declare. Following a slow start, the film employs varying instances of physical, visual and verbal comedy, the latter of which is accentuated by the consistently tense, tight interplay between certain pairs of characters. The arguable highlight occurs as the criminals attempt to disguise their van as an ambulance for the purpose of drug smuggling, but honourable mentions must also go to Ruben's crude, xenophobic dad and the 'pimping-out' of Mathias's patrol car.

Boon casually addresses the fine line between patriotism and racism with this film but, like all good comedies, it permits pure entertainment to take priority, without falling into the trap of becoming too preachy, political or divisive.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

I loved this movie! I've just seen it tonight as part of the New Zealand International Film Festival and thoroughly enjoyed it. The entire cinema was in hysterics. I haven't laughed so much in a movie for a long time. I'm not a film snob. I'm not looking for fine film-making or clever, or thought provoking movies, necessarily. There are some widely acclaimed movies out there that I didn't enjoy, while often movies that are slammed by the critics, I really enjoy. I just love to be entertained, and this movie did exactly that. Were some of the jokes childish? Yes, but it was so funny that it didn't matter. The actors were really believable and did an awesome job. Rien a Declarer - awesome! I absolutely do want to own this movie on DVD.

It's long time that I waited for such a funny movie. My nine year old son couldn't wait longer and forced me and my wife to watch the DVD this evening. The quality and humor of this movie is only attempted if it is watched in original language. There were many crazy dialogs and scenes and we had to laugh a lot tonight. Dany Boon and Paul Vervoorde played their role very believable and convincing and they merit standing ovations for this performance. The atmosphere and scenery was well adapted to the nineties. All in all again a truly great success for the french film industry and a win for the cinema world. Don't miss it and you won't regret. Congratulations to all the stuff. 9/10. If you liked it I recommend BIENVENU CHEZ LES CHTI'S, L'ENQUETE CORSE or TAIS-TOI.

I didn't laugh until I cried but I smiled a lot and overall I had a good time. The main characters are nice (except for the girlfriend, her acting was bad imo) and the plot is cute (although a bit basic)

Dany Boon's "Nothing to Declare" (2010) attempts to blend cross-border cultural clashes with comedic hijinks, but ultimately falls flat, delivering a lukewarm and utterly unmemorable cinematic experience. The film suffers from a severe lack of genuine humor, meandering aimlessly through predictable gags and tired stereotypes without ever truly eliciting a laugh. The supposed "charming" interactions between the customs officers feel forced and contrived, lacking the genuine spark and wit necessary to engage the audience. The dialogue, often laden with clichéd jokes about national differences and bureaucratic absurdity, feels painfully artificial, as if the writers simply strung together a series of predictable scenarios without any regard for natural conversation or relatable comedic timing. Instead of a fresh and insightful satire, it offers a superficial and often irritating spectacle of manufactured whimsy.

Is it worth watching? No, unless you have an exceptionally high tolerance for predictable comedy and a lack of genuine comedic depth. There are far more authentic and impactful comedies available.