Verschwunden in Lørenskog
Originaltitel: Forsvinningen - Lørenskog 31. oktober 2018
IMDb-BEWERTUNG
6,0/10
3196
IHRE BEWERTUNG
Was ist mit Anne-Elisabeth Hagen geschehen? Wo ist sie? Wurde sie von Geldwäschern entführt oder ist es vielleicht ihr Mann, der sie verschwinden ließ?Was ist mit Anne-Elisabeth Hagen geschehen? Wo ist sie? Wurde sie von Geldwäschern entführt oder ist es vielleicht ihr Mann, der sie verschwinden ließ?Was ist mit Anne-Elisabeth Hagen geschehen? Wo ist sie? Wurde sie von Geldwäschern entführt oder ist es vielleicht ihr Mann, der sie verschwinden ließ?
Folgen durchsuchen
Empfohlene Bewertungen
10pf-00173
This is my first IMDb review, and I feel compelled to write after looking at the less positive reviews here. The Scandanavian dramas on Netflix have been among my favorite of all of their programs, and this one is near the top. The performances are consistently compelling, natural and believable, the directing taut, and, in the best sense, drama-free. The viewer really feels like s/he is in the middle of this complex drama. The story holds a mirror up to issues of class, sexism, police and journalistic bias without providing any easy answers. I was a bit taken aback at the end of Episode 5 that there was no Episode 6, but after some reflection, thought the ambiguous ending suited the series; however, seeing a note from other reviewer about it being missing, I"m sure that if it exists, it will do justice to what preceded it. If you're looking for something fast-paced, easy and prone to putting its thumb on the scale for the topics it covers, this show isn't for you, but if you want something superbly made and thought-provoking, I think you'll find this series well worth your time, whether 5 episodes or 6.
This series frustrated me, although I watched it until the end. I found it extremely difficult to follow. But I wanted to know what was going to happen, since after all, this is based on a true story. With none of the characters I could sympathise, since they are all distant and dark. Moreover, and worst of all, I lost the thread of the story. At a certain point I did not even know anymore if I had seen already several characters that were shown. This is really a pity because the story in itself seems intriguing; the media parroting the police and one police officer even feeding deliberately the media with information. The female journalist that was courageous and probably right, hence different from her colleagues, lost her job and we did not see her anymore. There is absolutely nothing beautiful or interesting in the way this has been filmed, neither in the dialogues, nor in the scenery and definitely not in the way the story is told. The Danish series "The Investigation", on the contrary, tells in a magnificent way also a horrible true story and the actors are all fabulous.
Vaguely remember the case on which this series is based. It was also relatively well reported here in Finland. The series follows events from different angles and perspectives. The series is followed episode by episode from the point of view of the police, lawyers, journalists and relatives.
I used to be in favour of a non-linear and multi-perspective series. Over time, however, the problem has become that these elements have become a way of prolonging the series without adding any value to the story itself or depth to the characters. I like slow-burning series, but there has to be a reason for that slow-burning. Nowadays, many series should just be a 1,5h movie because there is no true content for many episodes.
Fortunately, however, this series was different. Five episodes of guaranteed quality. I found that I actually liked almost every character in the series. I could relate to their perspectives and attitudes. The series illustrates well how easily our history and temperament can affect our ability to look at things objectively.
I also liked the fact that the personal lives of the main characters were referred and shown, but mostly in a condensed form. Glimpses. Everyone can then draw their own conclusions. For example, many police series stray far too much from the plot itself to deal with family traumas and other relationship issues. Of course, human being is a whole, but often too much emphasis is placed on these subplots.
Many people seem to be annoyed by the end of the series. The series is largely based on real events, including the names. In such cases, you cannot make your own artistic decisions. Personally, I liked the ending of the series. The way it affected the lives of the people involved.
It also reminded me of a case we had here in Finland. It was the case of Anneli Auer. She supposedly murdered her husband. However, the director of the investigation forbid the investigators of investigating Anneli Auer, even though she was the wife of the murdered and was present when the murder took place. Anneli Auer is an obvious psychopath and she was very good at manipulation. Anneli Auer was not taken as a suspect until two years after the murder, at which point no proper investigation could be carried out. The court acquitted Anneli Auer, even though she is very probably behind the murder of her husband. It really reminded this case in many ways.
I used to be in favour of a non-linear and multi-perspective series. Over time, however, the problem has become that these elements have become a way of prolonging the series without adding any value to the story itself or depth to the characters. I like slow-burning series, but there has to be a reason for that slow-burning. Nowadays, many series should just be a 1,5h movie because there is no true content for many episodes.
Fortunately, however, this series was different. Five episodes of guaranteed quality. I found that I actually liked almost every character in the series. I could relate to their perspectives and attitudes. The series illustrates well how easily our history and temperament can affect our ability to look at things objectively.
I also liked the fact that the personal lives of the main characters were referred and shown, but mostly in a condensed form. Glimpses. Everyone can then draw their own conclusions. For example, many police series stray far too much from the plot itself to deal with family traumas and other relationship issues. Of course, human being is a whole, but often too much emphasis is placed on these subplots.
Many people seem to be annoyed by the end of the series. The series is largely based on real events, including the names. In such cases, you cannot make your own artistic decisions. Personally, I liked the ending of the series. The way it affected the lives of the people involved.
It also reminded me of a case we had here in Finland. It was the case of Anneli Auer. She supposedly murdered her husband. However, the director of the investigation forbid the investigators of investigating Anneli Auer, even though she was the wife of the murdered and was present when the murder took place. Anneli Auer is an obvious psychopath and she was very good at manipulation. Anneli Auer was not taken as a suspect until two years after the murder, at which point no proper investigation could be carried out. The court acquitted Anneli Auer, even though she is very probably behind the murder of her husband. It really reminded this case in many ways.
A police procedural/investigative journalism series set in 2018 and following in Lørenskog, Norway. It's based on an actual case concerning a wealthy entrepreneur and the mysterious disappearance of his wife.
Each 50-minute episode looks at a different facet of the investigation, though the flow is chronological. Anne-Elisabeth Hagen is kidnapped at the beginning of the first episode. Her husband, Tom (Terje Strømdahl), is a wealthy billionaire. The kidnappers make ransom demands.
Jorunn Lakke (Yngvild Støen Grotmol) leads the police investigation along with her partner, Micael Delvir (Kidane Gjølme Dalva). Erlend Moe Riise (Christian Rubeck) is the lead journalist for the local paper; he appears to have informants within the police department that give him tips to influence the coverage. Aleks Zaretski (Victoria Ose) is another journalist who thinks the newspaper should pursue more theories.
The investigation stretches over two years as police and journalists encounter deadends, unconfirmed circumstantial evidence, questionable procedures, and unreliable sources. In addition, they encounter many potential villains, including Tom Hagen. Nevertheless, the story's final resolution is realistic.
This movie was fascinating to watch in the context of the "She said" film I recently watched that touted the necessity and doggedness of good investigative journalism. "The Lørenskog Disappearance" is more ambiguous, raising questions about the relationship between the press and the police and the possibility of tunnel vision hindering both investigations. I thought it was well done, though several storylines were left undeveloped, and a relatively large array of bad guys made following things difficult.
Each 50-minute episode looks at a different facet of the investigation, though the flow is chronological. Anne-Elisabeth Hagen is kidnapped at the beginning of the first episode. Her husband, Tom (Terje Strømdahl), is a wealthy billionaire. The kidnappers make ransom demands.
Jorunn Lakke (Yngvild Støen Grotmol) leads the police investigation along with her partner, Micael Delvir (Kidane Gjølme Dalva). Erlend Moe Riise (Christian Rubeck) is the lead journalist for the local paper; he appears to have informants within the police department that give him tips to influence the coverage. Aleks Zaretski (Victoria Ose) is another journalist who thinks the newspaper should pursue more theories.
The investigation stretches over two years as police and journalists encounter deadends, unconfirmed circumstantial evidence, questionable procedures, and unreliable sources. In addition, they encounter many potential villains, including Tom Hagen. Nevertheless, the story's final resolution is realistic.
This movie was fascinating to watch in the context of the "She said" film I recently watched that touted the necessity and doggedness of good investigative journalism. "The Lørenskog Disappearance" is more ambiguous, raising questions about the relationship between the press and the police and the possibility of tunnel vision hindering both investigations. I thought it was well done, though several storylines were left undeveloped, and a relatively large array of bad guys made following things difficult.
Fascinating, detailed, intriguing examination of a real-life missing person case. Each episode follows one of the parties involved, ie the police, the journalists, the lawyers, and the story emerges from this fractured looking glass. All good and original and engaging so far. However, when it comes to the 5th and final episode, this series simply just pulls up the drawbridge on the story and gives nothing to the viewer by way of theory, explanation, new perspective. OK it's a 'true' story, more or less, and as such the jury is still out and no one has been convicted. But ending the series with little more than a shrug just confirms this as s a TV experience this is just a distraction for a few hours and with nothing to contribute to the subject it asks us to consider. To be avoided.
Wusstest du schon
- WissenswertesAlle Einträge enthalten Spoiler
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How many seasons does The Lørenskog Disappearance have?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Lørenskog Disappearance
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit52 Minuten
- Farbe
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen