King of Kotha

When there is a great promotion happens it means that the movie is not up to the mark. This time also , same happened here. Frankly speaking DQ is not capable of doing Mass role. The actions are ok.. The background score of this movie was very interesting.. Shammi Thilakan deserve a special mention. Aiswarya Lakshmi is just average but at the same time Nyla was very disappointing.

After the interval, second part is very lagging. It's a gangster movie at the same time this film give some importance to love, family and attraction. Intro of the hero was very outstanding..

As my opinion I must say it's just an average movie which can be watched once.

Let's see...

I am a diehard fan of DQ. But honestly I am saying that it's not boring and lag movie. But it's most of the scenes are predictable and time is too much. But the making of abhilash sir and bgm of jakes sir,songs by dabzee and asal sir was wonderful. And action of DQ was awesome. Mainly the second part is more better as raju madrassi. Anyway I also like shabeer sir as villain. Anyway one thing I wanted to say is that don't degrade any film. It cames to low level film due to the degrading happened by the first show. Otherwise it will run for more days than this. I don't think it's that much bad. It's anyway best to watch for one time for those who think it's bad by the words of others. If u watch it one time u will understand that.

When you have Dulqeer Salmaan on screen and an ensemble cast featuring Shabeer Kallarakkal, Prassana and Aishwarya Lekshmi, expectations are high. Alas, it was a case of wrong expectations. The movie had everything going for it on the drawing board - a gangster saga, a hero who's a brilliant actor, a stylish villain but it was all unravelled by a single fatal mistake. The movie is so slow that one can sleep through it and still wouldn't have missed anything.

On the positives - The background score by Jakes Bejoy is as good as it can be.

The movie is strictly for DQ fans.

As a producer, DQ had the tools to create a cult gangster classic, he has fluffed it & he knows it.

A decent one, unlike the negative reviews. I went to watch the movie with zero expectations because of the negative reviews. The movie was okay for me but not up to the hype of the movie. The main highlight of the movie is the background music, which tries to elevate the scenes to the maximum but still lacks something. Dq did good and tried to do the best he could as the king of Kotha. The color grading and some of the shots in the movie were great. The intro scene of Dq had suspense and was worth the wait.

But the interval scene or why he leaves Kotha was not convincing enough for me as it lacks a proper strong reason or the reason shown was not done well enough to make us believe that he should leave Kotha. The second intro and all that followed afterward were okay. The film had every element for a mass masala movie, a love track, some comedy, mass scenes everything, but in the almost 3-hour run time of the movie, most is basically a slow story unfolding. Some of the dialogue was clearly heavy, and some were cringe worthy. Altogether this is a one time watchable movie with inspiration from other such mass movies and a heavy John Wick inspiration in the action scene department and one might like it or not according to their preferences.

First, let's talk about the things I liked in KoK, since they're very few.

• 3 scenes, in all of 3 hours: For a film with an excruciating run-time of 175 minutes, only three little scenes left a mark. Two of them involve Shammi Thilakan, who absolutely towers over the rest in terms of sheer screen presence (as a retired gangster turned family man). The third is a random drinking scene featuring DQ's and Shabeer's characters, and the only one where the dialogues sounded natural and indicative of a "supposedly" deep friendship. The rest of the film is completely flat, and of the two intro scenes for DQ's Raju, the first is slightly better. Chemban Vinod, playing a funny bad guy, is also quite good.

• That kickass background score - Jakes Bejoy single-handedly tries to cover up the gaping holes in the script with a fantastic effort on the score. If there's any reason to catch this on the big screen, it is to recognize this guy and the stuff he brings to the table even for the most mediocre flicks. "People of Kotha" is great ringtone (+ workout) material indeed.

• Cinematography & colour grading - Nimish Ravi paints Kotha in shades of brown and yellow, making for some organic visual texture. The setups and backdrops for some scenes actually look better than the scenes themselves. The colour palette is beautiful, be it in a bookstore, a bar, or at a playground.

Now, let's talk about the things that put me off.

• The writing: Abhilash N Chandran, who previously penned Porinju Mariam Jose, seems way too interested in creating conflicts that even lack a basic structure. Everything and everyone in Kotha is so random. How annoying it is that even when the writing lazily spends hours trying to detail various characters, including the main protagonist and antagonist, you don't feel emotionally connected to their journeys AT ALL! There's no shock of betrayal, no thrill of revenge; plus a surprising lack of elevation moments (except for the ones mentioned in the positives). The screenplay is old wine in an old bottle!

• Performances: Take a bow, seniors! The gangster crime sagas from your generation were obviously a lot better. DQ probably gives it everything he could, but Raju isn't a character anyone emotionally attaches themselves to, and he's too much of a charmer to carry/pull off the grit of a raw, cold-blooded gangster with almost psychotic shades. Shabeer Kallarackal's Kannan Bhai boasts a peculiar (but also familiar) blend of behaviours, and even though the guy's got the look and the gangster mannerisms right, I couldn't envision him as a "final boss". Aishwarya Lekshmi is utterly wasted, while Nyla Usha makes for an interesting-but-underwritten femme fatale.

• Sluggish pacing: Okay, when the story developments are so damn predictable, why director Abhilash Joshiy chose to stretch scenes out the way he did is beyond my understanding. Several scenes in both halves bring the pace to a drastic halt, and it takes a really long while to get to that forseeable finale. The tail-end also leaves much to be desired.

• Fight choreography: Except for the climax set-piece (which apparently was re-shot), the fight sequences in KoK are really meh. Action is an area where guys like Tovino and Antony Varghese have shown promise, but DQ falls way behind on this list. He's got a long way to go before he can even get close to what his father can still manage to do at 70+. For now, I'll put the blame sorely on the choreography, as even the final set-piece looks uninspiringly rehashed from the recent John Wick films.

Conclusion - Again, one could say that the massive hype and promotions for this film made you believe something incredible was in the works (of several second-generation artists and technicians), but unfortunately, they failed to deliver.