Die Geschichte einer Frau, die langsam das Augenlicht verliert, während sie versucht, den mysteriösen Tod ihrer Zwillingsschwester zu untersuchen.Die Geschichte einer Frau, die langsam das Augenlicht verliert, während sie versucht, den mysteriösen Tod ihrer Zwillingsschwester zu untersuchen.Die Geschichte einer Frau, die langsam das Augenlicht verliert, während sie versucht, den mysteriösen Tod ihrer Zwillingsschwester zu untersuchen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 11 Nominierungen insgesamt
- Enfermero 2
- (as José Sánchez)
- Subinspector
- (as Carlus Fabrega)
- Lara
- (as Catalina Munar)
Empfohlene Bewertungen
Julia's Eyes starts off very promising indeed, with a gripping first hour, as director Guillem Morales ratchets up the tension with some clever visual tricks and an increasingly dark and creepy tone, as well as some entertaining red herrings.
However, by the third act, it unfortunately gets kinda... silly. It also unfortunately has a rather ludicrous revelation, as well as some clichéd bad decision making on the part of the protagonist. It also could have been a leaner affair, being rather needlessly overlong.
As well as this, the film doesn't really cover all the elements of its rather layered plot as well as it could have, with one or two loose ends that will very probably have the viewer raising a suspicious eyebrow.
That having said, it has some decent performances, is pretty absorbing and again, has a nigh on excellent first half.
Any horror or chiller fan should find much to like here, but ultimately it comes across as rather dissatisfying, considering its ambition.
7/10- A solid enough film, that's worth checking out overall, but potentially could have been excellent.
Julia is chased by a mysterious man but the police inspector Dimas (Francesc Orella) does not believe on her. Julia follows the last steps of Sara trying to find the identity of her secret lover. Julia is surrounded by deaths and weird events while she loses her sight. Is she also delusional?
"Los Ojos de Julia" is an atmospheric film but flawed and misguider. The director gives the sensation of a supernatural story and ends like a "giallo" blended with "Blind Terror". The name of Guillermo del Toro, who is the producer, is also used to mislead the viewers. Belén Rueda has a magnificent performance; the cinematography and the camera work are excellent; the plot is intriguing; but the resolution is very disappointing. My vote is six.
Title (Brazil): "Os Olhos de Júlia" ("The Eyes of Julia")
Julia's Eyes is a psychological thriller where a woman who is going blind in the middle of her job has the sensation that she is being strangled after that she shortly receives news that her sister who is already blind due to both having a genetic illness they both share, committed suicide (the myth that twins,can feel when something happens to his/her sibling at the same time)which is never brought again in the film,Julia who knew her sister pretty well knows that it wasn't a suicide but murder instead.
This is an excellent hook for a thriller that, relatively speaking, could be related more with old mysteries of Alfred Hitchcock or the early films of Dario Argento.In fact it would not be unusual for Alone in the Dark (1967), Terrence Young film with Audrey Hepburn would have represented some influence in this story, as they have some points in common.
The tension in the film is produced by great acting specially from Belen Rueda, the strong band and effectiveness of the sound effects,angle shots framing( there's a brilliant technique in the middle of the film that gives an idea on how a blind person interacts with someone that they can not see), photography, and the locations. it has some minor flaws in the plot but above all its a terrific film to enjoy
Suspense is present from the very beginning, building to an exciting and unexpected climax, unfortunately falling a bit flat afterward. In fact, the last 30 seconds of the film somewhat blemish the drama of the story as a whole, mostly because the ending touches on a relationship that was hardly explored and not at all significant through the rest of the film, partly because of the focus on the very thing that makes this movie good: the constant twists and turns in the story. This also leads to some ideas that are passable but don't make nearly as much sense as they're supposed to; particularly the whole "people who aren't seen"/"There was no man with her (Sara)"/"Don't look at me!" motif. I still don't get it, but it has little impact on the story anyway.
I believe the entirety of the story could have used some fine tuning, and run time could have been trimmed by 10 to 15 minutes... But overall it's engaging, well acted, and sets an excellent and fitting mood visually. Thrillers that can't project the protagonist's experience to the viewer fail horribly... this movie does an outstanding job providing a sense of confinement that fits the title character's world, and this is where its greatest strength lies.
Although character relationships are a bit thin and suspense doesn't hit many high notes, this is a fairly exciting thrill ride and a good effort all around. One last thing, I would recommend watching it without distraction... the mood is more visual and in the flow of the story than it is intellectual or suspenseful, and it's easy to lose interest if you step away for a few minutes.
Wusstest du schon
- WissenswertesOriginally planned to be filmed in English language. Once Guillermo del Toro became involved as a producer and Universal Pictures saw an opportunity to start its first Spanish production, the idea was changed.
- Zitate
[first lines]
Sara: [talking to someone hiding in the dark] Listen.
[pause]
Sara: Alright, you win. Could you at least stop that song? You know I hate it.
[she receives no answer. Only music playing in the background]
Sara: [nervous] Why are you so quiet?
[thunders strike, briefly lightning the living room]
Sara: Say something, for fuck sake!
- VerbindungenFeatured in WatchMojo: Top 10 Horror Movies: 2010s (2015)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Linh Cảm Chết Chóc
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 5.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 16.934.369 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1