Paka (River of Blood)

Generally as a cinephile I used to watch atleast 1 movie per a day, recently i started watching underrated Malayalam movies and as a part of it I got to know about this PAKA movie and after knowing "Anurag kashyap" produced this movie i immediately downloaded and Started watching this movie. From the beginning onwards the film went so interestingly and the film was so good. The Nativity of that village the characters and the people all of them was so perfect,and the climax was also perfect,and the length of the film is also less so it was short and best movie,every cinephile should must watch this film.

Was fortunate to get a chance to watch this movie in Redsea film festival Saudi Arabia. Thanks to the Directior Mr. Nithin & Producer Mr Raj for inviting me.

Simplistic movie with powerful script . Nicely directed & with good BGM. Most of the actors have done a great job regardless for their experience. The voiceover , dubbing stars also did a great job. Everything seems real without any gimmicks.

Will be on a watchout for more from Mr Nithin.

Was fortunate to watch the international premier of PAKA at Toronto International Film Festival. Team Paka deserves a big round of applause. It's the story of feud... Though screens a family feud, it's beyond that. Well narrated, metaphors used were awesome, and connects with the audience of all generations.

Casting was excellent. Even though most of the actors were first timers, all of them marked their presence. Nithin Lukose, a sound designer tuned director, in his directorial debut, made sure that his movie should be noted for the magic of sound too.

PAKA should be experienced in a theatre, at least in a home theatre with surround sound. To get the real feel of the movie. Well done team. More and more festivals to go...Expecting more from the team.

The performances by the cast, a blend of amateurs and professionals, capture the everyday rhythms of the region even as the actors rise to the challenge of fleshing out characters who are caught in situations that are anything but ordinary.

A great film maker who has a handle on his craft doesnt really need fancy equipment, unlimited budgets and top-draw stars to tell us a good story. Tharun Moorthy showcased that in "Operation Java (2021)" and Senna Hegde underlined the same in "Thinkazhcha Nishchayam (2021)" and now we have another name to add to that accomplished lexicon. Nithin Lukose and his gloriously minimalistic, poignantly engaging retelling of the Romeo-Juliet story in "Paka" is a bonafide masterpiece holding your attention for the entirety of its runtime with its spine-tingling narrative style and a clutch of superb performances.

The Illikkal and Vettikkal families take the place of the Montagues and Capulets in a rustic rural Wayanad setting, sworn enemies due to a bitter rivalry generations past. Basil Paulose shines as "Johny" the young scion of the Illikkal clan who abhors violence and his family's gruesome history but is haplessly in love with Anna (Vinitha Koshy) from the Vettikkal family. How the pair of star-crossed lovers move heaven and earth to be together amidst the furore thrown up by their alliance amidst a bunch of blood-thirsty relatives forms the rest of the story.

While we have seen similar storylines in the past like in "Godfather (1991)" and "Annayum Rasoolum (2013)", Lukose takes an altogether different approach with a characteristic disconnected, almost forlorn narrative style that is both disconcerting and too good to turn away from at the same time. Scenes that call for grotesque, gory violence are dealt with in an impressively minimalist fashion, with the actors' facial expressions accompanied with symbolism, excellent sound design and use of light communicating the fury and hatred much more than the actual bloodshed.

The team deserves immense praise for its casting, with Jose Kizhakkan an absolute standout as the ageing ex-convict patriarch "Kocheppu" of the Illikkal clan while Athul Johny as "Paachi" and Nithin George as "Joey" put in eye-catching shifts. Nithin Lukose's minimalism comes to the fore in his use of just a pair of hands and the voice to portray the ageing bedridden Illikkal family matriarch, a narrative device that would fall flat if not executed to perfection like he has. "Paka" is a towering example of how a filmmaker can make even the most cliched stories engaging using their own authentic and distinctive narrative styles and visual treatment, backed by a keen sense of casting the perfect actors all the while being constrained by a limited budget. Highly recommended. An absolute must watch!