Der Leopard

I just read the book recently and the movie is just as beautiful. Nobody does it like the Italians. If you're a real fan of theater as an art form and film as a life-changing world enhancing experience then you should definitely see the leopard. Cinematography is absolutely stunning. What a beautiful period piece ; costumes magical, This is a stunningly visually crafted masterpiece of a series. But you have to watch it in Italian. Thank you, Netflix. The acting is incredible and spiritually enhancing with a handsomely beautiful cast. Enjoyable to watch. A lesson in history about Sicily. Lovely to see Sicily. Recommend.

Beautiful take on the book. The relationship between daughter and father as a metaphor of a world changing, whether we want it or not.

I feel like it's not something we see very often and yet father/daughter stories have so much to tell.

I loved to see parts of the book that are maybe only a few lines brought to life in such beautiful scenes.

In the series Sicily is a breathtaking view and Benedetta Porcaroli stuns with her performance... I hope to see her become a really important actress!

I really loved the costumes and the music as well (original soundtrack is on my Spotify playlist of favorites right now)

Happy to have watched it!

My wife and I just watched the Netflix series and the 1963 Visconti film (available for $ on Prime), and here are our takeaways. The film holds up vey well, especially the 1983 vastly improved cut still holds up. It's a splendid example of a movie epic in the grandest style. The Netflix series is nicely updated for current sensibilities by expanding and enhancing Concetta's role in the family saga. This by no means detracts or diminishes the overarching theme of a class in decline. The novel in fact ends with Concetta as more prominent, so the series does a good job of building off that. Both are outstanding productions comparable to Gone With the Wind and well worth watching, especially for those with a fondness for family sagas.

Incidental note: Deva Cassel is well-positioned to be the next Bond Girl.

Few shows get everything right. This one gets more right than wrong but there are weaknesses. The strengths: the cinematography is absolutely stunning. For six hours you can indulge in the unspoiled, sunny countryside of 19th century Sicily, one beautiful shot after another. Likewise, the costumes are beyond beautiful; someone deserves an award for their beauty and variety. And then there's the acting: most of the cast is adequate, but there are two absolutely standouts: the first is Kim Rossi Stuart, one of those actors who can convey deep emotions with just a facial expression, a twitch of the eyes, a slight curl of the mouth. But the most extraordinary performance belongs to Benedetta Procaroli. She is actually the center of the story, and without her dazzling skills, the show wouldn't have worked. And that's because of the program's weakness: it's very slow, as though everyone on the production could barely labor in the hot Sicilian summer sun. There are long intervals where nothing happens, and although it's a beautiful nothing, too much nothing is boring. This show just barely avoids that -- thanks to the acting, the scenery, the costumes.

Based on Giuseppe Tomasi di Lampedusas's novel, The Leopard, Italy's War and Peace, the series details the revolution led by Giuseppe Garibaldi, beginning in 1860, which led, eventually, to the unification of Italy. It betters Visconti's 1963 film adaptation in many ways, not least in using genuine Italian actors instead of glamorous Hollywood stars like Burt Lancaster and Alain Delon-who were dubbed and Claudia Cardinale who had no need to be. The sets are fabulous because they're actual "pallazzi", Sicilian palaces, packed with the art of the times. There's romance, intrigue, politics and religion, what more could you ask for.