IMDb-BEWERTUNG
6,3/10
2104
IHRE BEWERTUNG
Ein alter jüdischer Bäcker weiß nicht recht, wie er seine Bäckerei am Laufenden halten soll, bis sein muslimischer Lehrling Hanf in den Teig schüttet und die Verkäufe durch die Decke gehen.Ein alter jüdischer Bäcker weiß nicht recht, wie er seine Bäckerei am Laufenden halten soll, bis sein muslimischer Lehrling Hanf in den Teig schüttet und die Verkäufe durch die Decke gehen.Ein alter jüdischer Bäcker weiß nicht recht, wie er seine Bäckerei am Laufenden halten soll, bis sein muslimischer Lehrling Hanf in den Teig schüttet und die Verkäufe durch die Decke gehen.
- Auszeichnungen
- 8 wins total
Phil Davis
- Sam Cotton
- (as Philip Davis)
Empfohlene Bewertungen
"Dough" is a film brand new to DVD and is available from Netflix...and I strongly recommend you give it a try. This is because this British movie is very fresh and original...and is far better than I'd expected given what I knew about the plot. Just be forewarned...you might not like the characters initially...stick with it, you won't be sorry!
When the film begins, young Ayyash (Jerome Holder) is an unemployed African man living in London. His plan to get himself and his mother out of poverty is to sell drugs for a particularly nasty thug. However, his mother is looking out for him and when her employer, Nat (Jonathan Pryce), is in need of an apprentice in his bakery, she introduces Ayyash to him. As for Ayyash, he only agrees to do the job as a cover...he assumes most of his money will come about by selling drugs.
As for Ayyash and Nat, they have no reason to get along of like each other. After all, Nat is an old Orthodox Jew and Ayyash is a young black Muslim--not exactly natural friends. However, and this is what I loved about the film, over time the odd pair began to grow on each other and actually care about each other. Yet, at the same time, it didn't come off as clichéd or ridiculous.
One day, Ayyash is making bread and some of his marijuana falls into the batch. He tells no one but the bread turns out to be a hit...and Ayyash decides to use more pot in his baking because he wants to help out Nat because his business is failing. Soon, they have more customers than they could have dreamed of and Nat doesn't suspect why this is the case. As for what happens next, you'll just have to watch the film for yourself.
This film easily could have been a goofy comedy but instead shied away from overt comedy. Instead, the filmmakers wisely chose to make the story much more character-driven instead of going for the cheap laughs. As a result, you really grow to like the characters and their interaction is at times quite sweet. Both actors did a great job with the material and the film is one that only gets better as the movie progresses. Well worth seeing and a very nice picture that took me by surprise.
When the film begins, young Ayyash (Jerome Holder) is an unemployed African man living in London. His plan to get himself and his mother out of poverty is to sell drugs for a particularly nasty thug. However, his mother is looking out for him and when her employer, Nat (Jonathan Pryce), is in need of an apprentice in his bakery, she introduces Ayyash to him. As for Ayyash, he only agrees to do the job as a cover...he assumes most of his money will come about by selling drugs.
As for Ayyash and Nat, they have no reason to get along of like each other. After all, Nat is an old Orthodox Jew and Ayyash is a young black Muslim--not exactly natural friends. However, and this is what I loved about the film, over time the odd pair began to grow on each other and actually care about each other. Yet, at the same time, it didn't come off as clichéd or ridiculous.
One day, Ayyash is making bread and some of his marijuana falls into the batch. He tells no one but the bread turns out to be a hit...and Ayyash decides to use more pot in his baking because he wants to help out Nat because his business is failing. Soon, they have more customers than they could have dreamed of and Nat doesn't suspect why this is the case. As for what happens next, you'll just have to watch the film for yourself.
This film easily could have been a goofy comedy but instead shied away from overt comedy. Instead, the filmmakers wisely chose to make the story much more character-driven instead of going for the cheap laughs. As a result, you really grow to like the characters and their interaction is at times quite sweet. Both actors did a great job with the material and the film is one that only gets better as the movie progresses. Well worth seeing and a very nice picture that took me by surprise.
Dough rises to the occasion with sweetness, depth and delightful humor. With Jonathan Pryce and Jerome Holder giving us textured and nuanced portrayals of growing trust, and appreciation, they also demonstrate how we can successfully meet "the other" with care and compassion. Dough provides us will all the ingredients as to how the simple act of being human transforms every bite we take from this morsel of life we get. While the film's premise offers many "highlights" the cohesive quality of the film, the honest feelings generated and the love that emerges, is not only touching, it's enlivening. This film is far more than an ethnic sampling, it's most importantly how we can move beyond our prejudice and bias and find our humanity. John Goldschmidt's direction continually points us toward the goodness of who we are, and Pryce and Holder masterfully deliver the goods. This was a wonderful and uplifting film, like eating a piece of chocolate chip rugelach without any of the guilt.
DOUGH is a 'dramedy' with a big heart, dealing with the tension between Jews and Muslims, who despite their cultural differences have many shared values. It involves a young Muslim and the unlikely friendship he develops with an older Jewish baker. The story is about how the small baker is fighting a loosing battle for survival against a corporate giant and how the young boy tries to help him save the bakery. David versus Goliath. It has laugh out loud lines that all ages will find humorous. Jonathan Pryce(the baker) and Jerome Holder(the boy) are excellent and their chemistry is so believable you will find yourself cheering them on. I saw it at The Atlanta Jewish Film Festival and LOVED IT!
"Dough" is movie about an old Jewish man who sees his bakery facing a decline in sales until his Muslim immigrant apprentice adds a drug-related ingredient into the recipe. The movie is, in short, much like the results of main characters baking - it's lacking the industrial uniformity of bigger-budget productions, the laughs are few and far between, the pacing is slow and it all feels a little flat, but it's trying to follow a recipe to be predictable and easy-to-swallow for as wide an audience as possible. In the end, Dough gets a little bit overcooked, but it pushes all the buttons in the cliché department which makes the film basically a feel-good drama that, from time to time, can make you laugh. Not for younger audience 'cos its humor is not funny, funny but more subtle/ironic. 5/10.
The writer has lovingly braided a fairytale for adults that imagines a place where religious, ethnic and societal differences aren't dealt with violence but with respect, restraint and a desire for mutual understanding and appreciation.
An aging baker, an economically challenged refugee struggling to make a new life in a foreign land, a randy widow, opportunistic drug lord, and scheming business executive are tossed into the writer's mixing bowl.
As the yeast works its magic, we enjoy the dramatic conflicts and gentle humor director John Goldschmidt stretches, pulls and shapes from his cast. Jonathan Pryce (the Jewish baker Nat Dayan), Jerome Holder (the Muslim immigrant Ayyash), and Pauline Collins (the widow Joanna) deliver a perfectly browned Dough straight from the hearth and ready for your consumption.
Challah back if you think this review didn't rise to the occasion.
An aging baker, an economically challenged refugee struggling to make a new life in a foreign land, a randy widow, opportunistic drug lord, and scheming business executive are tossed into the writer's mixing bowl.
As the yeast works its magic, we enjoy the dramatic conflicts and gentle humor director John Goldschmidt stretches, pulls and shapes from his cast. Jonathan Pryce (the Jewish baker Nat Dayan), Jerome Holder (the Muslim immigrant Ayyash), and Pauline Collins (the widow Joanna) deliver a perfectly browned Dough straight from the hearth and ready for your consumption.
Challah back if you think this review didn't rise to the occasion.
Wusstest du schon
- WissenswertesDough's tagline "You don't have to be baked to make some Dough" (and poster layout) is a parody of Levy Rye's "You don't have to be Jewish to love Levy's real Jewish Rye" campaign from the '60s.
- PatzerThere is a sign in the bakery that says, "All our goods are baked on premises as yosan". Although the word "yosan" is supposed to be transliteration of a Hebrew word, it is still misspelled. The word is commonly spelled "yoshon", which in Jewish law refers to when certain types of grains are planted and take root in relation to the calendar year.
- VerbindungenFeatures Du sollst mein Glücksstern sein (1952)
- SoundtracksSingin' in the Rain
from Du sollst mein Glücksstern sein (1952)
Performed by Gene Kelly
Music by Nacio Herb Brown
Lyrics by Arthur Freed
© 1929
Published by EMI Music Publishing Ltd. / EMI United Partnership LTD.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Dough?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- La mejor receta
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.148.304 $
- Eröffnungswochenende in den USA und in Kanada
- 50.871 $
- 14. Feb. 2016
- Weltweiter Bruttoertrag
- 1.647.429 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen