Ein rachsüchtiger Vater entkommt der Hölle und jagt den Männern hinterher, die seine Tochter getötet und seine Enkelin entführt haben.Ein rachsüchtiger Vater entkommt der Hölle und jagt den Männern hinterher, die seine Tochter getötet und seine Enkelin entführt haben.Ein rachsüchtiger Vater entkommt der Hölle und jagt den Männern hinterher, die seine Tochter getötet und seine Enkelin entführt haben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Katy Mixon Greer
- Norma Jean
- (as Katy Mixon)
Fabian C. Moreno
- Latino Busboy
- (as Fabian Moreno)
Julius Gregory
- Uniformed Officer
- (as Julius Washington)
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Nicolas Cage plays brutal felon John Milton who is thrown into hell for his crimes but escapes after cultists murder his daughter and take her baby. Armed with Satans gun and a 1969 blue Dodge Charger R/T 440, he goes after the bad guys with the help of Amber Heard. William Fichtner plays The Accountant, a sharp dressed operative of Satan tasked with bringing Milton and, the gun back to Hell. This is pure grindhouse entertainment so committed to its own junkiness that it becomes a guilty pleasure. The movie was shot in 3-D and is from the maker of the My Bloody Valentine remake.
Basically a guilty pleasure, knew it would be a bad movie but didn't expect it to be so entertaining
This movie really is one of those guilty pleasure types, where you know it's a bad movie but really enjoy watching it because of the crazy entertainment value. It also has a grindhouse feel to it as well, a very entertaining grindhouse type film. There is just certain elements in this movie that made it entertaining despite it having a bad script and not a very well crafted dialogue with one liners. When I first saw the trailer to this movie I already could tell it's going to be a bad movie, it looked like "Gone in Sixty Seconds" with a vengeance. The movie is ridiculous and absurd in so many levels, but for a movie like this that is one of the key factors why this movie is so enjoyable. Billy Burke is pretty good playing the cult leader but the most entertaining actor to watch in this movie is William Fichtner as The Accountant or the Devil's right hand man, he is great in this and I enjoyed every scene he was in. In fact I wouldn't mind seeing a prequel or a sequel to this movie where he is the main character. What I really enjoyed besides William Fichtner performance is the 3D effect, this is a movie that is well worth the extra cash to see it in 3D. The 3D is very well executed and used very well and added a lot to the entertainment factor. The sex scenes and nudity is very unique at times and kinda funny in others. Amber Heard is beautiful in this and hot, in fact I personally think the overrated Megan Fox has nothing on her when it comes to the level of hotness. Plus Amber Heard can act a bit better than Megan Fox, although she is pretty in other movies she is really beautiful in this. It's not a movie that should be taken seriously and it knows it's not going in a serious direction and does it well, with bunch of stuff that doesn't make any sense. If your looking for a good story you will be disappointed, but if your looking for a crazy and entertaining balls to the wall type of movie I recommend you see this.
7.6/10
7.6/10
Milton (Nicholas Cage), long hair bleached and greased back with vengeance, tosses his duffel bag into the back of newly-met stranger Piper's (Amber Heard) Dodge Charger. With her hands shoved into her daisy barely dukes, the uncertainty in her gaze is lost on, or possibly ignored by, Milton. As he opens the door to get in:
Piper: "I don't pick up hitchhikers, you know."
Milton: "I wasn't stickin' out my thumb."
*car door slam*
This early scene sums up exactly what you're getting yourself into with the Nicholas Cage driven movie, Drive Angry. You've seen the trailers. You've experienced Cage's knack to play unhinged, surrealistic characters. This 70's throwback to the pulp, metal on metal, grindhouse era of film doesn't ask you if you want a ride. You jump in without invitation and only know one thing: you'd better strap in. And it's with this that Drive Angry does not disappoint.
Milton, in his '64 Riviera, has just escaped from imprisonment and is searching for a baby snatched from her mother by a devil-worshipping cult hellbent on a full moon sacrifice led by Jonah King (Billy Burke of The Twilight Saga), a southernly sadistic soothsayer. It seems Milton's own daughter was once stolen from him by the same cult and, well, he's experiencing a little road rage as he shoots his way through one lead to the next. Along the way, he joins up with Piper and her '68 Charger who's pretty looks pack a pretty punch and isn't afraid to gun and run. All the while they are being chased across 6 state lines by trigger happy cops and The Accountant (William Fichtner of Prison Break), a seemingly supernatural hunter looking to return Milton to his warm, warm prison. Throw in a '71 Chevelle, unapologetic bloodshed, and absolutely necessary explosions, and you have one darkly comedic, action fueled vehicle.
Drive Angry embraces the fact that it is ridiculous by nature which makes it very enjoyable. The over the top dialogue, car chases, and 3D shootouts really add to making this a midnight moviegoer's film. Patrick Lussier and Todd Farmer (My Bloody Valentine 3D) aimed to keep the integral car sequences visceral and strayed away from CGI for a majority of the chases, though there is plenty of CGI elsewhere. Being an unabashed opponent to the influx of 3D in the cinema today, Drive Angry was filmed as a 3D film from the start and I actually liked it. Some shots were intentionally gimmicky which added to the humor, but the entire movie is a bit over the top and it flowed nicely.
Drive Angry makes no assumptions that it is anything but a popcorn-spilling, laugh-out- loud, violently raw roller coaster on its way no where near an Oscar. And it's better for it. If you don't mind having an arm shot and projected at your face while Nic Cage loses touch with reality, Drive Angry will provide an entertaining distraction from the repetitive daily commute.
3.5 seat belts out of 5
-MovieFloss.com
Piper: "I don't pick up hitchhikers, you know."
Milton: "I wasn't stickin' out my thumb."
*car door slam*
This early scene sums up exactly what you're getting yourself into with the Nicholas Cage driven movie, Drive Angry. You've seen the trailers. You've experienced Cage's knack to play unhinged, surrealistic characters. This 70's throwback to the pulp, metal on metal, grindhouse era of film doesn't ask you if you want a ride. You jump in without invitation and only know one thing: you'd better strap in. And it's with this that Drive Angry does not disappoint.
Milton, in his '64 Riviera, has just escaped from imprisonment and is searching for a baby snatched from her mother by a devil-worshipping cult hellbent on a full moon sacrifice led by Jonah King (Billy Burke of The Twilight Saga), a southernly sadistic soothsayer. It seems Milton's own daughter was once stolen from him by the same cult and, well, he's experiencing a little road rage as he shoots his way through one lead to the next. Along the way, he joins up with Piper and her '68 Charger who's pretty looks pack a pretty punch and isn't afraid to gun and run. All the while they are being chased across 6 state lines by trigger happy cops and The Accountant (William Fichtner of Prison Break), a seemingly supernatural hunter looking to return Milton to his warm, warm prison. Throw in a '71 Chevelle, unapologetic bloodshed, and absolutely necessary explosions, and you have one darkly comedic, action fueled vehicle.
Drive Angry embraces the fact that it is ridiculous by nature which makes it very enjoyable. The over the top dialogue, car chases, and 3D shootouts really add to making this a midnight moviegoer's film. Patrick Lussier and Todd Farmer (My Bloody Valentine 3D) aimed to keep the integral car sequences visceral and strayed away from CGI for a majority of the chases, though there is plenty of CGI elsewhere. Being an unabashed opponent to the influx of 3D in the cinema today, Drive Angry was filmed as a 3D film from the start and I actually liked it. Some shots were intentionally gimmicky which added to the humor, but the entire movie is a bit over the top and it flowed nicely.
Drive Angry makes no assumptions that it is anything but a popcorn-spilling, laugh-out- loud, violently raw roller coaster on its way no where near an Oscar. And it's better for it. If you don't mind having an arm shot and projected at your face while Nic Cage loses touch with reality, Drive Angry will provide an entertaining distraction from the repetitive daily commute.
3.5 seat belts out of 5
-MovieFloss.com
This goes way beyond "guilty pleasure" all the way to "must-see trash." Does everything that "Grindhouse" failed to do. Dirty, gory, violent, but never unpleasant from start to finish. Patrick Lussier keeps the action efficient and picturesque. Nicolas Cage in one of his only successful forays into the action genre. Amber Heard as a worthy and most attractive sidekick. David Morse and Tom Atkins expertly holding up the "oldster" side of the street. William Fichtner in a performance that would have been a shoo-in for a supporting Oscar nomination if the movie were respectable. But thank goodness--it's thoroughly disreputable. And did I say fun? Let me say it again: fun!
Milton (Nicolas Cage) is hunting Satanic cult leader Jonah King (Billy Burke) who murdered his daughter and kidnapped her baby. Jonah is about to sacrifice the baby in 3 day's time. Milton gets a ride off of roadside diner waitress Piper (Amber Heard). Meanwhile Milton is pursued by the powerful Accountant (William Fichtner).
It's all pumping music and overblown action with a splash of female nudity. Amber Heard is strutting around in her Daisy Dukes. There is a lot to like, but the story isn't that compelling. It is a simplistic balls-out no-holds-bar vulgar entertainment. It's not going to win any awards, but it's good for the midnight crowd.
It's all pumping music and overblown action with a splash of female nudity. Amber Heard is strutting around in her Daisy Dukes. There is a lot to like, but the story isn't that compelling. It is a simplistic balls-out no-holds-bar vulgar entertainment. It's not going to win any awards, but it's good for the midnight crowd.
Wusstest du schon
- WissenswertesThe original script envisioned John Milton as a 70-year-old man and the producers were looking for an actor reasonably close to that age to play the part. When Nicolas Cage expressed interest, however, they decided to make the character's age irrelevant and cast Cage instead.
- PatzerAfter Piper drives off from the diner and the Charger begins smoking, the needle on the speedometer drops to zero when the engine quits and she coasts to the side of the road. The speedometer is not controlled by the engine and would have still shown the speed. The tachometer would have dropped to zero when the engine quit running.
- Zitate
The Accountant: You're not the first to get out, and I doubt you'll be the last, but I have got to know, how did you get out with the God-killer?
Milton: I just walked in and took it.
The Accountant: Oh. Wouldn't wanna be you when he finds out.
Milton: What's he gonna do? Not let me back in?
- Crazy CreditsThe end credits are shown down a speeding broken highway
- VerbindungenFeatured in Half in the Bag: Drive Angry and The Adjustment Bureau (2011)
- SoundtracksRaise a Little Hell
Written by Ra Maguire (as Ra McGuire) and Brian Smith
Performed by Trooper
Published by Sony/ATV Songs, Ranbach Music (BMI)
Courtesy of Geffen Records
Under License From Universal Music Enterprises
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Details
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.721.033 $
- Eröffnungswochenende in den USA und in Kanada
- 5.187.625 $
- 27. Feb. 2011
- Weltweiter Bruttoertrag
- 40.909.909 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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