The Haunting of the Tower of London

Loved it. Only criticism is they use the word f*** which I'm pretty sure wasn't used back then. Hated the torture scenes but that's what they did back then.

If you like appalling acting etc,then you'll love this!

I am all for people making a movie with little money,but this just doesn't cut it!

Mr Steeds needs to make fewer films and concentrate on putting his finances into something more worthwhile!

Very good movie and setting. Something is always happening since many characters are involved in the plot. Great villain, actually Richard is the one who should be highlighted in the story, rather than the paranormal man or the two priests.

The director really had a plot going on here, it was not some mindless killing, which is not bad but sometimes it gets me a little fed up. It all comes down to trying to solve the muders of the two princes. In the end of the movie, when the plot had nowhere to go anymore, well, I liked what the writter did there.

Some violence here and there should mess things up for someone, but it really does not compromises the experience.

Seems the director didn't know what tone to stick with, because it goes from Creepy Castle Ghost Story to Torture Porn by the final act. Also some mumbo jumbo about a psychic that's trying to decipher a message from 2 murdered princes...its just not well executed enough to keep the viewer invested. Too bad, because with an awesome (real) castle setting & better filmmakers, this could've been a GREAT horror film, instead it is below average! Best to avoid!

Prolific UK filmmaker Charlie Steeds writes, directs and edits this medieval horror chiller based on the infamous legend. As usual, this is a slim-budgeted venture, but Steeds enlivens scenes with some terrific cinematography and lighting and some (mainly) convincing acting. The playful, sometimes coarse, humour prevalent in some of the director's other productions is mainly absent here - instead, gratuity and gore is the main staple.

I really like these kinds of productions, and currently, there are plenty being made in the UK. They remind me of a modern-day Hammer style (the titles here are extremely reminiscent of the legendary studio's output and locations look similarly winter-bound).

It isn't flawless. The pace slackens here and there, some of the performances are not as sharp as they might be and occasionally the dialogue is anachronistic - but the story is a good one and well told. Happily, there are also some effectively creepy moments (and a particularly nasty third act). My score is 7 out of 10.