Wie wilde Tiere

My wife and I watched As Bestas (or The Beasts for the English title) with a particular interest as this story could have been a story happening to us. I'm from Belgium, living in Spain now, farming olives and almonds. In the movie everything is happening in Galicia (in the North), whilst I live in Andalucia (in the South). Whilst wind turbines played a big role in the movie, here it's about solar panels. So yes it was an interesting movie to watch, very similar things happening in our lives. The acting was particularly good, definitely the best thing about this slow-burn drama/thriller. Good movie although the end could have been a bit more satisfying.

There are those that will oppose new residents, especially if they cost them recompense, why should foreigners have a say, in how they live and work and play, as lifelong locals they are taking great offence.

Denis Ménochet is immense as the invasive species into Galicia who fails to support the locals, more especially two aggressive brothers in their desires for an escape from their unrewarding toil through the sale of their land to a wind turbine interest. The tension builds to an inevitable conclusion and leaves you questioning what you may have done in a similar scenario, from both perspectives, although you might hope the local constabulary had a little more backbone if you were in Antoine's position.

Splendid film that bases much of its story in a suffocating atmosphere and a slow narrative pace but that creates that aura that overwhelms you throughout the film.

The performances, the direction and the photography, not to mention the script, are sublime and are destined to become an immediate classic of Spanish cinema, since the portrayal of this forgotten and impoverished Spain is sublime.

It is a work that perfectly captures the differences between the local people of the rural communities and those who settle from the cities and how the way of life of both clashes and are practically irreconcilable differences due to the opposite way of life and values that both communities have.

As an inhabitant of a village similar to the one shown in the film I can say that it is a very faithful portrayal of the differences and conflicts between the natives and those who come from outside eager to implement a change of life without asking or taking into account the local population.

When one person's hell is another person's paradise, conflict is inevitable.

This film tells the story of a crime, which opposes beasts, mountain brutes who have nothing to lose, to dreamers, agroecologists who return to the origins, fed up with urbanity.

If the dream of some prevents the end of the nightmare of others, tragedy seems inevitable.

I cannot help find some reminiscences in this argument with Jean de Florette/Manon des Sources by Marcel Pagnol. But here everything happens in a darker, more brutal, more realistic way. Here the violence is much more than just psychological.

A dark but intelligent vision of rural counter-exodus and agroecology.

To my limited knowledge of Galician cinema, based on a handful of movies by Lois Patiño, Oliver Laxe and Eloy Enciso, today I add Rodrigo Sorogoyen's film «As bestas», a work that I add to the alternative offer, thanks to the contribution of friends and my own search for a different cinema and with greater values than the bad Los Angeles productions that project all fronts, offering us more of the same over and over again.

Rather than watching another Hollywood version of «Pinocchio» and another call to war in «Avatar», I prefer this strong, harsh and rough story in rural Galicia, about farmers, those people who supply the tables of the poor and the millionaires, who, in addition, deceive them by buying their land for nothing to build at a lower price what costs them a small fortune in their countries, such as wind turbines.

The initial sequence of «As bestas» warns us of what we are going to see: three men knock down a wild horse to guarantee its existence in freedom (the number of wild horses in Galicia has reduced to 50% in five decades). That force and stabilizing element of the ecological balance are in danger of extinction and the kind of persons who appear in the film is equally destined to disappear... for the sake of "progress".

The film tells the story of a French couple who live in a town in Galicia, afflicted by the abandonment of its locals and state oblivion. When the French husband convinces a group of Galicians not to sell their land to a Dutch company that wants to install wind turbines, it arouses the hatred of two neighbors in favor of the sale, a hatred that reaches tragic levels.

«As bestas» goes beyond this mere anecdote briefly described and becomes a dramatic treatise that combines elements of ethnography, cultural identity, economy, nationality, migration, gender, xenophobia, crime, and rights to decent work and standard of living. The story follows the Aristotelian structure, although at one point the center of attention shifts from the French man to his wife, who brings the drama to a sensible and reasonable conclusion.

«As bestas» is also graced by the work of the cast, made up of a happy integration of professional and natural actors. Awarded at the San Sebastián, Chicago and Tokyo film festivals, it is a highly recommended motion picture.