Olivia kämpft mit der Trauer über den kürzlichen Verlust eines Freundes. Als sie von ihrem Traum-College abgelehnt wird, gerät sie in eine Spirale und erlebt eine Reihe von zunehmend beängst... Alles lesenOlivia kämpft mit der Trauer über den kürzlichen Verlust eines Freundes. Als sie von ihrem Traum-College abgelehnt wird, gerät sie in eine Spirale und erlebt eine Reihe von zunehmend beängstigenden Panikattacken.Olivia kämpft mit der Trauer über den kürzlichen Verlust eines Freundes. Als sie von ihrem Traum-College abgelehnt wird, gerät sie in eine Spirale und erlebt eine Reihe von zunehmend beängstigenden Panikattacken.
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- Hauptbesetzung
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- 1 wins total
Jordyn Aquino
- Mykel
- (as Jordyn Aurora Aquino)
Dominique Smith
- Mia
- (as a different name)
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Is it a a cruel intention sort of thing? A revenge story? A ghost story? Some sort of possession or mental illness? Or even a modern Dr. Jekyll and Mr. Hyde interpretation? I have seriously no idea.
Yes there are components which are very important to be adressed in our current society, in the way we act and interact with each other: topics such as PTSD, suicide, bullying, cyber mobbing etc. However the movie does not deliver a coherent picture, nor does it manage to create tension or to come up with a plausible solution. Unless, of course, u would rate the proclaimed self-set goal of the hero/anti hero as an appropriate solution.
Yes there are components which are very important to be adressed in our current society, in the way we act and interact with each other: topics such as PTSD, suicide, bullying, cyber mobbing etc. However the movie does not deliver a coherent picture, nor does it manage to create tension or to come up with a plausible solution. Unless, of course, u would rate the proclaimed self-set goal of the hero/anti hero as an appropriate solution.
Jane is actually a slap in the face of those of believe in karma. Director Sabrina Jaglom and her co-writer Rishi Rajani uses the trauma trope not just as a means to drive the plot, but to keep proceedings engaging and deceitful. It takes more than a couple of retaliatory instances to understand whether Olivia (Madelaine Petsch, who does a great job making us hate her) is doing the things she does as a trauma response or because she's pure evil. I liked how social media has a pretty major role to play in the film, and how high-schoolers especially perceive their acceptance of others based on their popularity on such platforms. There's a scene where Olivia and her friend Izzy (Chloe Bailey) make fun of a teacher in their school for having only six followers on social media - that sums it up!
When Olivia suggests the idea of using their dead mutual friend's social media profile to "expose" people in their school, Izzy instantly agrees. The effects are far-reaching, and it soon spirals out of control. Olivia also has hallucinations of Jane (Chloe Yu), the dead mutual friend, who's either giving her the stare - a sort of "do you really want to do this?" look - or being her virtual partner in crime (literally!). The writing gets this aspect right, as the transition from Jane's silent staring to eventually becoming Olivia's virtual accomplice is gradual. Olivia's true colours - her manipulative nature and selfishness - are convincingly portrayed. Izzy plays along until she becomes a victim herself, and Chloe Bailey does a solid job with the character who, unlike Olivia, has a conscience.
I think the makers could have used some quirky edits to showcase the social media aspects, and the visual side could have been a little less bland. Also, Madelaine Petsch looks a bit too old to be in high school. Between this and Thoroughbreds, the latter scores higher in my books. Jane makes you also think of the state of mental health of Gen Z-ers, though purely at a surface level. It just wants you to believe that certain kind of trauma responses can turn out to be dangerous and life-altering. The rest is teen-thriller pulp!
When Olivia suggests the idea of using their dead mutual friend's social media profile to "expose" people in their school, Izzy instantly agrees. The effects are far-reaching, and it soon spirals out of control. Olivia also has hallucinations of Jane (Chloe Yu), the dead mutual friend, who's either giving her the stare - a sort of "do you really want to do this?" look - or being her virtual partner in crime (literally!). The writing gets this aspect right, as the transition from Jane's silent staring to eventually becoming Olivia's virtual accomplice is gradual. Olivia's true colours - her manipulative nature and selfishness - are convincingly portrayed. Izzy plays along until she becomes a victim herself, and Chloe Bailey does a solid job with the character who, unlike Olivia, has a conscience.
I think the makers could have used some quirky edits to showcase the social media aspects, and the visual side could have been a little less bland. Also, Madelaine Petsch looks a bit too old to be in high school. Between this and Thoroughbreds, the latter scores higher in my books. Jane makes you also think of the state of mental health of Gen Z-ers, though purely at a surface level. It just wants you to believe that certain kind of trauma responses can turn out to be dangerous and life-altering. The rest is teen-thriller pulp!
JANE was a real surprise, very well written, acted and directed. Loved all of the twists and turns, so you never really knew what was coming. Madeleine Petsch was extraordinary in her role, as was the director, Sabrina Jaglom, to make sure the movie moved along at just exactly the right pace. An interesting tale of how social media is infiltrated in high schoolers to the point of taking over their lives. Relevant and at the same time, the reality of what is going on in our society is sobering. This is so much better than most of what I am seeing these days, and really connects what high schoolers are going through to succeed to matter what and no matter what they have to do to get there. How can students these days just learn and succeed. If you aren't at the top of your game with social media, there is no hope. Go see this gem.
Surprised by this flick and deserves more reviews. The movie deals with a lot daily issues (being bullied, drugs, mental health) that many people have experienced and pulls it off very well in short run time. Yes it's about high school girls but that only serves as the backdrop and feels like a mature film with clever story telling. The story feels believable and so does the cast, nothing ever feels out place or stupid moments that don't make sense or that you would question.
Doesn't over extended its welcome either the film is pretty short and gets to the point..No unnecessary filler and does a job with the main characters. Engaging throughout with some great twists and never predictable.
I really do wish more people would watch this and not skip it based off its low rating.
Doesn't over extended its welcome either the film is pretty short and gets to the point..No unnecessary filler and does a job with the main characters. Engaging throughout with some great twists and never predictable.
I really do wish more people would watch this and not skip it based off its low rating.
In the end of the story, but otherwise a very well produced, rather complex digital, psychological and human indirective interaction drama, full of infamous clues and indespicable knick knack to deferre friends and classmates in the run towards academic success. Some may feel its written in the lines what will happen which in some extent it does, but the evil undertones woven in between the lines are just amazingly well done
much thanks to great work from the main cast, the filmographer and the scripthandlers. There are many wow moments of good directionwork, that will lead to many followers in the future, the grumpy old man do also... a confusingly well made film with a recommend.
much thanks to great work from the main cast, the filmographer and the scripthandlers. There are many wow moments of good directionwork, that will lead to many followers in the future, the grumpy old man do also... a confusingly well made film with a recommend.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 13.141 $
- Eröffnungswochenende in den USA und in Kanada
- 8.250 $
- 28. Aug. 2022
- Weltweiter Bruttoertrag
- 13.141 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
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