Jagged

Isn't it ironic? This documentary only very superficially delved into Alanis Morissette, the person, but it was apparently "too salacious" for Alanis. I would like to have learned more about what makes Alanis the person who was able to create such wonderful music.

I had just finished watching the Anthony Bourdain documentary, Roadrunner. We got real insight into Anthony the person in that film, to learn about his beauty and his flaws, not about how great his TV shows were.

With Jagged, we got a film whose thesis is "Alanis set the world on fire with Jagged Little Pill and opened the door for women in rock." An inspiring message about someone who started on the wrong track (a Tiffany and Debbie Gibson wannabe) but was determined to find her own voice rather than what sleazy showbiz promoters of the moment needed her to be. There are similarly inspiring feminist messages throughout, but to some to some extent this film comes across like one of those DVD "extra" promo reels.

It just seemed to lack substance and purpose.

I'm not sure what these other reviewers were smoking, but Jagged was great. There. I said it.

I was 18 when I first heard Alanis play on the radio, in Port Elizabeth, South Africa. I'm 45 now.

This nostalgic trip back to when music was music, when artist still experimented, when life was care free, Apartheid had just ended, and we were all brimming with hope for a future - made me reminisce on how great it was to be alive.

Artists were artists - today, we have studio groomed performers singing unfeeling songs created from dead templates that corporations mass feed to the public.

Everyone is encouraged to be unique as long as everyone is the same.

If there was no Alanis, there wouldn't be an Adele, a Joan Osborne, a Tracy Bonham, etc. She revolutionised the male dominated industry by giving it a massive middle finger.

I remember how she popped out of nowhere. I recall the rumours - from her being a former adult movie actress to men that wrote the songs for her.

This vid corrects everything and sets the past straight.

Her voice was unique, her stage presence persona was unfake, her music is timeless and her personality real... and if you didn't like it, then go listen to Jim Reeves, you pretentious tonsil. Every major female artist today have traits copied from the original.

The previous generation was one of strength.

Gen X was one without fear - like Alanis.

And this show reminds you of that.

Great doco, and nothing salacious about it. Could have gone much deeper but still worth a watch. No doubt there will be loads of blokes saying it's boring because it wasn't salacious enough - so watch it for feminism's sake ;-)

I really enjoyed this documentary- even though there were some things about its narrative that irked me- like the way it presents Alanis like some anomaly who was ahead of her time in the mid-1990s, when this was the time of Grunge and bands like Hole and people like PJ Harvey- and among them, she fit right in, except to anyone who wants to split hairs about it. So, that point the doc kept trying to make felt completely disingenuous, as did the point it tried to make about how no major or minor record label wanted her- all rejecting Jagged Little Pill originally. The first thing I thought when hearing that was here we go again- this is a repeat of what Joan Jett said happened with her- only, in that case, it feels more true.

I kinda didn't buy what they were selling here. First off, to call "Jagged" the best selling debut album by a female artist sounds good to say, BUT it wasn't really her debut, since she had made a few albums before that in her native Canada. So again, the point felt disingenuous. And another thing- there is no way Jagged Little Pill was a hard sale in the era of Grunge and Riot Grrrl. No way! Yeah, I'm sure she got rejected BEFORE people actually heard the music- but that is often true for anyone trying to make a hit- people can be reluctant to try anything new- including new music. But after hearing the music, they liked it, and that's what counts. After all, she did end up on Madonna's boutique label, so it was a little irksome that they kept painting her as a truly struggling artist in those years- because she wasn't- it's just the nature of the business.

There was nothing really unusual about Alanis, except for the fact that her level of fame eclipsed all the others due to how catchy her songs were and songwriting was. That said, she was and is a true talent who I am glad to learn more about. This documentary is well-made and kept me entertained and invested, even if I didn't quite agree with a lot of the points made in it.

Fascinating look at her origins, the issues she dealt with as a female artist in a male dominated commercial industry and her thoughts regarding it. Her music still stands up and I can't wait for her to get her due properly.