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4,6/10
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Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.
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6/10. Not a classic, but enjoyable and worth your time.
This showed up on Tubi as a "Tubi Original," so I wasn't expecting much. I was pleasantly surprised by how much I enjoyed this flick. It's certainly not a classic, but it is competent, suspenseful, and engaging, and I found myself glued to it in spite of myself. The special effects are well done, and with one exception, the acting is on point. This is supposedly a horror comedy, but thankfully it's mostly horror with some jokes here and there. Unlike others, I didn't find the tone uneven.
Soundtrack was also great.
In short, you could do worse--A LOT worse--thank SHE CAME FROM THE WOODS. I recommend it to fans of the genre.
1-3 Don't waste your time 4-6 Good 7-9 Great 10 Outstanding, must see.
This showed up on Tubi as a "Tubi Original," so I wasn't expecting much. I was pleasantly surprised by how much I enjoyed this flick. It's certainly not a classic, but it is competent, suspenseful, and engaging, and I found myself glued to it in spite of myself. The special effects are well done, and with one exception, the acting is on point. This is supposedly a horror comedy, but thankfully it's mostly horror with some jokes here and there. Unlike others, I didn't find the tone uneven.
Soundtrack was also great.
In short, you could do worse--A LOT worse--thank SHE CAME FROM THE WOODS. I recommend it to fans of the genre.
1-3 Don't waste your time 4-6 Good 7-9 Great 10 Outstanding, must see.
When the history of movie theaters in the 2020's is written, there will be some odd entries. Last year's Terrifier 2 and now She Came from the Woods seem like direct-to-streaming movies that somehow played theaters in towns with modest populations (20,000-30,000).
She Came from the Woods is certainly more enjoyable than the gross-out Terrifier 2, but it is not as fun as horror fans might hope. This is a retro-80's summer camp horror story that plays like a cross between Friday the 13th and The Evil Dead.
Some have pointed to the campfire story feel that some 1980's slasher films have, Madman being the most obvious. Therefore, it seems somehow appropriate that the screenwriters, Erik and Carson Bloomquist, credit their film's story as being based on stories told around campfires. However, that is also a problem. Around a campfire a story does not need much logic, but a film needs more of a cohesive story. She Came from the Woods just seems to have stopped with Friday the 13th meets The Evil Dead. There is not much else to it. The film does not even have an interesting backstory for its sometimes supernatural villainess Agatha. The killers in The Burning (a film namechecked in She Came from the Woods) and the original Friday the 13th had more reasons for committing murder than Agatha here.
Perhaps a bigger problem is that the film is not as fun as it should be. I laughed twice and grooved on the negative character with the blonde mullet who looked eerily like a schoolmate from high school (the character even acted a little like the real guy). Aside from those bits, I was not overly entertained. I liked the use of Kim Wilde's "Kids in America" over the opening credits, but wished the song had been used more memorably (like "Jessi's Girl" in Boogie Nights or "99 Luftballons" in Grosse Pointe Blank). The disbelieving policeman was kind of fun. I don't begrudge the matinee price I paid to watch She Came from the Woods, but I wouldn't watch it again.
For better 1980's horror nostalgia, I would recommend Deathgasm (2015), Lake Nowhere (2014), or You're Next (2011). She Came from the Woods did not bring enough to the party.
She Came from the Woods is certainly more enjoyable than the gross-out Terrifier 2, but it is not as fun as horror fans might hope. This is a retro-80's summer camp horror story that plays like a cross between Friday the 13th and The Evil Dead.
Some have pointed to the campfire story feel that some 1980's slasher films have, Madman being the most obvious. Therefore, it seems somehow appropriate that the screenwriters, Erik and Carson Bloomquist, credit their film's story as being based on stories told around campfires. However, that is also a problem. Around a campfire a story does not need much logic, but a film needs more of a cohesive story. She Came from the Woods just seems to have stopped with Friday the 13th meets The Evil Dead. There is not much else to it. The film does not even have an interesting backstory for its sometimes supernatural villainess Agatha. The killers in The Burning (a film namechecked in She Came from the Woods) and the original Friday the 13th had more reasons for committing murder than Agatha here.
Perhaps a bigger problem is that the film is not as fun as it should be. I laughed twice and grooved on the negative character with the blonde mullet who looked eerily like a schoolmate from high school (the character even acted a little like the real guy). Aside from those bits, I was not overly entertained. I liked the use of Kim Wilde's "Kids in America" over the opening credits, but wished the song had been used more memorably (like "Jessi's Girl" in Boogie Nights or "99 Luftballons" in Grosse Pointe Blank). The disbelieving policeman was kind of fun. I don't begrudge the matinee price I paid to watch She Came from the Woods, but I wouldn't watch it again.
For better 1980's horror nostalgia, I would recommend Deathgasm (2015), Lake Nowhere (2014), or You're Next (2011). She Came from the Woods did not bring enough to the party.
The acting was good, practical effects were solid, there were some jokes, and watching it in the theater was genuinely creepy, especially with the children's laughter in surround sound. I would say I watch most horror movies that come out and this is better than 80% of what's out there.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters there you go.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters there you go.
After the boredom of 'Evil Dead Rise' I was won over by this 80s inspired slasher mainly because the characters had depth, believability and sympathy when they meet their end!
Ok, so it isn't exactly original and all the cliches are present ( the whole premise is about conjuring the dead , demonic possession that the Evil Dead was based on) but with a witty script and well drawn characters I really enjoyed this.
The gore and practical effects are old school and well done, it's good to see (producer) William Sadler as the summer camp elder with a secret and has some pithy one lines , inc " why don't you use your tears as lube"!
Ok, so it isn't exactly original and all the cliches are present ( the whole premise is about conjuring the dead , demonic possession that the Evil Dead was based on) but with a witty script and well drawn characters I really enjoyed this.
The gore and practical effects are old school and well done, it's good to see (producer) William Sadler as the summer camp elder with a secret and has some pithy one lines , inc " why don't you use your tears as lube"!
A nice homage to the 80's Friday the 13th type of films. Unfortunately, if there are too many holes in your boat it will sink, as this film did.
I never heard of it until it played 1x only last night so I figured I'd give it a look. It started out fine with the stereotypical horny camp counselors, children (dorks, geeks, etc.) and 'adults in charge'. Then, of course, something awakens the evil spirit and folks get to dying. There is a twist in the beginning in how people start dying so I won't ruin it for you.
In act 2 there are no surprises but this is when you start noticing the holes. 'How did this person get over there?' or 'Why didn't you tell your fellow survivors what you just witnessed?'
In the final act it was almost like the scriptwriters just didn't care. They skipped over all logic, failed to explain how the rules/laws governed this spirit worked and just gave the audience an unsatisfactory ending.
I never heard of it until it played 1x only last night so I figured I'd give it a look. It started out fine with the stereotypical horny camp counselors, children (dorks, geeks, etc.) and 'adults in charge'. Then, of course, something awakens the evil spirit and folks get to dying. There is a twist in the beginning in how people start dying so I won't ruin it for you.
In act 2 there are no surprises but this is when you start noticing the holes. 'How did this person get over there?' or 'Why didn't you tell your fellow survivors what you just witnessed?'
In the final act it was almost like the scriptwriters just didn't care. They skipped over all logic, failed to explain how the rules/laws governed this spirit worked and just gave the audience an unsatisfactory ending.
Wusstest du schon
- WissenswertesBased upon an award winning 2017 short film of the same name.
- SoundtracksKids in America
Written by Marty Wilde and Ricki Wilde (as Ricky Wilde)
Performed by Kim Wilde
Courtesy of Cherry Red Records
Under license from Rak Publishing Limited
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- Erscheinungsdatum
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- Auch bekannt als
- Убойный летний лагерь
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- Andover, Connecticut, USA(on location)
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- Laufzeit1 Stunde 41 Minuten
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