Drei Freunde verschwören sich, ihre schrecklichen Chefs zu ermorden, als sie erkennen, dass diese ihrem Glück im Wege stehen.Drei Freunde verschwören sich, ihre schrecklichen Chefs zu ermorden, als sie erkennen, dass diese ihrem Glück im Wege stehen.Drei Freunde verschwören sich, ihre schrecklichen Chefs zu ermorden, als sie erkennen, dass diese ihrem Glück im Wege stehen.
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
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3 nice guys have horrible bosses - lets call them sleazebag, slutty and heartless bastard. Pushed to the edge, they decide to rid the world of their evil masters for the good of mankind.
Which is a great premise. But its actually a pretty hard needle for the film to thread. Firstly, the three nice guy leads aren't very engaging. They're too nice and not well fleshed out at all. It seemed totally out of character for them to want to commit murder. Sure, sleazebag and heartless bastard are assholes, but they're actually funnier (especially Colin Farrell) and more entertaining than the nice guys. And, there's no way I want Jennifer Anitson's deliciously kinky slutbag dentist knocked off. As two of the nice guys say to the third - 'your situation will never get any sympathy out of us.' She's actually the best thing in the movie.
Its funny in parts, and becomes more interesting later on, as the plot starts to twist and turn. But the constant hysterical dude chatter is kind of tiring. Like 'The Other Guys' although that film was better.
Which is a great premise. But its actually a pretty hard needle for the film to thread. Firstly, the three nice guy leads aren't very engaging. They're too nice and not well fleshed out at all. It seemed totally out of character for them to want to commit murder. Sure, sleazebag and heartless bastard are assholes, but they're actually funnier (especially Colin Farrell) and more entertaining than the nice guys. And, there's no way I want Jennifer Anitson's deliciously kinky slutbag dentist knocked off. As two of the nice guys say to the third - 'your situation will never get any sympathy out of us.' She's actually the best thing in the movie.
Its funny in parts, and becomes more interesting later on, as the plot starts to twist and turn. But the constant hysterical dude chatter is kind of tiring. Like 'The Other Guys' although that film was better.
I do not usually watch movies with SNL actors because the scripts seem mass produced (could list so many examples) with about as much skill as meat grinding, but I slummed it about a month ago. This is far more the caliber of Bridesmaids than Mr. Deeds. All the actors work brilliantly together and it was so witty and fresh that I did not want it to end. Even though Jason Bateman plays the same character in most of his comedies his timing is great and he is always funny. I laughed hard and loudly so I am glad I didn't see it at the theater. Yes, there are some corny and preposterous bits of luck as with all of these kinds of movies that I used to avoid but this one is worth it. Jamie Foxx has several scene stealing moments. This is a great movie for any weekend but if you are desperate for some pandemic levity and stress relief, make sure to put this on you list-even if you are a movie snob!
Horrible Bosses is a great comedy that doesn't waste it's really good central premise thanks to a really strong central trio and a truly twisted sense of humour that hits way more than it misses.
Jason Bateman, Jason Sudeikis and Charlie Day are all fantastic with impressive chemistry, able to bounce off each other consistently. Colin Farrell and Jennifer Aniston are both perfect at being truly horrible bosses.
Seth Gordon's direction is good, competently shot with a nice pace which keeps the jokes and energy going across its relatively short run time. The soundtrack is a lot of fun, interspersed well and fitting the twisted tone really well.
Jason Bateman, Jason Sudeikis and Charlie Day are all fantastic with impressive chemistry, able to bounce off each other consistently. Colin Farrell and Jennifer Aniston are both perfect at being truly horrible bosses.
Seth Gordon's direction is good, competently shot with a nice pace which keeps the jokes and energy going across its relatively short run time. The soundtrack is a lot of fun, interspersed well and fitting the twisted tone really well.
Those who think Hollywood is no longer capable of creating a funny comedy for adults need not worry, as "Horrible Bosses" is proof that that increasingly rare phenomenon can still happen.
"Horrible Bosses" is one of those comedies like the classic "Ruthless People," in which an outrageous and dark premise works because of good writing and an ensemble that knows exactly how to handle the material for maximum comedic value. Jason Bateman, Jason Sudeikis and Charlie Day play the requisite straight man, alpha male and dumbass, respectively, that male buddy comedies need, while Kevin Spacey, Jennifer Aniston and Colin Farrell (sadly underused) play the titular bosses. All of them have a field day with their roles, and Aniston especially stands out because of the film's decision to cast her against type as a slutty, foul-mouthed sex kitten; you can almost hear Aniston sighing with relief as she gets to play something other than the cute-as-a-button girl next door.
As with most comedies, whether or not you think "Horrible Bosses" is funny will probably depend simply on whether or not you think the actors are funny. Charlie Day, for example, will likely drive some people crazy -- I thought he was hilarious.
Grade: A
"Horrible Bosses" is one of those comedies like the classic "Ruthless People," in which an outrageous and dark premise works because of good writing and an ensemble that knows exactly how to handle the material for maximum comedic value. Jason Bateman, Jason Sudeikis and Charlie Day play the requisite straight man, alpha male and dumbass, respectively, that male buddy comedies need, while Kevin Spacey, Jennifer Aniston and Colin Farrell (sadly underused) play the titular bosses. All of them have a field day with their roles, and Aniston especially stands out because of the film's decision to cast her against type as a slutty, foul-mouthed sex kitten; you can almost hear Aniston sighing with relief as she gets to play something other than the cute-as-a-button girl next door.
As with most comedies, whether or not you think "Horrible Bosses" is funny will probably depend simply on whether or not you think the actors are funny. Charlie Day, for example, will likely drive some people crazy -- I thought he was hilarious.
Grade: A
I had high hopes for Horrible Bosses. It started out well. The first 15 minutes made it seem like it would be really good. The premise was alright and the first few minutes set up the rest of the movie well. Unfortunately, the joke writing was bad. There were a few funny lines, but they were interwoven into a tapestry of mediocrity. I'm pretty biased though because I don't like Charlie Day's shtick. He plays the exact same character as he does in Always Sunny, a really stupid guy who talks a mile a minute and if you listen carefully there's a few jokes in there. I don't enjoy that. I don't really like Jason Sudekis either. I find him bland and he plays an extremely dull character in this as well. You could take him out and the movie would still be mostly the same. Jason Bateman's character seems to be aware he's in a bad comedy. He doesn't really seem to like Sudekis or Day and treats all the wacky situations with a sort of slightly angry distaste.
I watched Bridesmaids a few nights ago and enjoyed it way more than Horrible Bosses. That movie also had story line problems, but it had a lot of funny parts. That's all I want a comedy to do, make me laugh. Horrible Bosses didn't really do that for me, as the vast majority of its never-ending dialogue falls enormously flat.
I watched Bridesmaids a few nights ago and enjoyed it way more than Horrible Bosses. That movie also had story line problems, but it had a lot of funny parts. That's all I want a comedy to do, make me laugh. Horrible Bosses didn't really do that for me, as the vast majority of its never-ending dialogue falls enormously flat.
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- WissenswertesColin Farrell was heavily involved in the look of his character. The comb-over and prosthetic stomach were his idea. He also decided his character would have an obsession with Chinese dragons, and he took part in developing the design for Bobby's apartment.
- PatzerDetectives would never question three murder suspects together. They would be interviewed individually to see if their stories are consistent.
- Zitate
Detective Hagan: Do you want to explain why you were doing 61 in a 25 zone? One block from the victim's house. Just moments after he got shot dead.
Nick Hendricks: I was drag-racing. I'm a drag-racer.
Detective Samson: You were drag-racing.
Nick Hendricks: [nods]
Detective Samson: In a Prius.
Nick Hendricks: I don't win a lot.
- Crazy CreditsOuttakes and bloopers at the beginning of the closing credits.
- Alternative VersionenThe word "Fuck" has been muted on the Comedy Central airings.
- VerbindungenEdited into Horrible Bosses: My Least Favorite Career (2011)
- SoundtracksThe Underdog
Written by Britt Daniel
Performed by Spoon
Courtesy of Merge Records
By arrangement with Bank Robber Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Quiero matar a mi jefe
- Drehorte
- 2059 East 7th Street, Los Angeles, Kalifornien, USA(bar where they look for a hitman)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 117.538.559 $
- Eröffnungswochenende in den USA und in Kanada
- 28.302.165 $
- 10. Juli 2011
- Weltweiter Bruttoertrag
- 209.838.559 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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