IMDb-BEWERTUNG
5,7/10
7759
IHRE BEWERTUNG
Nachdem zahlreichen gescheiterten Selbstmordversuchen beschließt ein Paar, sich auszuleben und sich dann am Neujahrstag umzubringen.Nachdem zahlreichen gescheiterten Selbstmordversuchen beschließt ein Paar, sich auszuleben und sich dann am Neujahrstag umzubringen.Nachdem zahlreichen gescheiterten Selbstmordversuchen beschließt ein Paar, sich auszuleben und sich dann am Neujahrstag umzubringen.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Priyanka Chopra Jonas
- Kiara
- (as Priyanka Chopra)
Ilona Marino
- Airport Couple
- (as Ilona Gugan)
Adrian Bustamante
- Chaperone
- (as Raul Bustamante)
Sina Hajhassan
- Young Akash
- (as Sina Hajassan)
Empfohlene Bewertungen
It has story of half an hour but exaggerated for 2 and half hour. Not so exciting yet predictable. But the music was awesome so 2 extra stars for that. Thank you.
There was about 30 mins of the movie in the middle that was interesting. The movie starts out weakly on a very bogus premise and ends in an even more pathetic fashion. Most of movie is super corny and almost unbearable to watch. It is completely predictable to the point that most of us who have watched such movies can predict what the next line and expression will be. Please, stop wasting time and money making crap like this. Sid, can you please try to make a movie in a different genre? Ranbir, can you stop picking loser scripts? Music was good but the movie is a total suck.
4/10
4/10
I slept through this.Beginning was wonderful very funny and witty.Priyanka Chopra was in good spirits.Ranbeer Kapoor looked like Abhishek Bachchan's younger brother.he is not so good here.
Sidharth Anand directs this foolish script.its as awful as Salaam Namaste was.i don't know why our film makers go to US to shoot every second film.films like 3Idiots which showcase beauty of hill-side around Simla also show that their are breath taking locales here itself which remain untapped.
Direction is horrible,see Priyanka Chopra's ward robe in the film ,its just such a drag really awful.that red dress she wears in the bar make her look like an ethnic behanji.
this movie was so reminiscent of Neal & Nikki which starred Uday Chopra & Tanisha.Frankly that was so fresh this sucks like rotten tomatoes.Can't understand why producers spend such big money on making such awful stuff.Sajid Nadiadwal has ancient film line,could do something for film restoration.Nobody cares about our Indian classics.many films are already lost,most classic film negatives are in shambles.they can do better by investing their money in restoration of Indian classics.Government too does nothing .it does not even award people who work for restoring immortal classics.
Movie like these are a waste of time and money.
Sidharth Anand directs this foolish script.its as awful as Salaam Namaste was.i don't know why our film makers go to US to shoot every second film.films like 3Idiots which showcase beauty of hill-side around Simla also show that their are breath taking locales here itself which remain untapped.
Direction is horrible,see Priyanka Chopra's ward robe in the film ,its just such a drag really awful.that red dress she wears in the bar make her look like an ethnic behanji.
this movie was so reminiscent of Neal & Nikki which starred Uday Chopra & Tanisha.Frankly that was so fresh this sucks like rotten tomatoes.Can't understand why producers spend such big money on making such awful stuff.Sajid Nadiadwal has ancient film line,could do something for film restoration.Nobody cares about our Indian classics.many films are already lost,most classic film negatives are in shambles.they can do better by investing their money in restoration of Indian classics.Government too does nothing .it does not even award people who work for restoring immortal classics.
Movie like these are a waste of time and money.
All lovers start off as strangers first, before an affirmation as friends, then the bridge to be crossed to become lovers, and if the speedbumps along the way prove too much for the couple to handle, then that relationship will get relegated to friendship, before time takes over for memories to fade and they become strangers again. Director Siddharth Anand's Anjaana Anjaani takes on this cyclic tale as far as modern romances go, and while the premise is as sexy as its two leads, unfortunately it's the meandering, average storyline that ultimately trips up the film, no matter the powerhouse performances by Ranbir Kapoor and Priyanka Chopra.
It started off promising though, as the narrative takes its time to set up the backgrounds and stories behind how Ranbir's Akash and Priyanka's Kiara met on a bridge while both are contemplating suicide, with the former being a hotshot investor whose bad call at the markets translated to bankruptcy for him and his partners, while the latter in a drunken stupor, had hers kept under wraps and told in flashbacks as the story wore on. For an audience, you get set up to feel that you too have partaken in this getting-to-know-you phase by director Siddharth Anand, and get acquainted with the leads just as their characters begin on a journey, and an incredible one at that since they've moved in together, and set a date on which to execute themselves, but not before spending time crossing out an impromptu bucket list.
For instance, the first half dwells specifically on the adventures of these two doing quite the incredible for comedy, with most times leaving you wonder just how they get the cash to do what they do. But this is a fantasy film, so anything goes with nary a worry, which for two persons hell bent on killing themselves, splurging cash shouldn't be an issue at all since they can't bring their savings bank along to their graves. For Akash, his dream is to get laid, well sort of, since he's that romantic dreamer whose career had meant little chance and time to chase skirts. This of course sets off some alarm bells with audiences when there's Ms Kiara standing in front of him to pursue, but it's this slow burning discovery that true love may be in front of him after all, that forms the theme after the interval.
Meanwhile, Kiara's bucket list consists of swimming in the middle of the Atlantic. How they get there is one thing, but they do, and this episode sowed the seeds of a budding romance leading well into the second half of the film, where the story falls back on the tried and tested formula of a romantic comedy, with the couple not knowing what to do since they've made a pact to end their lives, yet see within each other a rainbow at the end of their personal stormy issues. You can almost sleepwalk through the entire film after the break, as it breaks out the formula to turn whatever's refreshing, and like a genie decided to put it all back in the bottle.
Watching two former Miss Worlds in separate movies from two of the largest film industries in India, can somewhat be distracting as well as surreal. But Priyanka Chopra came out tops in this tussle, in my opinion, since Aishwarya Rai Bachchan's role in Enthiran was somewhat whiny in behaviour to my liking. Chopra on the other hand turned out to be quite the livewire in this film even though her Kiara has the most baggage to bear amongst the two lovers in Anjaana Anjaani. Infusing her role with so much sass, one cannot help but to highlight that this is one of her most memorable performance to date after last year's Fashion and What's Your Rashee, which saw her take on 12 different roles. Ranbir Kapoor feeds off Chopra's bubbling energy really well, and the two share some excellent screen chemistry together in their first pair up, that I'm wishing there will be more films in future to exploit this.
If only the story was more gutsy to match both actor's stellar performances, without which Anjaana Anjaani turned out to be nothing more than an above average romantic film that gets churned out by the dozens each year.
It started off promising though, as the narrative takes its time to set up the backgrounds and stories behind how Ranbir's Akash and Priyanka's Kiara met on a bridge while both are contemplating suicide, with the former being a hotshot investor whose bad call at the markets translated to bankruptcy for him and his partners, while the latter in a drunken stupor, had hers kept under wraps and told in flashbacks as the story wore on. For an audience, you get set up to feel that you too have partaken in this getting-to-know-you phase by director Siddharth Anand, and get acquainted with the leads just as their characters begin on a journey, and an incredible one at that since they've moved in together, and set a date on which to execute themselves, but not before spending time crossing out an impromptu bucket list.
For instance, the first half dwells specifically on the adventures of these two doing quite the incredible for comedy, with most times leaving you wonder just how they get the cash to do what they do. But this is a fantasy film, so anything goes with nary a worry, which for two persons hell bent on killing themselves, splurging cash shouldn't be an issue at all since they can't bring their savings bank along to their graves. For Akash, his dream is to get laid, well sort of, since he's that romantic dreamer whose career had meant little chance and time to chase skirts. This of course sets off some alarm bells with audiences when there's Ms Kiara standing in front of him to pursue, but it's this slow burning discovery that true love may be in front of him after all, that forms the theme after the interval.
Meanwhile, Kiara's bucket list consists of swimming in the middle of the Atlantic. How they get there is one thing, but they do, and this episode sowed the seeds of a budding romance leading well into the second half of the film, where the story falls back on the tried and tested formula of a romantic comedy, with the couple not knowing what to do since they've made a pact to end their lives, yet see within each other a rainbow at the end of their personal stormy issues. You can almost sleepwalk through the entire film after the break, as it breaks out the formula to turn whatever's refreshing, and like a genie decided to put it all back in the bottle.
Watching two former Miss Worlds in separate movies from two of the largest film industries in India, can somewhat be distracting as well as surreal. But Priyanka Chopra came out tops in this tussle, in my opinion, since Aishwarya Rai Bachchan's role in Enthiran was somewhat whiny in behaviour to my liking. Chopra on the other hand turned out to be quite the livewire in this film even though her Kiara has the most baggage to bear amongst the two lovers in Anjaana Anjaani. Infusing her role with so much sass, one cannot help but to highlight that this is one of her most memorable performance to date after last year's Fashion and What's Your Rashee, which saw her take on 12 different roles. Ranbir Kapoor feeds off Chopra's bubbling energy really well, and the two share some excellent screen chemistry together in their first pair up, that I'm wishing there will be more films in future to exploit this.
If only the story was more gutsy to match both actor's stellar performances, without which Anjaana Anjaani turned out to be nothing more than an above average romantic film that gets churned out by the dozens each year.
this is my first review on IMDb.
i registered to tell all of you how bad this movie is.
there is no story whatsoever, most of the events in the movie are not justified, ranbir appears bored as if he is being forced to do this film although priyanka does well.
there is some crude been-there-seen-that gay comedy which mostly falls flat. a couple of comic scenes do stand out for their originality. the rest of the movie is plain boring and a torture to sit through.
the film is technically brilliant though, with outstanding camera-work once again by Mr. Ravi Chandran, excellent music by vishal-shekhar and beautiful foreign locales.
i will go with a generous 4 out of 10 for this film only for the music and the cinematography. if u don't mind mental torture, go for this one!!
i registered to tell all of you how bad this movie is.
there is no story whatsoever, most of the events in the movie are not justified, ranbir appears bored as if he is being forced to do this film although priyanka does well.
there is some crude been-there-seen-that gay comedy which mostly falls flat. a couple of comic scenes do stand out for their originality. the rest of the movie is plain boring and a torture to sit through.
the film is technically brilliant though, with outstanding camera-work once again by Mr. Ravi Chandran, excellent music by vishal-shekhar and beautiful foreign locales.
i will go with a generous 4 out of 10 for this film only for the music and the cinematography. if u don't mind mental torture, go for this one!!
Wusstest du schon
- WissenswertesFirst film to feature both Ranbir and Priyanka. They later worked together in Barfi! - Liebe braucht keine Worte (2012).
- PatzerDuring Kiara's first flashback scene, when Kunal is playing a video game, the TV screen shows wii sports. However, there is no wii controller in his hand, but some other type of controller. Moreover, his wii character continues to move even though he leaves the controller to talk.
- Alternative VersionenThe UK release was cut, the distributor chose to remove references to and sight of a potentially dangerous suicide technique in order to obtain a 12A classification (in this instance, asphyxiation). An uncut 18 classification was available.
- VerbindungenReferenced in Taarak Mehta Ka Ooltah Chashmah: Peter Fernandez and the Car Part 1 (2011)
- SoundtracksAnjaana Anjaani Ki Kahani
Music by Vishal Dadlani and Shekhar Ravjiani
Lyrics by Neelesh Misra
Performed by Nikhil D'Souza, Monali
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 854.757 $
- Eröffnungswochenende in den USA und in Kanada
- 517.608 $
- 3. Okt. 2010
- Weltweiter Bruttoertrag
- 9.062.995 $
- Laufzeit2 Stunden 31 Minuten
- Farbe
- Sound-Mix
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Oberste Lücke
By what name was Anjaana Anjaani (2010) officially released in Canada in French?
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