Cold Weather

I don't know how people would consider this movie is a good one. The screenplay, the plot, the scenario in all are just too weak and uninteresting. The main male actor is such a wimp with a very unlikable meaty and fleshy face with dumb expression all the time like a retarded person. There is no way any woman would like to start a relationship with this guy. I also wonder why this movie would have to shot in the constant wet weather of Portland, Oregon. The guy read his book back to the light, then slept with lamp still on. The whole movie is just a No Big Deal while trying so hard to make something look big deal out of it. This movie told us that a couple of male dimwits who didn't even know how to deal with their own ordinary daily lives albeit playing private detectives. They both looked so stupid because the dialog of this screenplay made them look just like some worthless losers, no hopes, no ambitions, no nothing. This is a very lame movie with terrible dialog(especially the dialog!), poor acting, poor directing, poor sound tracks. There's nothing worthwhile watching or commentating. By saying so much only proved how frustrating when I watched this lousy movie. Don't waste your time, man.

This film was described by Spin Magazine (in a 3-and-a-half star review) as a mystery that takes its time. I'm all for that. But did it have to take SO MUCH time to resolve a mystery that was UNINVOLVING and BORING? Just another bunch of aimless 30-somethings in the damp upper Northwest who apparently never shave or wash their hair, mumbling their way through life and never doing anything even remotely interesting. Believe me, I've sat through plenty of quirky indie films with little complaint, but I was literally shouting at my TV screen when this DVD ended. An hour and forty minutes of my life utterly wasted. I will avoid this talentless filmmaker like the plague for the rest of my days. SKIP THIS MOVIE!!!!!

I won't address the story of Cold Weather in detail, because I think the less you know of it, the better. But if you do need story details in advance, I'm sure they're easily found in the movie synopsis or other reviews.  I'd just like to cover a few points about why I liked it. 

First of all, it's pretty awesome how Cold Weather mixes the everyday, mostly uneventful, almost boring lives of their characters with surprising levels of mystery and tension. It's not often the word "realistic" fits a film as aptly as it does this movie. 

Second, I thought it ended much too quickly and abruptly, which is actually a partial compliment. For one, I wasn't ready for it to be over, and it ended in an unexpected and non-formulaic way. 

Third, this was simply one of the freshest movie experiences I've had this  year, and I expect that it will be even better upon subsequent viewings. The closest thing I can think of to compare it to is Winter's Bone. Not because the stories are similar, but because they center around realistic, un-stylized characters that make small, personal events seem more urgent and engrossing than the world-ending, massively bombastic plots of some much bigger films. 

With that said, I definitely think the audience for Cold Weather is more narrow than broad. It's by no means a perfect movie. The plot relies on coincidence after coincidence, and that may be hard for some to swallow. It's also a slow-burner throughout, and that may bore some people. Slow-paced doesn't necessarily mean boring or bad in my opinion, though, so I don't hesitate in giving Cold Weather my approval.

Cold Weather (2012)

Indie films with their low budgets can turn a couple of basic directions to distinguish themselves. One is sheer inventiveness or surprise. The other is low key realism making ordinary people seem relatable, and that is where this movie goes. There are dozens of these, often with young casts appealing to the twenty-something generation somewhere between college and career.

So we have a young man, Doug, living with his sister in Portland just as he finds a job in an ice factory. And then his ex-girlfriend arrives in town on business, and they see each other as old friends. The fourth character is a co-worker at the factory who befriends Doug and falls for the ex-girlfriend. And we see the basis of a relationship drama, not quite a romantic movie but not a serious probing drama, either.

But then the movie turns abruptly, and the comic aspects get interwoven with an apparent crime that these amateur Sherlocks can't quite get their finger on. But their efforts make a great game. It's super low key, and any other movie would hype up the facts with guns and scary soundtrack music and real (or cheesy) fear. Not this kind of Indie film. This is about the people, and the "crime" they are pursuing is a just way to learn more about the protagonists.

Which is pretty fun. The acting holds together pretty well, regular people being regular people without affectation. Easier said than done, but also leaving the audience less to really work with or care about than you'd prefer. By the very end, the last few moments, there is a final realization that's rather sweet and rewarding, and the movie turns back to what it's best at.

See it? If you have an open mind for lower budget but reasonably well made modest movies (known as Indie films), you might just find this one clicks. Within its limitations.

On one hand, a local guy came back to Portland and made a feature film set in the city I live in and love; he made it on a low budget, wrote it and directed it himself, got it made and *released*! (And Portland looks gorgeous in the film.) This is an impressive achievement any filmmaker should be commended for. Many aspiring filmmakers never get their film finished let alone released.

On the other hand, the film is woefully lacking in basics like character development and an interesting story. Many plot points simply don't ring true or seem plausible; even character interactions seem forced and a bit scripted, giving the audience precious little to relate to or care about in these people; we're almost *begging* for something to latch on to as we watch the film, but there's almost nothing. The dialog is usually wooden and forgettable, and it's hard to see how it advances the story much or helps us understand the relationship between the characters (or makes us laugh). And there's rarely any tension between characters (hint: *conflict* in movies is interesting!).

I get that it wasn't supposed to be a thriller but it isn't effective as a "relationship film" either. Too much "reading between the lines" and "willing suspension of disbelief" is required. "Cold Weather" kind of plods along to an unexpected conclusion, making us wonder what kind of movie it *could* have been. Unfortunately, it compares poorly to similar films made on a low budget by young directors.