The Paperboy

After the emotional kick in the gut with Precious, one may go into The Paperboy anticipating something of a roller coaster ride from Lee Daniels and the talented cast, but The Paperboy isn't Precious by any means. The quality of the film itself is so crummy, it's a wonder this high profile cast was attracted to it. Through all the cheesy and trashy aspects of the film, The Paperboy at least pushes the boundaries of what we expect and creates some shocking scenes in its plot.

The screenplay does have a fairly intriguing plot, it's bites off a lot of issues to talk about, but never fully realizes any of them. Sometimes the "issues" are so thin, they slide right by the viewer. The most fun for the viewer is to watch the interaction between Zac Efron and Nicole Kidman's characters. It's an usual romantic relationship. Everything unusual is what The Paperboy has going for its screenplay. The script does develop the characters fairly well, some of the characters more than others.

The acting is the saving grace of The Paperboy and is what makes it watchable. Though John Cusack doesn't convince us in his juicy role, the rest of the cast is good. Zac Efron is decent in his protagonist role, Matthew McConaughey does fairly good work, but the true star is Nicole Kidman. It's a role that requires a lot of courage. The actress who had to play Charlotte would had to embarrass herself completely; Kidman owns that and brings the character out through those humiliating moments.

Lee Daniels is the man who screwed the project up. It was never destined to be a groundbreaking film, but Daniels holds it back from being at least decent as a movie. It becomes campy, has stereotypical racism, and messy scenes drowning in disarray. The narrative isn't strong enough to overcome Daniels's misdirection, even with the cast trying their best.

Rating: 4/10

Grade: C

After watching the movie I was asking myself what the heck did I just watch, but whatever it was I liked it....Now first off this movies is not for everyone, it's extremely sexual, violent, and at times confusing, but it is never dull or plotting. The story is captivating and the actor/actresses pull you in right from the start and never let go until the ending credits roll. The storyline is unique and original with it's crazy cast of characters. Don't try and out think this one, go with the flow and let this backwoods swamp tale take you on an mesmerizing journey into a world you'll be glad you were able to glimpse.

I'm going to say a few things about some of the actors/actresses as they truly do make this a must see movie. First Matthew McConaughey, if he's starting to get type-cast so what, he is absolutely wonderful in this role...bravo. Nicole Kidman is sensational, once again proving no matter what the role she excels and is without a doubt one of the very finest actresses of our time. John Cusack takes on a very different type of character than what you've seen of him the past and really shines and delivers a riveting memorable performance. The entire cast of this movie deserves credit for bring life to this Lee Daniels film.

I've noticed that some reviewers are giving this a less than glowing review, but in my humble but accurate opinion, this is an excellent piece of film making and should be given it's rightful praise for what it is....OUTSTANDING!!

The Paperboy (Lee Daniels, 2012) 3/5 Lee Daniels follow up to his heart wrenching Precious will make you feel dirty. In fact, there are times where you just feel the need to scrub yourself incessantly so you can cope with what is occurring on screen! Based on Peter Dexter's novel of the same name, the narrative follows two investigative journalists - Yardley Acheman and Ward Jansen - who aim to write a story to release convicted murderer Hillary Van Wetter. With the help of nymphomaniac Charlotte Bless, who corresponds with Wetter in prison and Ward's younger brother Jack they soon uncover not everything is what it seems in the sticky heat of the South.

The best way to get your head around is by remembering the exploitation films of the 1970's, where sex, drugs and violence were a staple. If you do this, then you can appreciate what Daniels and his producers were trying to achieve. Indeed, this is one of the films strengths as it pulls no punches at being explicit wherever possible, which garnered extremely mixed reviews when it was screened at Cannes last year.

The acting pedigree of the film is high with Matthew McConaughey and Zac Effron playing the two brothers, with Nicole Kidman excelling in her role as the troubled Miss Bless. However what damages the film is the slow pace and the lack of a proper twist. Generally speaking death-row thrillers have a big reveal at the end or a taut emotional climax. For example A Time to Kill, The Life of David Gale and Dead Man Waking all succeeded because they took the audience right through the investigation. The Paperboy does this to an certain extent; however it glosses over a majority of this in favour of highlighting the sweaty atmosphere of the inhabitants. At times, this becomes so overwhelming that it is difficult to think of anything else, let alone follow the characters as they reveal their dark sides and personal demons. Another issue is casting Macy Gray as the narrator. She might be one of the most annoying maids in film history and, unfortunately, you are stuck with her voice-over for the entire proceedings.

The cinematography is excellent as Roberto Schaefer's camera gets so close to the characters that you can almost smell their body odour in the immense heat. Yes, I told you this film would make you feel dirty. A great example of this is where Charlotte meets Wetter for the first time. They are sat apart in the prison meeting room; Charlotte spread her legs and begins to masturbate. This scene wouldn't have been so bad if they were alone, but Yardley, Ward and Jack are also in the room. Take that as you will… Even though The Paperboy is an uneven thriller, what it excels in is placing the audience in uncomfortable positions. A Haneke film this is not, but by doing this the whole issue of morality and senses in the cinema is raised. As such, Daniels new feature is a sweaty, sexy and visceral experience, which needed to take some more pointers from other more complete films. All in all, you may have to scrub yourself clean, but you won't forget the experience for quite some time.

This film reminded me quite a bit of "Deliverance." It's about how well-meaning people can end up way over their heads by getting involved with people and subcultures with which they're not familiar. It's less riveting than "Deliverance" but has more sympathy toward its characters.

The plot revolves around a small group of people who join forces for a cause: A woman who wants to free a prisoner she's become enamored of (by mail) and a couple of newspaper reporters who want to dig up the truth about the crime. One of the reporters is seeking justice, the other has a slightly different agenda. The idealistic reporter has a younger brother (Zac Efron) who is an innocent. Innocence, idealism and romanticism come up against opportunism and sociopathy and some of what happens is not too much of a surprise. The end of the movie had a great deal of dramatic potential and could have been more suspenseful in the hands of a more polished director. The movie overall is somewhat lurid, a Southern Gothic, but not as lurid as some critics have claimed. Overall it is a movie with some poignancy.

The Paperboy (2012)

*** (out of 4)

Lee Daniels' adaptation of the Peter Dexter novel taking a look at some swamp trash and a mystery surrounding them. Reporter Ward Jansen (Matthew McConaughey) returns to his hometown to try and solve the mystery behind a sheriff who was killed. Hillary Van Wetter (John Cusack) is on death row for the crime but the reporter believes he is innocent and drags his younger brother (Zac Efron) and a trashy woman (Nicole Kidman) into things. THE PAPERBOY is a pretty unpleasant look at a bunch of characters you can't help but hate and it's funny to see McConaughey really changing his "image" here as well as in the year's earlier KILLER JOE. I think the best thing about the picture are the performances as well as the authentic feel that director Daniels brings to the picture. The biggest problem is the screenplay and a story that I just felt wasn't all that captivating. The entire mystery surrounding what really happened to the sheriff seems to take a backseat and it really just seems to come and go at times. I'm really not sure why it was thrown in the background as much and especially with the twists that come towards the end. With the twists you'd think that the filmmakers were wanting the story itself to be important but it just never really takes off. It also seems that the director wants to shock the viewer with some rather graphic violence and sexual situations, which have the stars all doing some pretty wild things. It really does seem as if the film is just building up to each of these scenes and it's fair to say that they're quite memorable. The performances from the entire cast are terrific with both McConaughey and Kidman doing wonders with their swamp trash characters. I thought both of them were incredibly believable and hats off to them for going as far out as they did. I was also impressed with Efron and thought he handled the character's development quite well. Cusack was terrific playing the creepy bad guy and we also got strong support from David Oyelowo, Scott Glenn and Macy Gray. The cinematography is also good as is the music score and the atmosphere. THE PAPERBOY, as is, is a good showcase for its stars but you can't help but feel it's a missed opportunity as a stronger story would have made it even better.