Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.
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With a series like this they could have done a marvelous job talking about society, the business, the actors, the networks, etc. Instead they do a half-based job on everything. Why do it?
This series follows the formula that most History Channel docs follow: Snippet, actor/critic comment, repeat, commercial. It's nice to see some of the old shows represented, as well as the grown up actors comment. We watched these shows because they were funny, that's it. Never gave two sh#ts if the actors were white or black. Those were the good times!!!!
A pathetic, scary footnote for 2021 - So many of these comedians, notably Jerry Seinfeld et al, refuse to perform at any of today's college campuses because the students have lost their sense of humor. With so many social agendas, there are too many people that are sitting on the edge of the seat ready to be offended and attack.
Scary.
Scary.
What should have been a fun and light hearted look back, with minimal social commentary sadly turned into a cringeworthy and often irrelevant , inaccurate over analysis that took all the air out of the balloon.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
I thought this was supposed to be the history of sitcom. Instead it is a sloppy, quick run through some popular and lesser known sitcoms. It's basically a short interview, less than a minute, then footage from the show. The retrospective on the show are brief and poorly explained.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
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