IMDb-BEWERTUNG
5,6/10
1560
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA painter struggling for inspiration finds an unexpected muse after he accepts a teaching position in a small town and becomes the caregiver to Eddie, a seemingly docile art student with a r... Alles lesenA painter struggling for inspiration finds an unexpected muse after he accepts a teaching position in a small town and becomes the caregiver to Eddie, a seemingly docile art student with a rare sleepwalking condition.A painter struggling for inspiration finds an unexpected muse after he accepts a teaching position in a small town and becomes the caregiver to Eddie, a seemingly docile art student with a rare sleepwalking condition.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Dylan Smith
- Eddie
- (as Dylan Scott Smith)
Norman Mikeal Berketa
- Bartender
- (as Norman Berketa)
Simon Webb
- Radio D.J.
- (Synchronisation)
Empfohlene Bewertungen
I really enjoyed this one when I saw it at the Edinburgh International Film Festival: it's consistently funny, and reminiscent of the UK's Shaun of the Dead, except obviously with a Danish-Canadian spin. I'm not going to bore you with a summary of the film, as you can easily find that elsewhere on this page, but I will say that it was well cast, well acted, and very well paced. Great comedic timing, and a really interesting character dynamic, in that you feel sorry for almost everyone involved; you don't just feel sorry for Eddie, whose cannibalism is almost being taken advantage of by Lars, but also for Lars, who has trouble finding inspiration, and Lesley, who doesn't understand why he's acting so strangely. That makes for a really compelling story, which is wrapped up perfectly at the end. I left the cinema very satisfied, and it's one of my highlights from the whole festival.
Artist create art, but often they need a bit of inspiration to get the vision of their creation. Artists Lars Olafssen is in a bit of a funk, he has not produced anything in over ten years. So he find a home in a school as a teacher, there he still cannot break his silence. He befriends Eddie, who is a bit slow and an outcast. Lars has the patience to bring him into his confidence and discovers a hidden secret, when Eddie sleeps he craves flesh and his dreams get him carried away as he becomes the sleep walking cannibal. This gruesome discovery excites Lars and he finds inspiration in what would disgust others. This showing was part of opening for the new home of Cineprov! at the Plaza Theatre, where local arts use their improv talent to add color to the scenes on the big screen.
Art is all about pushing boundaries and "Eddie the Sleepwalking Cannibal" puts that creativeness on the canvas. This co-produced Canadian/Denmark indie production is a well-made, quirky horror comedy with the blackest of dark humor. I wouldn't call it in-your-face, but still it's deliciously absurd and very well-timed with its dry humorous approach. This might be contributed to the cast taking their roles seriously and not letting it become camp. It just works. I found it hard not be impressed by Boris Rodriguez's directorial debut.
Lars was once an acclaimed painter, but now has hit an inspiration slump. He has settled into a quiet little town and takes up a job at the local art school. This is where he meets Eddie. And he finds himself looking after him. A towering and reserved mute man who is scarred from past events. But it's what Lars learns on his first night with Eddie. He sleepwalks, but also transforms from a friendly giant to an ferocious cannibal. But what he also discovers, that his inspiration for his art comes in the form of misery and carnage, which Eddie can bring in spades.
There are many droll character interactions, small town atmospherics and few grisly jolts. The satirical screenplay takes á compelling approach. Art is a rush with the pressure to perform, but what is one willing to do and what morals would be broken to present this to the masses.. The script does an earnest job in developing these subtle characters and that of Lars' intense deterioration. One interesting note, is that we never get to see the artwork that was transpired by this pain and suffering. The edgy humour here, perfectly goes alongside the outrageous violence. The gore make-up and dismembered body effects is authentically staged. Cinematography provides some flair and a music score is slight, but playful.
The cast look like they are having fun. Thure Lindhardt plays his character spot on. He's likable and provides good intentions, despite his unsettling addiction to bringing out those artistic flourishes. Dylan Smith as Eddie delivers a great psychical performance. The relationship formed between these two characters is endearing, even though it does go down a twisted and dependent path of Lars' eventually abusing it. Georgina Reilly is ably good too. In a small, but memorable cameo; Stephen McHattie plays a scheming arts dealer. Also the closing credits produces an amusing little radio snippet of one of Lars/Eddie's surviving victims being interviewed.
Lars was once an acclaimed painter, but now has hit an inspiration slump. He has settled into a quiet little town and takes up a job at the local art school. This is where he meets Eddie. And he finds himself looking after him. A towering and reserved mute man who is scarred from past events. But it's what Lars learns on his first night with Eddie. He sleepwalks, but also transforms from a friendly giant to an ferocious cannibal. But what he also discovers, that his inspiration for his art comes in the form of misery and carnage, which Eddie can bring in spades.
There are many droll character interactions, small town atmospherics and few grisly jolts. The satirical screenplay takes á compelling approach. Art is a rush with the pressure to perform, but what is one willing to do and what morals would be broken to present this to the masses.. The script does an earnest job in developing these subtle characters and that of Lars' intense deterioration. One interesting note, is that we never get to see the artwork that was transpired by this pain and suffering. The edgy humour here, perfectly goes alongside the outrageous violence. The gore make-up and dismembered body effects is authentically staged. Cinematography provides some flair and a music score is slight, but playful.
The cast look like they are having fun. Thure Lindhardt plays his character spot on. He's likable and provides good intentions, despite his unsettling addiction to bringing out those artistic flourishes. Dylan Smith as Eddie delivers a great psychical performance. The relationship formed between these two characters is endearing, even though it does go down a twisted and dependent path of Lars' eventually abusing it. Georgina Reilly is ably good too. In a small, but memorable cameo; Stephen McHattie plays a scheming arts dealer. Also the closing credits produces an amusing little radio snippet of one of Lars/Eddie's surviving victims being interviewed.
Interesting, good actors and very good director. I really like this film ! Watch it, you won't regret it. This film is entertaining. In addition to receiving international awards , he received fine reviews in the media. Well done. Boris Rodriguez the director offers us a feature film quality. Without revealing the content, I especially like the opening scene of the film with the deer. The art of mixing humor and horror is a difficult art in cinema, Boris Rodriguez delights us with Eddie. I did not know these actors and am pleasantly surprised with their performance. You're gonna like easily the character of Eddie (as Dylan Scott Smith). Horror friendly and humorous moments . I think this is a movie to watch !
I was skeptical about this movie, I didn't have any feedback about it and I was expecting a poor and boring movie but it turned out to be quite okay.
The movie is about a painter that hadn't produced nothing new in years and that found himself living with a sleepwalking cannibal. Watching his companion eating and murdering people, he finds that the thrill of killing gives him the inspiration that he needs to paint and starts exploiting his partner to make new paintings.
The actors were well chosen, mainly the sleepwalking cannibal. The soundtrack of the movie is pretty good too. I just wish that they worked more in the background story and expanded the relationships between the characters.
In despite of some clichés throughout the movie, it's a good and entertaining one.
The movie is about a painter that hadn't produced nothing new in years and that found himself living with a sleepwalking cannibal. Watching his companion eating and murdering people, he finds that the thrill of killing gives him the inspiration that he needs to paint and starts exploiting his partner to make new paintings.
The actors were well chosen, mainly the sleepwalking cannibal. The soundtrack of the movie is pretty good too. I just wish that they worked more in the background story and expanded the relationships between the characters.
In despite of some clichés throughout the movie, it's a good and entertaining one.
Wusstest du schon
- WissenswertesThe only artwork made by the characters that can be clearly and fully seen belong to Eddie. The artwork from the other characters is only shown partially or not at all.
- PatzerDuring the conversation scene between Ronny and Lars if you look over Ronny's shoulder you see an empty paint easel. At the end of the scene as Ronny leaves, Lars stands and looks back to the easel which now has a blank painting on it.
- SoundtracksDer Hölle Rache; Königin der Nacht
from "Die Zauberflöte"
Composed by Wolfgang Amadeus Mozart
Performed by Diana Damrau & Jérémie Rhorer Le Cercle de l'Harmonie
Top-Auswahl
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Details
Box Office
- Budget
- 1.500.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.632 $
- Eröffnungswochenende in den USA und in Kanada
- 1.016 $
- 7. Apr. 2013
- Weltweiter Bruttoertrag
- 45.778 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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