IMDb-BEWERTUNG
6,4/10
89.565
IHRE BEWERTUNG
Als ein Verrückter schreckliche Morde begeht, die von den Werken von Edgar Allan Poe inspiriert sind, verbündet sich ein junger Detektiv aus Baltimore mit Poe, um den Mörder daran zu hindern... Alles lesenAls ein Verrückter schreckliche Morde begeht, die von den Werken von Edgar Allan Poe inspiriert sind, verbündet sich ein junger Detektiv aus Baltimore mit Poe, um den Mörder daran zu hindern, die Geschichten Wirklichkeit werden zu lassen.Als ein Verrückter schreckliche Morde begeht, die von den Werken von Edgar Allan Poe inspiriert sind, verbündet sich ein junger Detektiv aus Baltimore mit Poe, um den Mörder daran zu hindern, die Geschichten Wirklichkeit werden zu lassen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
Kevin McNally
- Maddux
- (as Kevin R. McNally)
Empfohlene Bewertungen
The plot has several good moments and logically explained events, but, in general, is rather uneven, with some protracted scenes not providing additional value to the movie. Luckily, there is more crimes and less mystery, no voices in the forest or inside heads or so (personally, I do not find it thrilling to follow someone's going or being mad). As for the cast, John Cusack + British actors give pleasant performances; well, males mostly, I did not like female characters too much. Anyhow, the movie does not become boring and the ending has several layers as well, although you could guess the fate of Edgar Allan Poe.
Additional points as I did not guess who the guilty one was.
Additional points as I did not guess who the guilty one was.
This is a clever, well-made movie, but I think there are a couple of things that stop it from being better than it is.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
I am a big fan in general of "WhoDunnit" movies, and I was keen to see what 'The Raven' had in store. I went in assuming that it would be like any other 'Jack the Ripper'/19th century killer movie and that it would predictable. I was right in my assessment, but inspite of these cliché's the Raven was a brilliant film mainly because of the following:
To summarise, the Raven was riotous ride through Victorian era type settings, keeps you on the egde of your seat, the mini puzzles keep you busy and the plot and character development( Poe) was excellent, Definitely worth a watch and an 8 out of ten for me.
P.S. The film has gore so if you can't stand that, don't watch it. It's not a Hostel or a SAW, but there is gore and blood.
- The movie was beautifully shot. It has a very 'sleepy hollow' feeling throughout. - The use of Poe's work and the poetic climax was excellent. I enjoyed this bit a lot as it left me with things to think about after watching the film, something which is testimony to the fact that the film made an impact. - Great character development of John Cusack/Poe. Made for a dark, mysterious man with a twisted view of the world. Exciting. - There were many tense moments, great chases and small pieces of puzzle solving( like in console games) making for small mysteries within one large mystery, thus keeping you engrossed all the way.
To summarise, the Raven was riotous ride through Victorian era type settings, keeps you on the egde of your seat, the mini puzzles keep you busy and the plot and character development( Poe) was excellent, Definitely worth a watch and an 8 out of ten for me.
P.S. The film has gore so if you can't stand that, don't watch it. It's not a Hostel or a SAW, but there is gore and blood.
I really wanted to like this film, I really did. Something was off, though. Was it the script? Perhaps, although I can't find a clear fault in it. Some of the sophistication of the crimes and of the investigative methods were clearly out of the era, but overall it was OK. The production values were good, the direction was good, the acting was good. The atmosphere was dark and claustrophobic as in Poe's writing. Yet, I didn't quite find the enjoyment I was looking for.
The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.
The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.
Well, not much to say about this movie really. It's not bad but it's definitely nothing memorable or impressive to watch either. It's all being good and entertaining enough to keep watching but by the end of it you won't feel like you got an awful lot out of the movie.
I think that the biggest problem of the movie is that it's being a very straightforward mystery/thriller, which at the same time also makes it a very standard and formulaic one. Normally I would complain when a movie has too many distractions in it but in this case it most likely wouldn't had harmed this movie. Some more character, or some more different story lines would had perhaps made this movie a more interesting one.
The movie now becomes a bit tiresome after a while. There is not enough variation and the movie just never really manages to become a tense one, with any of its mystery or thriller elements. Who knows, maybe it also was the movie its low budget that prevented it from ever making a real impact and the reason why the movie seems to be lacking the right required type of atmosphere.
A problem of the movie also lies with its main character. No, I'm not saying that John Cusack is a poor actor in this movie but his character simply isn't being a good or interesting enough. There was so much they could had done, after all he plays Edgar Allan Poe in this movie but it feels as if the film-makers were holding back with just about everything and decided to play things safe, making this a very standard and therefore also predictable little movie.
No it's not a horrible movie to watch but just a movie that offers far too little to its viewers.
6/10
http://bobafett1138.blogspot.com/
I think that the biggest problem of the movie is that it's being a very straightforward mystery/thriller, which at the same time also makes it a very standard and formulaic one. Normally I would complain when a movie has too many distractions in it but in this case it most likely wouldn't had harmed this movie. Some more character, or some more different story lines would had perhaps made this movie a more interesting one.
The movie now becomes a bit tiresome after a while. There is not enough variation and the movie just never really manages to become a tense one, with any of its mystery or thriller elements. Who knows, maybe it also was the movie its low budget that prevented it from ever making a real impact and the reason why the movie seems to be lacking the right required type of atmosphere.
A problem of the movie also lies with its main character. No, I'm not saying that John Cusack is a poor actor in this movie but his character simply isn't being a good or interesting enough. There was so much they could had done, after all he plays Edgar Allan Poe in this movie but it feels as if the film-makers were holding back with just about everything and decided to play things safe, making this a very standard and therefore also predictable little movie.
No it's not a horrible movie to watch but just a movie that offers far too little to its viewers.
6/10
http://bobafett1138.blogspot.com/
Wusstest du schon
- WissenswertesThe film posits a fictional representation of the last days in the life of Edgar Allan Poe. In reality, no one actually knows how Poe spent his last days, his death being shrouded in mystery. He was found, delirious, on the streets of Baltimore on October 3, 1849, wearing clothes that were not his own. On the night before his death, he was reported to have repeatedly called out the name "Reynolds." He died on October 7, 1849, as depicted in the film. All medical records, including his death certificate, have been lost.
- PatzerIvan, the typesetter, tells Poe that he is the writer's biggest fan. The word "fan" (short for "fanatic") would not be used in this sense until the late 1880s.
- VerbindungenFeatured in Projector: The Raven (2012)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Raven
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.008.272 $
- Eröffnungswochenende in den USA und in Kanada
- 7.289.642 $
- 29. Apr. 2012
- Weltweiter Bruttoertrag
- 29.699.345 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen