Immer Drama um Tamara

Ewedown is an idyllic, little English countryside village where writers retreat to seek inspiration, and peace and quiet. Or at least it was idyllic until Tamara Drewe returned home.

The stunningly beautiful Gemma Arterton plays Tamara Drewe. Her presence immediately sparks the interest of the local men, and the bored, local teenage girls who are looking for excitement to spice up their mundane town life. She is so sexy that she has her choice of affairs, but as usual, it's always the asshole who gets the girl. Just as it looks like Tamara is going to settle down with the rock and roll drummer Ben (Dominic Cooper) to interrupt the reserved lifestyle of the village, life gets complicated for everybody who wants something with Tamara.

"Tamara Drewe" is a comedy of affairs, complete with foul language, quirky characters and the irreverent British humour. Arterton sparkles as Tamara, but it's less about the characters and more about who will bed who and what will the consequences be? It sometimes seems to forget the age of its audience when it goes for the comedy of teenage girls getting into mischief, but it's also exactly what you would expect for an odd comedy about a group of writers and one hot girl.

TAMARA DREWE already had a following from her appearance in the best selling graphic novel by the same name by Posy Simmonds, an so it was probably not too difficult for the talented Stephen Frears to direct a pitch perfect cast to bring the delightful story to the screen. Filled to the brim with excellent actors this strange little story has many levels of meaning, but the main story is very well served.

Tamara Drewe (Gemma Arterton) was historically a face to forget in the town of Ewedon, but she leaves for the city and plastic surgery and returns with a new nose and facelift that makes her as attractive as any lass in the town. She plays on the talents of married highly successful crime novelist Nicholas (Roger Allam) to polish her writing skills - the cost is an affair that leaves Nicholas ready to divorce his perfect wife (Tamsin Grieg). She also attracts the interest of her childhood solid friend Andy (Luke Evans) and the rather superficial and silly rock star Ben (Dominic Cooper) and eventually, with the running of interference by two loathsome little girls (Charlotte Christie and Jessica Barden), and it all turns out with many surprises! It is a dissection of relationships a la Thomas Hardy and Frears know how to make it all work very well.

It is always a pleasure to be in the company of fine British actors in a lovely English countryside setting and this is no exception. Everyone in the cast is excellent - and it continues to be a pleasure to watch the very talented Dominic Cooper grow in the challenging roles he assumes. There are many reasons to enjoy this film, and among them is the sheer craftsmanship of the British cinema.

Grady Harp

London columnist Tamara Drewe (Gemma Aterton) reappears in a small and isolated village in the English countryside. She wants to sell her parents' house and interview a rock star. Soon enough, three males fall for the young and very attractive woman : romance novelist and cheating husband Nicholas Hardiment (Roger Allam), rock star Ben Sargeant (Dominic Cooper) and past boyfriend Andy Cobb (Luke Evans). While her house is being renovated by Andy, Tamara writes her own novel and enjoys Ben's company. Little does she know that teenager Jody Long (Jessica Barden) is scheming to come closer to the rock star. In the course of a year, each character will find out that "The road to hell is paved with good intentions".

Don't expect an in-depth / social demonstration on city dwellers vs. villagers. This is a brilliant and funny comedy where each character's selfish motives and agenda are gradually exposed. "Writers are just thieves and liars" quotes Nicholas blissfully, more careful to please his paying guests than to pay attention to his devoted wife Beth (Tamsin Greig).

The actors are doing a fine job and there is a good chemistry between them. There are no dull moments since there are three main story lines : Tamara and Ben, her neighbors Nicholas and Beth, the mischievous teenagers. These two girls however tend to steal the show as they are so gross, unashamed and reckless !

British comedy is a strange creature. There are films that are satirical, such as In the Loop, satirical, like Four Lions, to intelligence and dialogue driven, Withnail and I, and films that aim for low key charm, Calendar Girls. Sometimes a film may try and made a number of these features, like the work of Edgar Wright. Based on a graphic novel by Posy Simmonds, Tamara Drewe hits our screens, with Gemma Arterton's profile continuing to increase.

The village of Ewedown has become a writers retreat, a place for writers to relax, work and chew the fat. Crime novelist Nicholas Hardiment (Roger Allam) and wife Beth (Tasmin Greig) run the place, with an American academic, Glen (Bill Camp (who sounds a lot like William Hurt)) struggling with his book on Thomas Hardy staying with them. In the village two schoolgirls, Jody (Jessica Barden) and Casey (Charlotte Christie) cause havoc and mayhem simply because they are bored. But the village is turned on its head when the attractive journalist Tamara Drewe (Arterton) returns home to sell her out house. She turns heads, including drummer Ben Sergeant (Dominic Cooper), her old frame Andy (Luke Evans) and Nicholas.

Writer Moira Buffini and director Stephen Frears make a film with drama and wit, and some moments of out right laughs. Frears was able to inject some style, like when characters speaking when there are on the phone. The humour of the film relies on number of areas, witty comments and observation, physical violence and visual gags. The schoolgirls offer a lot of comedy because many people can empathies with their situation: rural England is not the most exciting place to grow up as a teenager. Their mischief making and thrills about a star in their village compensates Barden lack of confidence as an actress. It is refreshing to characters that do look their age. Frears and Buffini aim to a make a charming comedy, but with more swearing; so trying to have their cake and eat. The two should have tried to make gone one way or the other. Strangely for a film called Tamara Drewe, there are long periods where she is not on the screen or mentioned. There are plots involving Nicholas wayward eyes and the budding relationship between Glen and Beth: walking the fine line of drama and comedy. Tamara Drewe goes from being pretty serious and hits you with a sudden joke and vice versa: working with effect. Tamara Drewe is very British beast, but Glen the American does offer an outsider view and will allow a non-British audience a point-of-view, with few British swears and slang words being used. There are some issues affecting rural England, like rich city flock buying houses and making villages too expensive to live in and boredom for young people: but it is hardly a political piece.

Whilst some of pacing is a little slow and the film ends up sidetracking at moments, there are strong performances from most of the cast. Atherton shows why she is a raising star, giving Tamara a quick, biting wit. Allam effectively plays a very slimy writer who takes advantage of his wife and he seems to have a nack for playing dislikeable characters (his previous roles have been in V for Vendetta and Speed Racer). Cooper and Evans work well against each other as love rivals for Tamara, with Cooper really understands the part of a pretentious indie musician. Greig too gives a good performance and given her background as a comic actress, she her character is for the most part serious, with moments of witty comments.

Tamara Drewe is more a gently comedy with small jokes and drama and not a out right laugh fest as the promotion will want you to believe.

Tamara Drewe is a real gem by The Queen director Stephen Frears. It is an updated version of Thomas Hardy's Far from the Madding Crowd but based on a graphic novel by Posy Simmonds. A dark comedy set in the English countryside, the story is centred on a writer's colony run by Tamsin Greig's character Beth and her crime writer husband Nicholas, played by Roger Allam.

Gemma Arteton plays the title character who lived in the same small down in Dorset known as Ewedown during her teenage years. Now grown up she returns to restore and hopefully sell the house she used to live in. With help from a surgically reconstructed nose, Tamara Drewe has blossomed into a beautiful woman and her presence shakes the sleepy town as Bethsheba did in Hardy's novel.

The film is true to the memory of Thomas Hardy maintaining the turmoil of sexual desire and even obsession across all age groups which so commonly adorned his novels. One of the characters, the sympathetic American novelist Glen played by Bill Camp is writing a novel influenced by Hardy and references the author on many occasions.

The film breaks the notion of a quiet and sleepy town, like so many British films do. Underneath these seemingly close communities lies an underlining suspicion. Everyone is in everyone else's business in Ewedown and Tamara's presence only helps fuel the tension.

The pivotal scene that embodies Tamara Drewe's character occurs when Glen tells her that life must be very easy for her because she is beautiful. She laughs it off citing that it has always been difficult for her to be taken seriously.

Behind the character of Tamara Drewe lies something more sinister. The sudden appearance of a beautiful face in the town leads to a series of events that causes the balance of everyone's life to be upset. Men are suddenly smitten by the prospect of sex while women are often jealous or angry by the disruption they cause.

The story really begins to escalate when Tamara begins to date a drummer in a rock band played by Dominic Cooper and sets up permanently in the town. Soon, everyone in the town is invested in the lives of these people in some way.

The voyeurism of the locals who regard Tamara Drewe as both someone to envy and detest is likened to the celebrity status of her rock star boyfriend. Tamara quickly becomes the target of two schoolgirls who are both obsessed with the drummer and jealous of Tamara for disturbing the order of things.

The film eases its dark themes with its excellent use of subtle humour. The updated version of one of Hardy's most celebrated novels exposes the reality of a voyeuristic society too concerned with the lives of other people.

Along with Frears excellent direction, the other great strength of this film is its actors with special distinction going to Tamsin Greig. Greig is familiar to the London stage scene while others have played minor roles in big films. Gemma Arteton was one of Bond's muses in the Quantum of Solace. Roger Allam has been equally excellent in Frears academy award winning film the Queen as well as in V for Vendetta.

On one final note, I read one review that argued that the climax just does not amount to much which I personally felt was very misguided. The ending was true to the traditions of Hardy which is what Tamara Drewe is all about.