IMDb-BEWERTUNG
7,5/10
13.853
IHRE BEWERTUNG
Emre, ein junger Staatsanwalt, der neu in die Kleinstadt Yaniklar berufen wurde, wird bei seinen ersten Mordermittlungen in einen politischen Konflikt hineingezogen.Emre, ein junger Staatsanwalt, der neu in die Kleinstadt Yaniklar berufen wurde, wird bei seinen ersten Mordermittlungen in einen politischen Konflikt hineingezogen.Emre, ein junger Staatsanwalt, der neu in die Kleinstadt Yaniklar berufen wurde, wird bei seinen ersten Mordermittlungen in einen politischen Konflikt hineingezogen.
- Auszeichnungen
- 32 Gewinne & 18 Nominierungen insgesamt
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Kurak Gunler, which literally translates as "Arid Days" in Turkish, is an extraordinary psychological / political suspense movie that I watched without breathing from the very beginning to the last minute. If we can still be so deeply affected by the events that take place in this film despite all the shame and disgrace we have experienced in the last 20 years, it means there is still hope for this country.
The suspense continues until the end of the movie, also with the help of great soundtrack and perfect acting performances, especially by the talented young Turkish actor, sweet Selahattin Pasali.
My only disappointment about the movie was the end was not very hopeful, which we need more than ever nowadays...
The suspense continues until the end of the movie, also with the help of great soundtrack and perfect acting performances, especially by the talented young Turkish actor, sweet Selahattin Pasali.
My only disappointment about the movie was the end was not very hopeful, which we need more than ever nowadays...
Disturbingly real socio-political analysis of rural areas of central anatolia. It's really well processed and keeps you interested about the plot. A lot of drama emphasising also the corruption within the justice system. No law enforcement officer could actually perform its work under the shadow of politics and manipulated society. The chain of command was also reflected really well considering the judge, prosecutor and police triangle. It's definetly a must watch to understand the situation in Turkey. It's so underrated and should be promoted more. I don't think it gets the credit it deserves in Turkish media.
This is a very good film amidst all the drama surrounding the artistic product. In some ways, one can feel that the whole story was invented to bring us, the audience, to the masterfully symbolic ending of the movie. In a lot of ways that last 15 minutes is an encapsulation of last few years of Türkiye. Those being said, I did not find the relationship between the prosecutor and the journalist (which was quite central to the story) very realistic both in practical and aesthetic terms. Also, there were too many loose ends that were left open which can undermine the director's message. The movie will most certainly occupy an important place in Turkish cinematography, hopefully as a reminder of once crazy times.
Turkiye doesn't shy away from social dramas, but it so rarley and bravely decide to delve in such an explicit way when discussing explosive topics such as homophobia, sexism, xenophobia and corruption.
The cinematography is beautiful, giving enough time to explore the confining atmosphere closing in on Emre. Also, the utelizing of water throughout was done in such a clever way - not only with the intention of allegorical, but also as an agent of action driving the characters to act. It also has some bureaucracy absurdism which lightens the mood, right before thing get serious.
The acting is great and well casted, especially the actor playing Emre really knows how to pace himself emotionally, without falling once into an exaggerated dramatic scene. Turkiye's young generation of actors are gaining a name for themselves and their craft.
The cinematography is beautiful, giving enough time to explore the confining atmosphere closing in on Emre. Also, the utelizing of water throughout was done in such a clever way - not only with the intention of allegorical, but also as an agent of action driving the characters to act. It also has some bureaucracy absurdism which lightens the mood, right before thing get serious.
The acting is great and well casted, especially the actor playing Emre really knows how to pace himself emotionally, without falling once into an exaggerated dramatic scene. Turkiye's young generation of actors are gaining a name for themselves and their craft.
When an idealistic young prosecutor is assigned to a rural Turkish community to try a criminal case involving serious allegations involving a major infrastructure project, he quickly finds himself in over his head. Circumstances soon place him in a thorny situation where his credibility, objectivity, reputation and personal integrity are all put at risk, jeopardizing not only his handling of the case, but also his career and future. Unfortunately, as generally compelling as the narrative is at the outset, writer-director Emin Alper's overlong saga becomes a little too convoluted for its own good. One can't help but ask, is it a political film? A thriller? A crime story? A crisis of conscience? The film plays like it tries to incorporate some of all of these qualities in an attempt to tell a story that throws curves at viewers to keep them guessing. But the picture seems to lose its way in doing so, not quite sure how to wrap things up, especially when the supposedly astute big city prosecutor comes across as unbelievably naïve and clueless. These failings regrettably undercut the production's fine performances and superb cinematography, qualities that could have helped to make this release a better offering had they been backed by a better story and script. Indeed, in the end, it's the audience that gets burned by this one.
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- WissenswertesDirector Emin Alper loves long dinner scenes, which feature in almost all his movies, as these scenes are ideal to surface simmering tensions. The movie's garden dinner sequence was rehearsed many times, where he let the actors improvise to some degree, and added a few he liked to the script. When it came time to shoot it, the scene was almost ready, but it still took four nights of filming, and the biggest challenge was to keep everyone on top of their game throughout the long shooting hours.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Những Ngày Thiêu Đốt
- Drehorte
- Yesilhisar District, Kayseri, Türkei(city of Balkaya)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 1.894.156 $
- Laufzeit
- 2 Std. 9 Min.(129 min)
- Seitenverhältnis
- 2.39 : 1
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