The Holdovers

"I find the world a bitter and complicated place. And it seems to feel the same way about me." Paul Hunham (Paul Giamatti)

Teaching privileged boys at an elite new England prep school called Barton (think for example, Philips Exeter), might be the pinnacle of an academic's career. But not Paul Hunham in The Holdovers, an elite movie itself of the year.

Paul should be teaching classics at an ivy school, not teaching entitled "vermin," among the many sobriquets he tosses around about the fortunate young men to experience his brand of grumpy intellectualism and misanthropy. He prepares them for a world that won't always be coddling and protecting them as their family wealth so naturally does in their early years.

Director Alexander Payne worked with Giamatti in Sideways, so he is prepared to have another winning cynical character who is endearing while distanced by negative temperament from normally positive fellow humans (Paul's last name, Hunham, suggests a distant connection with the better angels of humanity).

As Paul accepts the assignment to supervise holdovers (exiled to Christmas vacation in the absence of parents or guardians), the number whittles down to just Angus Tully (Dominic Sessa, reminiscent of young, Timothy Chalamet and Adam Driver), who shares Paul's dark attitudes and, with the sharp writing of David Hemingson, some witty dialogue- e.g., about Paul he says, "I thought all of the Nazis had left for Argentina."

Although, as in likeminded dramas such as Dead Poet's Society or Goodbye, Mr. Chips, the principals are destined to be transformed into more humane characters, Holdovers continues, even in its denouement, to accentuate the unsunny side of life for Paul and Tully, whose fortunes are still compromised by cold-hearted parents and administrators. The chilly world, however, is warmed on these lovely, snowbound days, by women, viz., the cook, Mary (Da'Vine Joy Randolph) and administrator Lydia (Carrie Preston).

Mary good-naturedly deals with the death of her son, Curtis, a Barton grad who had to join the military because he did not have the resources as other Barton grads of the late '60s did to avoid the draft.

Lydia, an attractive middle-aged staff member, holds the promise of a love interest for Paul, only to show how difficult it is for social exiles to enter the romantic mainstream.

The Holdovers is a small gem of a move that will immediately remind buffs about Hal Ashby comedies of the same era like Harold & Maude, where character development is paramount and detachment from the mainstream is required to look at humanity clearly with its foibles and endearments.

The Holdovers is a movie everyone can enjoy with endearing characters who share with us our moments about loneliness peppered with the possibilities of love and happiness.

"Do you think I want to be babysitting you? No. I was praying your mother would pick up the phone, or your father would arrive in a helicopter or a flying saucer...." Paul Hunham.

Finally......a GOOD movie. The story/script, although not a breakthrough idea, was heartfelt,full and real.

The settings were also real and gorgeous (not really a cgi fan) Camera, cinematography, lighting,sound,score....every level made my eyes and ears satisfyingly full.

Acting was oscarworthy across the board.

Directing was brilliant.

Only negative I can come up with is that the pace was a bit slow, but so much of the movie is so focused and so superbly and beautifully made I just sat back and enjoyed it.

A very thoughtful substantial and beautiful movie. A rare gem in today's superficial gimmicky movie making world.

"The Holdovers" is a captivating blend of comedy and drama that beautifully explores the complexities of human relationships.

Story is about a grumpy instructor (Paul Giamatti) at a New England prep school who forms an unexpected bond with a troubled student during the Christmas break. Because it is set in the 1970s, the film in a way is a nostalgic journey back in time, but with a narrative that is both engaging and thought-provoking.

The performances are exceptional, with Giamatti delivering a compelling portrayal of a man grappling with his own loneliness and the challenges of mentorship. The film's narrative is richly layered, exploring themes of loneliness, friendship, and personal growth. It's a story that resonates, offering a poignant reflection on the human condition. The film's setting in the 1970s adds a layer of nostalgia, further enhancing the emotional depth of the narrative. Despite its lengthy runtime, "The Holdovers" mostly maintains a steady pace, balancing its dramatic elements with moments of humor and warmth. The main plus of the movie is its dialogue-driven approach that adds to its charm, creating a sense of authenticity and depth in its character interactions.

Overall, this is a film that leaves a lasting impression, offering a thoughtful exploration of human relationships set against the backdrop of a bygone era. With its exceptional performances and engaging narrative, I'm giving it an 8 out of 10 rating. It's a must-watch for those seeking a film that combines drama, comedy, and a touch of nostalgia.

Now here's a film with a life affirming theme, that should encourage most viewers to think of their dreams, and cascade away all their cloaks, inhibitions, and open fresh doors to their heart's intuitions; as a teacher whose life is as stale as dead fish, whose life is the opposite of happy and bliss, meets a boy who's ignored by all those he holds dear, and a friendship is formed that is warm and sincere; it's a subtle reflection of how we get trapped, by tradition and habits and past circumstance, where surroundings like prisons can temper our thinking, to distil all our spirit, to bottles for drinking; so embrace all the chances when they come along, break out of that mould and sing your own song, open your eyes to the paths unexplored, take a stand and stand tall, and stop being ignored.

Here is a film that feels and looks like something out of the early seventies. The Holdovers is a strong and warm-hearted piece that gives actors roles with powerful lines, without any reliance on flashy editing and being overwhelmed by special effects.

The story is simple three people get stuck for the Christmas holidays in a boarding school. It's cold, lonely, and boring for the parties involved. The adults drink to cope with whatever pressures they live with. The young man resorts to bad behavior and altercations with the teacher in charge.

Through the vacation period these people will get to interact and get to know each other, something that will prove to a challenge to say the least. As the story evolves, we get to understand what has made the people who they are. We get to feel their pain and frustration through the very insightful writing of the director.

It's a strong film with superb acting by the main leads. They have great chemistry together.

Most outstanding is Paul Giamatti who plays the tormented and defensive man with relish and speaks volumes with his eyes.

Hope the academy honors his performance as the best the year because no one else so far is coming close.