Füge eine Handlung in deiner Sprache hinzuAmidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day ... Alles lesenAmidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day India.Amidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day India.
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10pratyush
*this review contains no spoilers* I went to watch Road to Sangam only knowing that it was a film with a connection with Gandhi and had won some awards. What transpired on the screen in the next 135 minutes changed my perception of Gandhi and changed me as a person. I am some one who did not regard Gandhi in the high esteem a lot of people regard him in. He, to me, was some one who was adamant and threatened the nation with his blackmails which were carried out promptly by his followers. What I did not understand was that it was the power of Gandhi's thoughts which made people act the way they did. It had reason, it had logic.
Coming to the film. We are given a rationale and the film makes a strong case for it. You almost start believing in the thinking behind it. Then, there is a slow process of change which is so slow and gradual. It is not some thing which happens right away or through a flash bulb of genius. It is realization in process. The way the change is shown is convincing enough for some one to believe in the Gandhian principle.
The film has many layers to it. It is a film which asks 'what defines Karma'. It is a film about holding upright the faith Gandhi showed in the muslims of India. It is a film about how a person be it a Muslim or a person of any religion (or even an agnostic or atheist for that matter) should behave. That's the bigger picture.
Then the film touches on tough subjects like partition and the role of an Indian Muslim. Many layers and subjects touched, all given due space.
Paresh Rawal is excellent in the role of a man who works based on logic and is principled at the same time. I can't think of a better actor to carry out the role. The part of a Muslim from the state of Uttar Pradesh, perfect with the local accent, who has his own little mannerisms and characteristics is played perfectly. The facial expressions are not exaggerated. The lines are spoken with a calm balance about them, exactly how the character would say it.
The pace of the movie is neither fast, nor slow. It has it's own rhythm and flows rather than moves. The cinematography is excellent with aspects of small town India (the city Allahabad in this case) shown. There are panoramic views and then there is attention to detail. A man making aloo tikki is shown for instance to capture the flavour of the chaat which is so popular in small town India.
Coming to Gandhi films, I have seen quite a few. Gandhi was a great biographical sketch. Gandhi My Father shows the flaws of Gandhi - the father of his son. Lage Raho Munnabhai which was so popular tries to explain the Gandhi way of thinking and does a fair job of it. It has the bollywood masala mixed in it, was perfectly marketed and was a huge success. Gandhigiri became a trend. Sardar, again starring Paresh Rawal (as Sardar Patel), paints Gandhi as a principled, yet stubborn man whose will might have cost India There are umpteenth movies which are presented as documentaries on Gandhi, most of which are holistic. No movie portrays Gandhism, like Road To Sangam does. At least none I have seen.
The show I went for was almost canceled as only one other person showed up at the ticket counter. In the end, just five of us came to watch the movie which they did screen thankfully. One engineer who had studied from Allahabad itself remarked that Gandhism is dead as no one turned up for this movie. I remarked that Munnabhai was a huge success. So it is a marketing flaw and lack of funds which meant audiences didn't come to watch this film. There is another aspect to it. It isn't a masala flick like many other bollywood flicks or like Munnabhai. It is not boring in any way, mind.
I give the movie a perfect 10/10. Don't think it could have been made better.
I just hope more people see it. So go see it and spread the word!
Coming to the film. We are given a rationale and the film makes a strong case for it. You almost start believing in the thinking behind it. Then, there is a slow process of change which is so slow and gradual. It is not some thing which happens right away or through a flash bulb of genius. It is realization in process. The way the change is shown is convincing enough for some one to believe in the Gandhian principle.
The film has many layers to it. It is a film which asks 'what defines Karma'. It is a film about holding upright the faith Gandhi showed in the muslims of India. It is a film about how a person be it a Muslim or a person of any religion (or even an agnostic or atheist for that matter) should behave. That's the bigger picture.
Then the film touches on tough subjects like partition and the role of an Indian Muslim. Many layers and subjects touched, all given due space.
Paresh Rawal is excellent in the role of a man who works based on logic and is principled at the same time. I can't think of a better actor to carry out the role. The part of a Muslim from the state of Uttar Pradesh, perfect with the local accent, who has his own little mannerisms and characteristics is played perfectly. The facial expressions are not exaggerated. The lines are spoken with a calm balance about them, exactly how the character would say it.
The pace of the movie is neither fast, nor slow. It has it's own rhythm and flows rather than moves. The cinematography is excellent with aspects of small town India (the city Allahabad in this case) shown. There are panoramic views and then there is attention to detail. A man making aloo tikki is shown for instance to capture the flavour of the chaat which is so popular in small town India.
Coming to Gandhi films, I have seen quite a few. Gandhi was a great biographical sketch. Gandhi My Father shows the flaws of Gandhi - the father of his son. Lage Raho Munnabhai which was so popular tries to explain the Gandhi way of thinking and does a fair job of it. It has the bollywood masala mixed in it, was perfectly marketed and was a huge success. Gandhigiri became a trend. Sardar, again starring Paresh Rawal (as Sardar Patel), paints Gandhi as a principled, yet stubborn man whose will might have cost India There are umpteenth movies which are presented as documentaries on Gandhi, most of which are holistic. No movie portrays Gandhism, like Road To Sangam does. At least none I have seen.
The show I went for was almost canceled as only one other person showed up at the ticket counter. In the end, just five of us came to watch the movie which they did screen thankfully. One engineer who had studied from Allahabad itself remarked that Gandhism is dead as no one turned up for this movie. I remarked that Munnabhai was a huge success. So it is a marketing flaw and lack of funds which meant audiences didn't come to watch this film. There is another aspect to it. It isn't a masala flick like many other bollywood flicks or like Munnabhai. It is not boring in any way, mind.
I give the movie a perfect 10/10. Don't think it could have been made better.
I just hope more people see it. So go see it and spread the word!
I chanced upon this movie last week ... on Star Gold Select! Had never heard of the title but with Paresh Rawal and Om Puri in the frame, it seemed like a good choice to watch with nothing better to do at the time. It was indeed.
Road To Sangam is an interesting story, realistically shot, with beautiful cinematography and of course outstanding acting.
I confess that I do not know any more about Gandhi than what one had to per force learn by rote in school history, all long since forgotten. This movie kindled my interest and that alone says a lot for the film!
The last scenes of the truck proceeding slowly to the Sangam and the hordes of people, ordinary people, that came out to pay their respects, was really touching.
Thanks to the film makers for making such a movie which surely deserves a much wider audience. Do watch on the net or when it comes on TV. The 8 is only because it could have been a bit shorter.
Road To Sangam is an interesting story, realistically shot, with beautiful cinematography and of course outstanding acting.
I confess that I do not know any more about Gandhi than what one had to per force learn by rote in school history, all long since forgotten. This movie kindled my interest and that alone says a lot for the film!
The last scenes of the truck proceeding slowly to the Sangam and the hordes of people, ordinary people, that came out to pay their respects, was really touching.
Thanks to the film makers for making such a movie which surely deserves a much wider audience. Do watch on the net or when it comes on TV. The 8 is only because it could have been a bit shorter.
"Road to Sangam" affirms the proclamation that small budgeted movies are definitely better than gloss-glittered Chopra'raj & Johar-ism. The movie is straight out of heart, the execution is impeccable. Right from the first-frame it manages to grab the attention of the audience. Thanks to the Munnabhai MBBS, it has rekindled the Gandhi'sim into the audience. Road to Sangam makes a linear progression in the same direction.
Casting wise Paresh Rawal, Om Puri & Pavan Malhotra have been thrown in. Had Naseer been roped into the project, it would have been nothing short of casting-coup.
√ Paresh Rawal: Paresh Rawal should be applauded for the choice of roles he is taking on board, heterogeneous. The character of Anwar Bhai takes a while to build up momentum. Not exactly juxtaposition but more of corroboration that the hardship of Anwar Bhai were akin to struggle of Mohandas Karamchand.
√ Om Puri: There is no denying that he was in top form.
√ Pavan Malhotra:: The casting department should be applauded for selecting this unsung hero for the role of mullah. His body language and delivery is nothing short of perfection. One of late-comers from parallel cinema to embrace the mainstream commercial Cinema. But hey-ho, welcome!
√ Javed Sheikh was adequate.
The spirit of the city has been captured effectively. The story progresses quite naturally. For the first timer, the director surely knows his job well.
It would be fair to make a statement that "Road to Sangam" was not promoted enough. The word of mouth didn't quite help which is another setback. Its a shame to see duds like "Kurbaan" garnering moolah when a well-deserved movie like "Road To Sangam" perhaps deserves a little bit more attention.
Casting wise Paresh Rawal, Om Puri & Pavan Malhotra have been thrown in. Had Naseer been roped into the project, it would have been nothing short of casting-coup.
√ Paresh Rawal: Paresh Rawal should be applauded for the choice of roles he is taking on board, heterogeneous. The character of Anwar Bhai takes a while to build up momentum. Not exactly juxtaposition but more of corroboration that the hardship of Anwar Bhai were akin to struggle of Mohandas Karamchand.
√ Om Puri: There is no denying that he was in top form.
√ Pavan Malhotra:: The casting department should be applauded for selecting this unsung hero for the role of mullah. His body language and delivery is nothing short of perfection. One of late-comers from parallel cinema to embrace the mainstream commercial Cinema. But hey-ho, welcome!
√ Javed Sheikh was adequate.
The spirit of the city has been captured effectively. The story progresses quite naturally. For the first timer, the director surely knows his job well.
It would be fair to make a statement that "Road to Sangam" was not promoted enough. The word of mouth didn't quite help which is another setback. Its a shame to see duds like "Kurbaan" garnering moolah when a well-deserved movie like "Road To Sangam" perhaps deserves a little bit more attention.
10PShuks
I've finished watching this film few minutes ago. The first thing I did was to come to this site (IMDb)and read the reviews. Seeing that only 7 reviews have been put up so far, I decided to register to this site not really to review but to pay tribute. I am not a critic and cannot comment on the technicalities of the film. I like what 'hits' me and this film has gone for the bullseye. This film sends out an extremely strong, thought-provoking message. I am in my twenties, I wear torn jeans and listen to western music but after watching this movie, somewhere inside I felt guilty. In one of the reviews here I read that only 5 people turned up to watch the film in a theatre which is just sad (and guys like us are to be blamed for it, no excuse). All I want to appeal to the director is (if he is reading the reviews here) to please not get bogged down and please keep gifting us with such thought provoking cinema as long as you can ( our country needs it !).
A small low budget movie that almost no one has heard of – is one of the most nuanced, heart-warming tales I have seen. It is a story with loads of heart, which all of us need to see – if for nothing else, to remember who we are as a country. It is a commentary of our times, yet very gently, it questions our conscience about some of our society's beliefs. Story wise, it is like a children's parable, where everything ends well – the cynical among us might scoff at it. But Road to Sangam's achievement lies in its ability to make us look at each other, in a Gandhian way – something that we have long forgotten to do, despite Raj Kumar Hirani's best efforts.
In Allahabad, Hashmatullah is a sincere, god-fearing motor mechanic, well liked in the community - and is also the general secretary of his neighbourhood mosque committee. He is entrusted with repairs to an old Ford V8 engine, ignorant of its historical significance that it once carried the ashes of Mahatma Gandhi for immersion at the Sangam. He promises he would repair the engine and he would do it as soon as possible. But when some of his innocent neighbours are arrested by the police after some bomb blasts on suspicion of harbouring terrorists, the committee sends out a 'farman' to down shutters in the locality as a protest.
At this point, Hashmatullah comes to know the significance of the engine – and is stuck in a dilemma. One on hand, he wants to finish his work - but to open his shop, he would have to go against the mosque 'farman' and his 'quam'.
While on the face of it, it's a story of a common man stuck in a larger-than-life situation, Road to Sargam morphs into a story of how we need to find a common ground between our two communities – without stepping on each other toes. And the reason why Road to Sangam is such a fantastic movie is that it doesn't do or say anything explicitly – everything is gently suggested or implied. No flag waving jingoism, nor any flower-giving gandhigiri. Its so nuanced, it would take you a while before you figure out that it could even pass off as a patriotic movie! The star of the show is Paresh Rawal (who in the same week gave a langoor-looking performance in Rann). Its here that he shows us what wonderful performances he is capable of – because we are in a serious danger of forgetting it after his Priyadarshan movies. In Road to Sargam, he plays Hashmatullah with conviction – showing us the gradual move from doubt and confusion to resolve. Accompanying him in performance honours is Pawan Malhotra. Playing the jingoist maulvi, his high pitched nasal voice make him almost unrecognizable and very believable. Om Puri doesn't have much dialogues –and does competently.
It would give you an idea of how good or bad the movie is when you consider that Tushhar Gandhi (Mahatma's grandson) plays himself in the movie – for a considerable part (without dialogues though). Road to Sangam is a non-judgemental look into the collective paranoia of the Muslim society in India – and how sometimes it just requires a few voices of reason and some patience. The movie does have its fallacies – some of its scenes should have been written more tightly and the solution director Amit Rai provides is bordering on naïve. But these pitfalls do not distract from the appeal of the movie. Road to Sangam touches your heart with its sincerity and feeling. I repeat, it is something you shouldn't miss.
I write about movies regularly at http://bombaycinephile.blogspot.com
In Allahabad, Hashmatullah is a sincere, god-fearing motor mechanic, well liked in the community - and is also the general secretary of his neighbourhood mosque committee. He is entrusted with repairs to an old Ford V8 engine, ignorant of its historical significance that it once carried the ashes of Mahatma Gandhi for immersion at the Sangam. He promises he would repair the engine and he would do it as soon as possible. But when some of his innocent neighbours are arrested by the police after some bomb blasts on suspicion of harbouring terrorists, the committee sends out a 'farman' to down shutters in the locality as a protest.
At this point, Hashmatullah comes to know the significance of the engine – and is stuck in a dilemma. One on hand, he wants to finish his work - but to open his shop, he would have to go against the mosque 'farman' and his 'quam'.
While on the face of it, it's a story of a common man stuck in a larger-than-life situation, Road to Sargam morphs into a story of how we need to find a common ground between our two communities – without stepping on each other toes. And the reason why Road to Sangam is such a fantastic movie is that it doesn't do or say anything explicitly – everything is gently suggested or implied. No flag waving jingoism, nor any flower-giving gandhigiri. Its so nuanced, it would take you a while before you figure out that it could even pass off as a patriotic movie! The star of the show is Paresh Rawal (who in the same week gave a langoor-looking performance in Rann). Its here that he shows us what wonderful performances he is capable of – because we are in a serious danger of forgetting it after his Priyadarshan movies. In Road to Sargam, he plays Hashmatullah with conviction – showing us the gradual move from doubt and confusion to resolve. Accompanying him in performance honours is Pawan Malhotra. Playing the jingoist maulvi, his high pitched nasal voice make him almost unrecognizable and very believable. Om Puri doesn't have much dialogues –and does competently.
It would give you an idea of how good or bad the movie is when you consider that Tushhar Gandhi (Mahatma's grandson) plays himself in the movie – for a considerable part (without dialogues though). Road to Sangam is a non-judgemental look into the collective paranoia of the Muslim society in India – and how sometimes it just requires a few voices of reason and some patience. The movie does have its fallacies – some of its scenes should have been written more tightly and the solution director Amit Rai provides is bordering on naïve. But these pitfalls do not distract from the appeal of the movie. Road to Sangam touches your heart with its sincerity and feeling. I repeat, it is something you shouldn't miss.
I write about movies regularly at http://bombaycinephile.blogspot.com
Wusstest du schon
- WissenswertesThis is Paresh Rawal's favorite of his own films.
- SoundtracksAwal Allah
Music Director Nitin Kumar Gupta (as Nitin Kumar Gupta) and Prem Haria
Written by Guru Granth Saheb (lyrics from the holy book)
Performed by Kailash Kher
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- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
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