Füge eine Handlung in deiner Sprache hinzuAmidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day ... Alles lesenAmidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day India.Amidst bomb explosions, fake arrests, police brutality, and protests, a determined mechanic attempts to repair an antique truck to transport the last remains of Mahatma Gandhi in modern-day India.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Empfohlene Bewertungen
A small low budget movie that almost no one has heard of – is one of the most nuanced, heart-warming tales I have seen. It is a story with loads of heart, which all of us need to see – if for nothing else, to remember who we are as a country. It is a commentary of our times, yet very gently, it questions our conscience about some of our society's beliefs. Story wise, it is like a children's parable, where everything ends well – the cynical among us might scoff at it. But Road to Sangam's achievement lies in its ability to make us look at each other, in a Gandhian way – something that we have long forgotten to do, despite Raj Kumar Hirani's best efforts.
In Allahabad, Hashmatullah is a sincere, god-fearing motor mechanic, well liked in the community - and is also the general secretary of his neighbourhood mosque committee. He is entrusted with repairs to an old Ford V8 engine, ignorant of its historical significance that it once carried the ashes of Mahatma Gandhi for immersion at the Sangam. He promises he would repair the engine and he would do it as soon as possible. But when some of his innocent neighbours are arrested by the police after some bomb blasts on suspicion of harbouring terrorists, the committee sends out a 'farman' to down shutters in the locality as a protest.
At this point, Hashmatullah comes to know the significance of the engine – and is stuck in a dilemma. One on hand, he wants to finish his work - but to open his shop, he would have to go against the mosque 'farman' and his 'quam'.
While on the face of it, it's a story of a common man stuck in a larger-than-life situation, Road to Sargam morphs into a story of how we need to find a common ground between our two communities – without stepping on each other toes. And the reason why Road to Sangam is such a fantastic movie is that it doesn't do or say anything explicitly – everything is gently suggested or implied. No flag waving jingoism, nor any flower-giving gandhigiri. Its so nuanced, it would take you a while before you figure out that it could even pass off as a patriotic movie! The star of the show is Paresh Rawal (who in the same week gave a langoor-looking performance in Rann). Its here that he shows us what wonderful performances he is capable of – because we are in a serious danger of forgetting it after his Priyadarshan movies. In Road to Sargam, he plays Hashmatullah with conviction – showing us the gradual move from doubt and confusion to resolve. Accompanying him in performance honours is Pawan Malhotra. Playing the jingoist maulvi, his high pitched nasal voice make him almost unrecognizable and very believable. Om Puri doesn't have much dialogues –and does competently.
It would give you an idea of how good or bad the movie is when you consider that Tushhar Gandhi (Mahatma's grandson) plays himself in the movie – for a considerable part (without dialogues though). Road to Sangam is a non-judgemental look into the collective paranoia of the Muslim society in India – and how sometimes it just requires a few voices of reason and some patience. The movie does have its fallacies – some of its scenes should have been written more tightly and the solution director Amit Rai provides is bordering on naïve. But these pitfalls do not distract from the appeal of the movie. Road to Sangam touches your heart with its sincerity and feeling. I repeat, it is something you shouldn't miss.
I write about movies regularly at http://bombaycinephile.blogspot.com
In Allahabad, Hashmatullah is a sincere, god-fearing motor mechanic, well liked in the community - and is also the general secretary of his neighbourhood mosque committee. He is entrusted with repairs to an old Ford V8 engine, ignorant of its historical significance that it once carried the ashes of Mahatma Gandhi for immersion at the Sangam. He promises he would repair the engine and he would do it as soon as possible. But when some of his innocent neighbours are arrested by the police after some bomb blasts on suspicion of harbouring terrorists, the committee sends out a 'farman' to down shutters in the locality as a protest.
At this point, Hashmatullah comes to know the significance of the engine – and is stuck in a dilemma. One on hand, he wants to finish his work - but to open his shop, he would have to go against the mosque 'farman' and his 'quam'.
While on the face of it, it's a story of a common man stuck in a larger-than-life situation, Road to Sargam morphs into a story of how we need to find a common ground between our two communities – without stepping on each other toes. And the reason why Road to Sangam is such a fantastic movie is that it doesn't do or say anything explicitly – everything is gently suggested or implied. No flag waving jingoism, nor any flower-giving gandhigiri. Its so nuanced, it would take you a while before you figure out that it could even pass off as a patriotic movie! The star of the show is Paresh Rawal (who in the same week gave a langoor-looking performance in Rann). Its here that he shows us what wonderful performances he is capable of – because we are in a serious danger of forgetting it after his Priyadarshan movies. In Road to Sargam, he plays Hashmatullah with conviction – showing us the gradual move from doubt and confusion to resolve. Accompanying him in performance honours is Pawan Malhotra. Playing the jingoist maulvi, his high pitched nasal voice make him almost unrecognizable and very believable. Om Puri doesn't have much dialogues –and does competently.
It would give you an idea of how good or bad the movie is when you consider that Tushhar Gandhi (Mahatma's grandson) plays himself in the movie – for a considerable part (without dialogues though). Road to Sangam is a non-judgemental look into the collective paranoia of the Muslim society in India – and how sometimes it just requires a few voices of reason and some patience. The movie does have its fallacies – some of its scenes should have been written more tightly and the solution director Amit Rai provides is bordering on naïve. But these pitfalls do not distract from the appeal of the movie. Road to Sangam touches your heart with its sincerity and feeling. I repeat, it is something you shouldn't miss.
I write about movies regularly at http://bombaycinephile.blogspot.com
The movie keeps us pondering even after it is over. It is a feel good movie with an exception story, linking to one of the greatest leaders of the 21st century Mahatma Gandhi.
What worked:
What worked:
- an unique and very powerful concept
- great performances esp Paresh Rawal and Om Puri.
- Real life old footages of Gandhi, museums and photos.
- movie with such strong message would have still worked without the songs. Songs, although directed the flow of the story,I felt they could have been reduced partially or completely.
- some dialogues and scenes profiling Islam sentiments could have been taken away
This is one movie that stands above all of Bollywood flicks during 2010.
The movie does raise interesting issues such as the devastation of partition that followed India's independence from the oppressive and tyrannical British. While Hindus and Sikhs fled from what is now known as Pakistan, Muslims - especially the one who were affluent enough to afford to travel - were also compelled to flee - amidst scores of killings on both sides.
Gandhiji had been frustrated with the verbal tirade between two of his followers: Muhammad Ali Jinnah (whose ancestors were Hindu Rajputs) and Jawaharlal Nehru. He had wanted Jinnah to become the first Prime Minister, but this move was opposed by Nehru - who openly stated that he would not even offer Jinnah the position of a 'chaprasi' in the new Indian cabinet.
An enraged Jinnah declared that he will become Prime Minister even if it meant to form another country. And thus began the formation of East and West Pakistan - and the subsequent devastation that followed.
Those Hindus and Sikhs, especially Sindhis, who fled from Karachi and other cities - were treated like refugees in their very own country.
Gandhiji attempted to bring back Muslim brothers and sisters by announcing that he was going to lead a foot-march to not only compensate but also enable people to return to their original homes and livelihoods.
It is not a secret that while Jinnah felt threatened by this movement, several Governors of the newly formed Pakistan openly indicated that they would return to India.
Shortly before the foot-march Gandhiji was shot dead by a right-winged Hindu.
His remains were placed in urns and immersed in Holy rivers and sites all over India.
It is not a secret that with the immersion of his remains - Truth and Righteousness were also subdued and have ultimately disappeared from India/Bharat/Hindustan.
Wealthy Maharajahs/Nawabs used their influence and became members of parliament, continued amassing wealth and ignoring the poor, and become tyrannical and oppressive themselves. Result: Rampart corruption in all walks of life, nepotism, favoritism, religious intolerance, violence, and terrorism continue unabated.
If not for this partition, a united India would now be a power to be reckoned with.
Funds and energy wasted on war, ammunition, defense, and counter-terrorism would have been used to improve the lives of embattled and impoverished citizens in all three countries - Bangladesh, India, and Pakistan.
It is never too late as they say 'Subah Ka Bhoola Shyam Ko Ghar Aaye - Toh Ushey Bhoola Nahin Kahetey".
The movie does raise interesting issues such as the devastation of partition that followed India's independence from the oppressive and tyrannical British. While Hindus and Sikhs fled from what is now known as Pakistan, Muslims - especially the one who were affluent enough to afford to travel - were also compelled to flee - amidst scores of killings on both sides.
Gandhiji had been frustrated with the verbal tirade between two of his followers: Muhammad Ali Jinnah (whose ancestors were Hindu Rajputs) and Jawaharlal Nehru. He had wanted Jinnah to become the first Prime Minister, but this move was opposed by Nehru - who openly stated that he would not even offer Jinnah the position of a 'chaprasi' in the new Indian cabinet.
An enraged Jinnah declared that he will become Prime Minister even if it meant to form another country. And thus began the formation of East and West Pakistan - and the subsequent devastation that followed.
Those Hindus and Sikhs, especially Sindhis, who fled from Karachi and other cities - were treated like refugees in their very own country.
Gandhiji attempted to bring back Muslim brothers and sisters by announcing that he was going to lead a foot-march to not only compensate but also enable people to return to their original homes and livelihoods.
It is not a secret that while Jinnah felt threatened by this movement, several Governors of the newly formed Pakistan openly indicated that they would return to India.
Shortly before the foot-march Gandhiji was shot dead by a right-winged Hindu.
His remains were placed in urns and immersed in Holy rivers and sites all over India.
It is not a secret that with the immersion of his remains - Truth and Righteousness were also subdued and have ultimately disappeared from India/Bharat/Hindustan.
Wealthy Maharajahs/Nawabs used their influence and became members of parliament, continued amassing wealth and ignoring the poor, and become tyrannical and oppressive themselves. Result: Rampart corruption in all walks of life, nepotism, favoritism, religious intolerance, violence, and terrorism continue unabated.
If not for this partition, a united India would now be a power to be reckoned with.
Funds and energy wasted on war, ammunition, defense, and counter-terrorism would have been used to improve the lives of embattled and impoverished citizens in all three countries - Bangladesh, India, and Pakistan.
It is never too late as they say 'Subah Ka Bhoola Shyam Ko Ghar Aaye - Toh Ushey Bhoola Nahin Kahetey".
I chanced upon this movie last week ... on Star Gold Select! Had never heard of the title but with Paresh Rawal and Om Puri in the frame, it seemed like a good choice to watch with nothing better to do at the time. It was indeed.
Road To Sangam is an interesting story, realistically shot, with beautiful cinematography and of course outstanding acting.
I confess that I do not know any more about Gandhi than what one had to per force learn by rote in school history, all long since forgotten. This movie kindled my interest and that alone says a lot for the film!
The last scenes of the truck proceeding slowly to the Sangam and the hordes of people, ordinary people, that came out to pay their respects, was really touching.
Thanks to the film makers for making such a movie which surely deserves a much wider audience. Do watch on the net or when it comes on TV. The 8 is only because it could have been a bit shorter.
Road To Sangam is an interesting story, realistically shot, with beautiful cinematography and of course outstanding acting.
I confess that I do not know any more about Gandhi than what one had to per force learn by rote in school history, all long since forgotten. This movie kindled my interest and that alone says a lot for the film!
The last scenes of the truck proceeding slowly to the Sangam and the hordes of people, ordinary people, that came out to pay their respects, was really touching.
Thanks to the film makers for making such a movie which surely deserves a much wider audience. Do watch on the net or when it comes on TV. The 8 is only because it could have been a bit shorter.
10pratyush
*this review contains no spoilers* I went to watch Road to Sangam only knowing that it was a film with a connection with Gandhi and had won some awards. What transpired on the screen in the next 135 minutes changed my perception of Gandhi and changed me as a person. I am some one who did not regard Gandhi in the high esteem a lot of people regard him in. He, to me, was some one who was adamant and threatened the nation with his blackmails which were carried out promptly by his followers. What I did not understand was that it was the power of Gandhi's thoughts which made people act the way they did. It had reason, it had logic.
Coming to the film. We are given a rationale and the film makes a strong case for it. You almost start believing in the thinking behind it. Then, there is a slow process of change which is so slow and gradual. It is not some thing which happens right away or through a flash bulb of genius. It is realization in process. The way the change is shown is convincing enough for some one to believe in the Gandhian principle.
The film has many layers to it. It is a film which asks 'what defines Karma'. It is a film about holding upright the faith Gandhi showed in the muslims of India. It is a film about how a person be it a Muslim or a person of any religion (or even an agnostic or atheist for that matter) should behave. That's the bigger picture.
Then the film touches on tough subjects like partition and the role of an Indian Muslim. Many layers and subjects touched, all given due space.
Paresh Rawal is excellent in the role of a man who works based on logic and is principled at the same time. I can't think of a better actor to carry out the role. The part of a Muslim from the state of Uttar Pradesh, perfect with the local accent, who has his own little mannerisms and characteristics is played perfectly. The facial expressions are not exaggerated. The lines are spoken with a calm balance about them, exactly how the character would say it.
The pace of the movie is neither fast, nor slow. It has it's own rhythm and flows rather than moves. The cinematography is excellent with aspects of small town India (the city Allahabad in this case) shown. There are panoramic views and then there is attention to detail. A man making aloo tikki is shown for instance to capture the flavour of the chaat which is so popular in small town India.
Coming to Gandhi films, I have seen quite a few. Gandhi was a great biographical sketch. Gandhi My Father shows the flaws of Gandhi - the father of his son. Lage Raho Munnabhai which was so popular tries to explain the Gandhi way of thinking and does a fair job of it. It has the bollywood masala mixed in it, was perfectly marketed and was a huge success. Gandhigiri became a trend. Sardar, again starring Paresh Rawal (as Sardar Patel), paints Gandhi as a principled, yet stubborn man whose will might have cost India There are umpteenth movies which are presented as documentaries on Gandhi, most of which are holistic. No movie portrays Gandhism, like Road To Sangam does. At least none I have seen.
The show I went for was almost canceled as only one other person showed up at the ticket counter. In the end, just five of us came to watch the movie which they did screen thankfully. One engineer who had studied from Allahabad itself remarked that Gandhism is dead as no one turned up for this movie. I remarked that Munnabhai was a huge success. So it is a marketing flaw and lack of funds which meant audiences didn't come to watch this film. There is another aspect to it. It isn't a masala flick like many other bollywood flicks or like Munnabhai. It is not boring in any way, mind.
I give the movie a perfect 10/10. Don't think it could have been made better.
I just hope more people see it. So go see it and spread the word!
Coming to the film. We are given a rationale and the film makes a strong case for it. You almost start believing in the thinking behind it. Then, there is a slow process of change which is so slow and gradual. It is not some thing which happens right away or through a flash bulb of genius. It is realization in process. The way the change is shown is convincing enough for some one to believe in the Gandhian principle.
The film has many layers to it. It is a film which asks 'what defines Karma'. It is a film about holding upright the faith Gandhi showed in the muslims of India. It is a film about how a person be it a Muslim or a person of any religion (or even an agnostic or atheist for that matter) should behave. That's the bigger picture.
Then the film touches on tough subjects like partition and the role of an Indian Muslim. Many layers and subjects touched, all given due space.
Paresh Rawal is excellent in the role of a man who works based on logic and is principled at the same time. I can't think of a better actor to carry out the role. The part of a Muslim from the state of Uttar Pradesh, perfect with the local accent, who has his own little mannerisms and characteristics is played perfectly. The facial expressions are not exaggerated. The lines are spoken with a calm balance about them, exactly how the character would say it.
The pace of the movie is neither fast, nor slow. It has it's own rhythm and flows rather than moves. The cinematography is excellent with aspects of small town India (the city Allahabad in this case) shown. There are panoramic views and then there is attention to detail. A man making aloo tikki is shown for instance to capture the flavour of the chaat which is so popular in small town India.
Coming to Gandhi films, I have seen quite a few. Gandhi was a great biographical sketch. Gandhi My Father shows the flaws of Gandhi - the father of his son. Lage Raho Munnabhai which was so popular tries to explain the Gandhi way of thinking and does a fair job of it. It has the bollywood masala mixed in it, was perfectly marketed and was a huge success. Gandhigiri became a trend. Sardar, again starring Paresh Rawal (as Sardar Patel), paints Gandhi as a principled, yet stubborn man whose will might have cost India There are umpteenth movies which are presented as documentaries on Gandhi, most of which are holistic. No movie portrays Gandhism, like Road To Sangam does. At least none I have seen.
The show I went for was almost canceled as only one other person showed up at the ticket counter. In the end, just five of us came to watch the movie which they did screen thankfully. One engineer who had studied from Allahabad itself remarked that Gandhism is dead as no one turned up for this movie. I remarked that Munnabhai was a huge success. So it is a marketing flaw and lack of funds which meant audiences didn't come to watch this film. There is another aspect to it. It isn't a masala flick like many other bollywood flicks or like Munnabhai. It is not boring in any way, mind.
I give the movie a perfect 10/10. Don't think it could have been made better.
I just hope more people see it. So go see it and spread the word!
Wusstest du schon
- WissenswertesThis is Paresh Rawal's favorite of his own films.
- SoundtracksAwal Allah
Music Director Nitin Kumar Gupta (as Nitin Kumar Gupta) and Prem Haria
Written by Guru Granth Saheb (lyrics from the holy book)
Performed by Kailash Kher
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Road to Sangam?Powered by Alexa
Details
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen