Sechs Jahre nach einer Alien-Invasion der Erde willigt ein zynischer Journalist ein, eine erschütterte amerikanische Touristin durch eine infizierte Zone in Mexiko bis zur sicheren US-Grenze... Alles lesenSechs Jahre nach einer Alien-Invasion der Erde willigt ein zynischer Journalist ein, eine erschütterte amerikanische Touristin durch eine infizierte Zone in Mexiko bis zur sicheren US-Grenze zu begleiten.Sechs Jahre nach einer Alien-Invasion der Erde willigt ein zynischer Journalist ein, eine erschütterte amerikanische Touristin durch eine infizierte Zone in Mexiko bis zur sicheren US-Grenze zu begleiten.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 14 Gewinne & 15 Nominierungen insgesamt
- Marine
- (as Kerry Valderrema)
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If you can handle real sci fi -- movies without the excesses of Transformers or 2012 -- this sci fi will satisfy.
Despite the sci-fi trimmings - ostensibly similar to the recent, but vastly inferior, tentacled alien invasion movie Skyline - this is essentially a two-hander road movie with a touch of growing romance thrown in. The hand-held camera adds verite but doesn't jitter so constantly as to stimulate nausea. There are some gorgeous visuals - both spectacular natural shots and also effects shots such as The Wall. And the two unknowns who we accompany on their journey - the gorgeous Whitney Able and the not so gorgeous Scoot McNairy - are both very good.
But most credit must go to Gareth Edwards, the creative force behind this film.
The actors are good and you can relate to them. Whitney Able is stunning girl in a very natural way and she deserves to be cast in lead roles more often.
For such a low-budget movie it's amazing how well it came out. I give it solid 8/10 and hope we will see more movies like this.
Scoot McNairy and Whitney Able are pretty much the only characters in the film, the mundane conversations and their palpable growing affection for each other is equally as investing as any of the tension filled monster set pieces. Scoot in particular gets to show a level of dramatic heft too rarely seen in his bigger projects.
Gareth Edwards direction is very ambitious and all the better for it, on such a small budget he's able to create a world that feels so big and lived in. Thematically, it's very bold and messy work but with a clear passion from Edwards and an understanding of how this genre can be used as a metaphor for current world issues.
And ignore the whiny babies crying about this and that. They'd rather watch blood pour out of a corpse than a decent piece of acting. As long as you don't expect another Cloverfield, you should be surprised by a unique cinematic experience. ;)
Wusstest du schon
- WissenswertesThe film was shot using prosumer level recording equipment, with an on set crew of only seven people: director and camera operator Gareth Edwards, sound operator Ian Maclagan, line producer Jim Spencer, production manager Verity Oswin, a driver, and the two stars (dating each other at the time, now a real-life married couple) Scoot McNairy and Whitney Able. Because they were such a small crew using so simple equipment, the entire production team could fit into one van.
- PatzerSam can't get on the ferry because Andrew lost her passport, but when he bought the ticket the previous day, the sign said "no passport required."
- Zitate
Samantha Wynden: Doesn't that kind of bother you, that you need something bad to happen to profit from it?
Andrew Kaulder: You mean, like a doctor?
- VerbindungenFeatured in Behind the Scenes of 'Monsters' (2011)
- SoundtracksEl Cascabel
Written by Lorenzo Barcelata
Performed by Conjuntos Tlalixcoyan Y Medellin
Published by Peer International Corp. USA
Courtesy of Warner Music UK Limited
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Monstruos - zona infectada
- Drehorte
- Yaxha, Maya ruins, Guatemala(Exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 237.301 $
- Eröffnungswochenende in den USA und in Kanada
- 20.508 $
- 31. Okt. 2010
- Weltweiter Bruttoertrag
- 5.060.438 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1