IMDb-BEWERTUNG
5,9/10
11.120
IHRE BEWERTUNG
Eine Erbin, die seit fast zwei Jahrzehnten in ihrem Wohnhaus eingeschlossen ist, wird gezwungen, sich ihren Ängsten zu stellen, nachdem einer ihrer Nachbarn ermordet wird und ein Detektiv ei... Alles lesenEine Erbin, die seit fast zwei Jahrzehnten in ihrem Wohnhaus eingeschlossen ist, wird gezwungen, sich ihren Ängsten zu stellen, nachdem einer ihrer Nachbarn ermordet wird und ein Detektiv eintrifft, um die Ermittlungen aufzunehmen.Eine Erbin, die seit fast zwei Jahrzehnten in ihrem Wohnhaus eingeschlossen ist, wird gezwungen, sich ihren Ängsten zu stellen, nachdem einer ihrer Nachbarn ermordet wird und ein Detektiv eintrifft, um die Ermittlungen aufzunehmen.
Bubba Ganter
- Doorman
- (as Leon Ganter)
Empfohlene Bewertungen
I'm not quite with the person who described this film as a crime (although he writes a good review); but this film certainly didn't deliver what it promised in the opening act.
I'm a big fan of Selma Blair, and she does her best with the material given. Unfortunately, what starts out as an atmospheric thriller soon degenerates into an implausible hook (oddly enough, less interesting than if they'd just continued the original storyline), with a horribly pat ending, complete with cops discovering a cellphone ringing at a grave, that has "10 minutes to wrap" written all over it.
All of which is a great pity, because it had a good cast, and there was some decent acting on display before it all goes west.
So: not a crime, but certainly not all it could have been. For a much better movie with a similar theme, see 'Copycat'.
6/10
I'm a big fan of Selma Blair, and she does her best with the material given. Unfortunately, what starts out as an atmospheric thriller soon degenerates into an implausible hook (oddly enough, less interesting than if they'd just continued the original storyline), with a horribly pat ending, complete with cops discovering a cellphone ringing at a grave, that has "10 minutes to wrap" written all over it.
All of which is a great pity, because it had a good cast, and there was some decent acting on display before it all goes west.
So: not a crime, but certainly not all it could have been. For a much better movie with a similar theme, see 'Copycat'.
6/10
Considering the initially negative but not very eloquent comments about this movie but the promising trailer, I figured I might be in for a pleasant surprise.
Unfortunately, that was not really the case. And I would usually not review a movie like this because it is neither something I would recommend, nor something I would recommend to stay away from.
Yes, the premise is nothing new (but how many movies each year does one see where that is really the case?) and the acting is cringe-worthy in a lot of places (I especially could not believe the performance in some of Selma Blair's and Amy Smart's scenes - both of whom I found great in virtually every movie I've seen them in) but still, I think it is a nice little story.
I find it ironic how people reviewing this call various elements stupid while at the same time lacking the ability to comprehend Selma Blair's character. Especially considering that it is really very simple from a logical point of view. I don't see a point writing a review that contains spoilers, so I won't say anything more about this. But as always, a little empathy goes a long way and will make the viewer realize the motivations for certain things happening. Although I will not deny that some of them seem odd, rushed, out of character at first glance, many of these can be explained if given just a bit of thought.
Overall, I would say that it is a mildly amusing but pretty forgettable movie that is probably best experienced when not paying full attention to it.
Unfortunately, that was not really the case. And I would usually not review a movie like this because it is neither something I would recommend, nor something I would recommend to stay away from.
Yes, the premise is nothing new (but how many movies each year does one see where that is really the case?) and the acting is cringe-worthy in a lot of places (I especially could not believe the performance in some of Selma Blair's and Amy Smart's scenes - both of whom I found great in virtually every movie I've seen them in) but still, I think it is a nice little story.
I find it ironic how people reviewing this call various elements stupid while at the same time lacking the ability to comprehend Selma Blair's character. Especially considering that it is really very simple from a logical point of view. I don't see a point writing a review that contains spoilers, so I won't say anything more about this. But as always, a little empathy goes a long way and will make the viewer realize the motivations for certain things happening. Although I will not deny that some of them seem odd, rushed, out of character at first glance, many of these can be explained if given just a bit of thought.
Overall, I would say that it is a mildly amusing but pretty forgettable movie that is probably best experienced when not paying full attention to it.
this is one of those stories we want to see with never ending unexpected surprise twist and turns in the plot. this movie is not that!! BUT as an entertaining film it cooks on all four burners!
the story is predictable and at one point even silly (doctors house in garden) --- but so what. even if you can guess what will happen next what will keep you watching is to see how they will achieve it. the acting is good and there are a few truly suspenseful scenes. the setting is lavish and a treat for the eyes. you can even find yourself becoming emotionally involved with the recluse.
so if you want a story without too much to have to watch and remember so you will understand what exactly is happening in the story - this is your flick.
the story is predictable and at one point even silly (doctors house in garden) --- but so what. even if you can guess what will happen next what will keep you watching is to see how they will achieve it. the acting is good and there are a few truly suspenseful scenes. the setting is lavish and a treat for the eyes. you can even find yourself becoming emotionally involved with the recluse.
so if you want a story without too much to have to watch and remember so you will understand what exactly is happening in the story - this is your flick.
This interesting suspense movie deals with a young woman named Abigail Clayton (Selma Blair) who lives deeply alone . She is a heiress who's been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed . The famous daughter of a wealthy industrialist, Abigail disappeared from the prying eyes of the press and the intrusiveness of her family on her 18th birthday, the day she received her massive inheritance. During years of self-imposed isolation, Abigail has had contact with only two people-her building's Concierge, Klandermann, with whom she communicates via notes-and Dr. Raymond Fontaine (Beau Bridges) , a longtime family friend . When there happens the death of her elderly neighbor , Police arrives to begin the investigation and prompts NYPD Homicide Detective Frank Giardello (also producer Giovanni Ribisi was previously in George Gallo's earlier movie Middle Men) and Detective Jerry Eaans (Jason Antoon) to launch an investigation, the Abigail is distressed to find him outside her door, asking to question her. Having tried to acquire the dead woman's now vacant apartment to ensure her privacy, Abigail is further upset when her requests go unanswered, and new tenants Lillian and Charlie move in. Abigail anxiously monitors her new neighbors from the safety of her front door's peephole, but her well-ordered world begins to unravel when she finally encounters Lillian (Amy Smart) and Charlie (First non-comedic film for Jason Lee since The Ballad of Jack and Rose) face-to-face-and her sheltered existence becomes threatened in unexpected and terrifying ways.
This is a nail-biting and exciting thriller well directed by George Gallo . The film contains suspense , thrills , twits and turns . From start to final the intrigue and thrilling scenes are continuous . This is a picture made among friends , as most of them either play , write or produce such as Giovanni Ribisi , Jason Lee and Kevin Polack . Good performance from Selma Blair as the attractive agoraphobic heiress who has not left her Manhattan loft apartment for almost two decades. All-star-support-cast formed by known actors as Jason Lee , Kevin Pollack , Robert Guillaume and the veteran Beau Bridges as a Doctor and her sole confidant for most of her life . Suspenseful and moving musical score by Brian Tyler . Colorful though sometimes dark cinematography by Anastas Michos . The flick was compellingly written and realized by George Gallo . He is a prestigious writer such as ¨Bad boys I and II ¨ and ¨Midnight run¨ ; being an expert filmmaker on comedy genre as proved in ¨My mom's new boyfriend¨ , Double take¨ , and ¨Trapped in Paradise¨ . His greatest success is ¨The middle man¨ and ¨Colombus Circle¨ results to be his only thriller .
This is a nail-biting and exciting thriller well directed by George Gallo . The film contains suspense , thrills , twits and turns . From start to final the intrigue and thrilling scenes are continuous . This is a picture made among friends , as most of them either play , write or produce such as Giovanni Ribisi , Jason Lee and Kevin Polack . Good performance from Selma Blair as the attractive agoraphobic heiress who has not left her Manhattan loft apartment for almost two decades. All-star-support-cast formed by known actors as Jason Lee , Kevin Pollack , Robert Guillaume and the veteran Beau Bridges as a Doctor and her sole confidant for most of her life . Suspenseful and moving musical score by Brian Tyler . Colorful though sometimes dark cinematography by Anastas Michos . The flick was compellingly written and realized by George Gallo . He is a prestigious writer such as ¨Bad boys I and II ¨ and ¨Midnight run¨ ; being an expert filmmaker on comedy genre as proved in ¨My mom's new boyfriend¨ , Double take¨ , and ¨Trapped in Paradise¨ . His greatest success is ¨The middle man¨ and ¨Colombus Circle¨ results to be his only thriller .
A collection of good, underused actors and actresses have been assembled in "Columbus Circle". It's the type of place that is described as anything can happen there. I'll take their word for it. The events that occur in the movie get increasingly far-fetched as we go along, and unfortunately, to the detriment of the enjoyment of the film.
An old woman is found dead in her apartment. The simple answer is that it was an accidental fall but the police are there investigating it as a homicide. The main character, Abigail (Selma Blair) lives across the hall. When a detective questions her, we are supposed to believe that is the very first time she has opened her door for anyone.
Abigail isn't really Abigail. She's a wealthy heiress who disappeared from home when she was a teenager, never to be seen from or heard from again. Her family doctor (Beau Bridges) is her only confidante, and she communicates via letters with the Columbus Circle doorman. The detective is curious about her because he sees her as a victim. If this were a better film that would have been a very intriguing element.
It's not a bad film per se, it's just that the characters that interested us at first start acting in unrealistic ways and we're left scratching our heads over the point of it all.
After the old woman's body is removed, Abby wants to buy the place just for her peace of mind, but instead it goes to a young savvy couple (Jason Lee and Amy Smart) who are constantly at physical odds with each other. Apparently, Abby is so distraught over the welfare and safety of her new neighbour that she invites her into her apartment. As you can likely guess a whole host of problems, crimes, double-crossings and shady connections come with her.
The actors were all good. The characters could have been good if there was a bit more development. The plot moved fine for its short run time. I was mostly impressed with Jason Lee and Giovanni Ribisi. This is one of Lee's only dramatic ventures in his filmography and it's a great divergence for him. Ribisi played a smart, shrewed and caring detective which is a welcome change to his usual parade of drugged-out dopey teenagers. If the other actors more closely portrayed characters that resembled real people with normal or interesting traits and attributes, then I could have appreciated them too.
An old woman is found dead in her apartment. The simple answer is that it was an accidental fall but the police are there investigating it as a homicide. The main character, Abigail (Selma Blair) lives across the hall. When a detective questions her, we are supposed to believe that is the very first time she has opened her door for anyone.
Abigail isn't really Abigail. She's a wealthy heiress who disappeared from home when she was a teenager, never to be seen from or heard from again. Her family doctor (Beau Bridges) is her only confidante, and she communicates via letters with the Columbus Circle doorman. The detective is curious about her because he sees her as a victim. If this were a better film that would have been a very intriguing element.
It's not a bad film per se, it's just that the characters that interested us at first start acting in unrealistic ways and we're left scratching our heads over the point of it all.
After the old woman's body is removed, Abby wants to buy the place just for her peace of mind, but instead it goes to a young savvy couple (Jason Lee and Amy Smart) who are constantly at physical odds with each other. Apparently, Abby is so distraught over the welfare and safety of her new neighbour that she invites her into her apartment. As you can likely guess a whole host of problems, crimes, double-crossings and shady connections come with her.
The actors were all good. The characters could have been good if there was a bit more development. The plot moved fine for its short run time. I was mostly impressed with Jason Lee and Giovanni Ribisi. This is one of Lee's only dramatic ventures in his filmography and it's a great divergence for him. Ribisi played a smart, shrewed and caring detective which is a welcome change to his usual parade of drugged-out dopey teenagers. If the other actors more closely portrayed characters that resembled real people with normal or interesting traits and attributes, then I could have appreciated them too.
Wusstest du schon
- WissenswertesIn the scene where Helen's doctor told the detectives she had cancer, he should not have said that. He was correct in asking for a subpoena to release the records. The Hippocratic Oath dictates that, even after a patient has died, their medical history is protected. Doctors can confirm that someone is a patient, but he still wouldn't have been allowed to tell the detectives she had cancer unless forced by a judge.
Source: pre-med and student reading of "ethical guidelines for medical professionals".
- Patzer(at around 14 mins) When "Abigail" is speaking with the bank manager about closing her account he asks her what her passcode is. For security purposes no bank employee would never ask someone to tell them what their passcode is (even if they are closing the account) since they could then use it themselves. They would ask them to enter it on a keypad with it showing up hidden on the screen.
- SoundtracksBlues For Sancho
written by Ken Stange & Bob Hackl
performed by George Gallo and Ken Stange
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- 10.000.000 $ (geschätzt)
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