IMDb-BEWERTUNG
4,1/10
1080
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA man returns to New York after years in exile to save the girl he loves.A man returns to New York after years in exile to save the girl he loves.A man returns to New York after years in exile to save the girl he loves.
- Auszeichnungen
- 1 Nominierung insgesamt
Zoe Lister-Jones
- Rebecca
- (as Zoe Lister Jones)
Fred Arsenault
- Man with Bowtie
- (as Freddy Arsenault)
Empfohlene Bewertungen
OK this movie is SO slow, if you are making a noir, you must demand excellent writing and story, not some mash up half-done gangster plot. A mopey Franco , a lot of meaningless blank stares. don't attempt things with this bad effort. "you sound like you're in a movie" was used twice, Really? I thought Lucas was a good villain, and martin Donovan held there own, but the leads had no real chemistry. Franco wasn't pulling his weight, although not totally his fault given the substandard script.
If you're into a lot of good camera shots over accordion music with odd fragmented cutaways that lend little to pushing the story forward than the movie is for you.
If you're into a lot of good camera shots over accordion music with odd fragmented cutaways that lend little to pushing the story forward than the movie is for you.
'SHADOWS & LIES': Two Stars (Out of Five)
James Franco stars in this unbelievably slow and uneventful artsy indie film about a man trying to free the woman he thinks he loves from a New York City organized crime syndicate. It's written and directed by Jay Anania who was one of Franco's teachers at New York University. The film also features Josh Lucas, Martin Donovan and Julianne Nicholson. It's the perfect example of too much style over substance.
In the movie Franco plays a small time crook named William Vincent who picks people's pockets and often throws it away. He draws the attention of a local New York City drug runner (Lucas) who is impressed by his skills and apparent lack of humanity. He offers William a job and then a night with his woman, Ann (Julianne Nicholson). William falls for Ann, even though he knows nothing about her, and this of course causes complications with his new employer.
The movie is extremely slow paced and very moody. There's very little dialogue and the film is instead content with just giving the viewer long camera shots of the actor's blank faces (mostly Franco). If you're a big fan of Franco and into his looks this might be enough for you but most others will be extremely bored. The directing is kind of cool, the cinematography is beautiful and the music striking but the screenplay is so poorly written. Nothing much ever happens, we learn almost nothing about any of the characters and as a result the film seems very pointless. It starts promising, it's beautiful to look at and it's nice to see Franco taking some different projects but he's not given anything really to work with here. The movie is almost a total waste of time with nothing to offer anyone except some nice photography and some long mug shots for die-hard fans of prettyboy Franco.
Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=Nse6Wm1EtZU
James Franco stars in this unbelievably slow and uneventful artsy indie film about a man trying to free the woman he thinks he loves from a New York City organized crime syndicate. It's written and directed by Jay Anania who was one of Franco's teachers at New York University. The film also features Josh Lucas, Martin Donovan and Julianne Nicholson. It's the perfect example of too much style over substance.
In the movie Franco plays a small time crook named William Vincent who picks people's pockets and often throws it away. He draws the attention of a local New York City drug runner (Lucas) who is impressed by his skills and apparent lack of humanity. He offers William a job and then a night with his woman, Ann (Julianne Nicholson). William falls for Ann, even though he knows nothing about her, and this of course causes complications with his new employer.
The movie is extremely slow paced and very moody. There's very little dialogue and the film is instead content with just giving the viewer long camera shots of the actor's blank faces (mostly Franco). If you're a big fan of Franco and into his looks this might be enough for you but most others will be extremely bored. The directing is kind of cool, the cinematography is beautiful and the music striking but the screenplay is so poorly written. Nothing much ever happens, we learn almost nothing about any of the characters and as a result the film seems very pointless. It starts promising, it's beautiful to look at and it's nice to see Franco taking some different projects but he's not given anything really to work with here. The movie is almost a total waste of time with nothing to offer anyone except some nice photography and some long mug shots for die-hard fans of prettyboy Franco.
Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=Nse6Wm1EtZU
I give this a solid 7 out of 10 due to the fact that it was, in my eyes, a very original film full of emotion and body-language.
A must see art film.
James Franco shines in this subtle film that puts you through different moral standing that will make you ask, "why would he do that?", just as the characters in the story are asking Franco's character. Shot with a "real-world" aspect this plot lays in front of you waiting to be uncovered just as the end will lay in your thoughts.
If you have ever felt out of place or different in this crazy world take a look through this genuine character's eyes.
A must see art film.
James Franco shines in this subtle film that puts you through different moral standing that will make you ask, "why would he do that?", just as the characters in the story are asking Franco's character. Shot with a "real-world" aspect this plot lays in front of you waiting to be uncovered just as the end will lay in your thoughts.
If you have ever felt out of place or different in this crazy world take a look through this genuine character's eyes.
Okay, first of all, I gotta say that I don't think the rating of this movie is very fair.
The rhythm of the movie is slow, so if you're not the type of person who could sit still for two hours and adore the visualization of a slow film, just let it go.
After the ending, I began thinking how the movie had no purpose at all and that it wasn't sending out a message. And then I thought, maybe it wasn't supposed to. Maybe it was just trying to show a small part of a depressed, not-finding-a-meaning-in-life guy's life. And even so, it still lacked something, it was a little lost, like there wasn't much thought behind the story. It wasn't very well figured out, neither were the characters.
But the good news is, it gets you thinking. The photography is beautiful, and so is the acting. James Franco does a great job in this one, every expression on his face has a meaning behind it, the tone of his voice, how the characters linger before saying something, that is All very good. Not so many great lines though, it's mostly body language.
After all, I think it's worth watching. There are many beautiful scenes that you wouldn't want to miss, regardless of the not-so-good story.
The rhythm of the movie is slow, so if you're not the type of person who could sit still for two hours and adore the visualization of a slow film, just let it go.
After the ending, I began thinking how the movie had no purpose at all and that it wasn't sending out a message. And then I thought, maybe it wasn't supposed to. Maybe it was just trying to show a small part of a depressed, not-finding-a-meaning-in-life guy's life. And even so, it still lacked something, it was a little lost, like there wasn't much thought behind the story. It wasn't very well figured out, neither were the characters.
But the good news is, it gets you thinking. The photography is beautiful, and so is the acting. James Franco does a great job in this one, every expression on his face has a meaning behind it, the tone of his voice, how the characters linger before saying something, that is All very good. Not so many great lines though, it's mostly body language.
After all, I think it's worth watching. There are many beautiful scenes that you wouldn't want to miss, regardless of the not-so-good story.
Disappointment.
Great casting, no story for a long piece. Really long, tried to be something more, but the length was overwhelming. Fell asleep for 15 min and didn't lose anything as I continued to watch..... Could have been made into short film, a much shorter film. Franco brooding, sans dialogs pieces, didn't go.he does this well. Looking pasty and attractive..
The music at points was obtrusive and disgracing. Visually it was pretty to watch, the coloring, beautiful exterior shots, but not for this long.The movie left me with nothing....
Great casting, no story for a long piece. Really long, tried to be something more, but the length was overwhelming. Fell asleep for 15 min and didn't lose anything as I continued to watch..... Could have been made into short film, a much shorter film. Franco brooding, sans dialogs pieces, didn't go.he does this well. Looking pasty and attractive..
The music at points was obtrusive and disgracing. Visually it was pretty to watch, the coloring, beautiful exterior shots, but not for this long.The movie left me with nothing....
Wusstest du schon
- WissenswertesOn the opening title card the word iridescent is misspelled with 2 Rs.
- PatzerWilliam offers Ann a glass of water and he then gives her a glass that is almost empty with barely a few of sips of water in it which she puts up to her lips. After William sits down, Ann takes a drink from the glass which now is half full of water.
- Zitate
[first lines]
Title Card: The iridescent lipstick of the Kyoto geisha when seen in the dim light of a candle... / Jun 'ichiro Tanizaki / 'In Praise of Shadows'
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- In Praise of Shadows
- Drehorte
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- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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